Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.
- Awards
- 8 wins total
Miklos Königer
- Trashman
- (archive footage)
- …
Henry Akina
- Dress Shop Owner
- (archive footage)
- …
Sushila Day
- Mannequin Arm
- (archive footage)
- …
Emil Kio
- Lady in Dress Shop
- (as Kio)
- …
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is a crazy ride of loneliness, jealousy, betrayal and loss... but told in an almost upside down way, with the female lead being played by a mannequin. There is nothing predictable about this film. It pays homage to many art films of old, and is clearly helmed by a very talented director.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
I didn't think that I would like this movie but it had me hooked from the first minute. There wasn't much said in this movie and that is why it stood out. It makes you think about what is going on and the images are stunning. Strange characters, strange occurrences and even more bizarre of an ending. This was on par with Kung Fu Hustle and should be a film added to everyone's collection. You won't have another one like! I guarantee it-
Read on FB that this is a movie the director started sometime in the 80's before film schooling and went back to finish just now in 2019. If that isn't strange enough, wait until you see this weirdly wonderful movie. The music, the extraordinary visual interplay between the two misfit characters and the obvious references to the silent film era and the French surreal master Cocteau and even Bunuel make this a true delight and a really fantastic little discovery.
A provocative film portraying the exploration of the being and sexuality from the main characters's subconscious minds. Absurdity, suffering and an obsessive undefined lust for the obscure object of desire.
A filming style influence by mise-en-scene, sound editing and the music. The set design contributes beautifully to create a fantasy world full of symbolism. Great movie, especially for art film lovers.
In Michael Bartlett's haunting feature, "The Berlin Bride" we enter a strange new world, not unlike the one David Lynch brought us to in "Eraserhead," some 40 years ago. The visual aesthetic that inhabits the film, truly makes it feel out of time, like we're watching a long-lost 70's film that has just been unearthed. The art direction and set design was also very impressive - so many rich details to pour over, like a single egg in the refrigerator or a stack of VHS tapes next to a naked Barbie doll. There were even moments where "Stalker" came to mind, when the characters were walking outside, and the outside world (trees, old apartment buildings) had a sort of unwordly feel to them. Definitely for fans of the occult and strange, but also for anyone looking for something a little bit different.
Did you know
- TriviaSteve Buscemi, visiting Berlin with his girlfriend at the time, spent a quiet evening alone with Bartlett reviewing early footage of what would become today's The Berlin Bride. Bartlett's apartment was on Seesener Strasse, No. 23, where the young director not only lived but also where most of the film's interiors were shot. Buscemi, a street performer and off-Broadway actor at that time, sat with Bartlett on the carpet, a few beers between them, watching the rough 16mm footage Bartlett had copied to VHS tapes for review. Bartlett was preparing for another project when a friend, who had caught Buscemi performing in New York, thought he might be good for the lead in the new film. Nothing ever came of the new project, just good memories of a fun evening in West Berlin.
- ConnectionsEdited from Konzert für die rechte Hand (1987)
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