SuperFly

If you walk into Superfly with the intention of not taking it seriously....it's actually pretty fun for all the wrong reasons. What makes Superfly work is its jaded views on street credibility and several of the lead actors to bring some much needed levity to what is a rip-off of every crime drama that came before it.

The plot is all you have heard a million times before. The whole "one big score to end it all" after a traumatic moment, corrupt cops, navigating through a Mexican drug cartel, all wrapped into a copy and paste style script. What makes it a little more worth while is the rival gang Snow Patrol, which is gloriously over the top in literally all white everything and filled with actors overacting in ways I haven't seen in a movie in a long time. So it's sad to say that there is a long period where they aren't the focus and the film reverts into familiar cartel territory, which is not investing at all.

Trevor Jackson is okay in the lead role, but is clearly outstaged by his co-star Jason Mitchell, who is having more fun in the role than he is. He plays it pretty straight, but doesn't stretch his range out enough to make him captivating. Also the film runs 20 minutes too long and could have sliced a large amount of the ending to keep it more focused and internal.

Superfly is simply harmless pulp that was close to being a guilty pleasure. In a post-Black Panther world, films like Superfly will have to beef up their reasons for existing by either going all the way absurd, or just asking new questions these characteristics. It's crime isn't its influence, but instead it lacks wings to truly fly.

Rating: 4.5 / 10

I do not recommend this movie. I watched it and wanted to scratch my eyes out. Low IQ gangsters, terrible music, poorly written. Some Scenes look like they were shot on an old soap opera set. No redeeming value in this film.

A waste of time.. theres is not one thing that is worth losing your time. It is absolute trash

This is a loud slick noisy update of the 1972 Blaxploitation Super Fly. The tunes lack the funk of the original and I welcomed the burst of Curtis Mayfield's title track.

Trevor Jackson is cool but bland as the Atlanta drug pusher Youngblood Priest. He wants to make that one big score and get out with his two girlfriends.

To do this he makes a connection with the Mexican cartel, stay one step ahead of rival gang Snow Patrol and then he has to deal with crooked cops who want a piece of the coke pie.

Priest has been made more nicer and morally centered in this version, he was not so nice in the original.

Despite looking more lavish than the original. Director X has stuck to his music video aesthetics. I think all those shots of women in strip clubs looks sleazy for all the wrong reasons.

The film is really too long, the crooked cops were just cartoonish, I am surprised no one caught them out earlier. The script is full of holes but it is a watchable that improves as it goes on.

Priest is a cool, careful, calculating drug lord in Atlanta. He has operations and connections all over without the unwanted attention like his two girlfriends, Georgia and Cynthia. He has a respectful rival in Snow Patrol leader Q although Q's right hand man Juju is itching to take him down. After Juju's failed shooting, Priest's brother Eddie tries a drive-by without Priest's knowledge. Meanwhile, Priest goes around his source Scatter (Michael Kenneth Williams) by connecting to the Mexican source Adalberto Gonzalez (Esai Morales). He returns to a looming gang war with Snow Patrol and corrupt cop Detective Mason (Jennifer Morrison).

I like the opening scene which sets up Priest's character really well. After that, he needs to do an exposition of his life and his operation. The movie tries to be slick. At times, I find the attempt fun but other times, it seems unnecessary and silly. For example, Morrison is overplaying the role and she's not capable of the attempt. It's silly to try unless it's done right. The other problem is that Priest is presented as a calculating smart dealer but he misses several obvious things in his plan. It's obvious that Scatter would figure it out and come after him sooner or later. A smart man would take him out right after making the connect with Mexico. As for Q, he knows that his lie could never hold up especially at the gallery. He should have offered him a piece of the action since he needs the sales anyways. Also I don't understand the exact calculations of the third act. Wouldn't a shoot out at his furniture store draw attention to him? Wouldn't it be better to go after Snow Patrol at their mansion? It would have been great action to have a shoot out at the mansion. Speaking of action, there is one big car chase scene in the movie which reminds me of a 90's action B-movie shot on the streets of Toronto. That's to say it looks dated and doesn't have the intensity of the top rank modern car chase. It also looks like they tried their best with limited resources and skills. There is lots to like about TV and music video Director X but he may need some help making the jump to full length films.