Photograph

Rafiq (Nawazuddin Siddiqui), a struggling street photographer at Mumbai's Gateway of India, convinces a reclusive youngster Miloni (Sanya Malhotra) to pose for a picture. Their chance encounter leads to self-discovery and a fascinating tale of slow-burn romance.

The pacing is frustrating and needs a lot of patience but Batra's unique take on love, with shades of Basu Chatterjee's Chhoti Si Baat..

What does stand out is the brilliance of Nawazuddin Siddiqui. He is the master of his craft and conveys unsaid emotions effortlessly. Sanya underplays a bit too much but gradually holds her own in front of an actor like Nawaz.

If you seek purpose or motivation behind someone's certain behaviour, you won't find it here so Photograph eventually struggles to keep you engaged,,However, if you appreciate ambiguity, the film leaves a lot to imagination and interpretation, which has its own charm. The open-ended climax in particular is cleverly done. It makes you ponder and crave for more.

Photograph isn't a perfect shot but it's intriguing and takes you back in time. Like love and life, it's uncertain and hopeful.

I would say the intention of director was good to make a movie as good as THE LUNCHBOX but director missed this time. It's still watchable but you will feel something is missing all the time. Some scenes are really too much like everyone is asking why dadi has stopped taking medicine and some more. Just watch it and don't expect much.

My Rating : 7/10

Nawaz is a favourite and any movie/TV show he's in I am sure to watch it. 'Photograph' is a much more delicate, sensitive and simple story of two strangers brought together by coincidence.

Is a damn good slow-burn, those wanting traditional naach-gaana may get bored but otherwise a good effort from the director of 'The Lunchbox'.

This is a "sweet" film well worth your time, but I couldn't get the age difference between the two main characters out of my head. And as sweet as it was, what would be the chance of any sort of long term relationship be between those two? I mean, realistically, back to the village? And how does he get to take so much time off from work, at 30 rupees per picture? Oh yeah, and when I was there in January 2019 MY photos cost 100 rupees each. Thank goodness I'm not a woman, lest I have to pay the combined white and pink taxes. OK, it's not about me, nice film. The silences were not a distraction, but an enhancement. The supporting cast was quite good too.

This is one of the few movies which will be with me for a loooong time. This movie leaves you speechless when it comes to all the sections of it whether it is story arc, acting by the person who has least amount of screen time, background music, use of Mumbai locations which are unseen by many non Mumbai people and use of silence when required. Many people will complain about the pace of the movie, it is may be because they are so much habituated to movies of so called super stars, so called imported actresses who can't even speak hindi, item numbers, stupid & unnecessary songs, exotic locations, that they can't find beauty in simplicity of this movie. If you talk about the pace of the film my defence would be it is just like old & matured wine which do not give you kick in first sip but you have to feel it, give it time to grab you very slooowly. If you respect it then it will give you magical moments which will be with you for very long time. The best part of the movie is its simplicity in terms of storyline & acting. Characters of Nawazuddin Siddiqui and Sanya Malhotra are written/played so well, so imagine them to be someone next door to you. Ritesh Batra is once again able to do a good movie just like The Lunchbox. Hat's off to you guys.