An attorney in Washington D.C. battles against cynicism, bureaucracy and politics to help the victims of 9/11.An attorney in Washington D.C. battles against cynicism, bureaucracy and politics to help the victims of 9/11.An attorney in Washington D.C. battles against cynicism, bureaucracy and politics to help the victims of 9/11.
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Featured reviews
I only rated this because...
I want to be sure you watch it. Films like this are less here for ratings than they are to tell us something we need to be reminded of.
With the 20th September 11th about to arrive it's important we remember as much as we can about the people who were lost and their families who are devastated as a result.
This film tells their stories through the eyes of one man who had to be convinced that the 9/11 victims fund was more about the victims than it was about the fund.
His realization and resulting humanity is an account of decency that will help us remember that we can still be kind and decent to each other and when times are tough maybe that's the most important thing we can be to each other.
With the 20th September 11th about to arrive it's important we remember as much as we can about the people who were lost and their families who are devastated as a result.
This film tells their stories through the eyes of one man who had to be convinced that the 9/11 victims fund was more about the victims than it was about the fund.
His realization and resulting humanity is an account of decency that will help us remember that we can still be kind and decent to each other and when times are tough maybe that's the most important thing we can be to each other.
Emotion v Maths
This movie is frustrating because its has so many of the ingredients needed for a great movie but it's not a great movie and I don't know what the missing ingredient is. But it plods along without impetus. It needs a jolt from a director who would see a great story thats told in a boring way is not story to be retold.
Great start, with good acting by Michael Keaton, but I felt this story became a feel good movie, while there is nothing to feel good about...
The good: excellent acting performance by Michael Keaton. Photography and direction are great as well.
What's missing? Anything bad? Well, this movie turns into a feel good movie, wherein all the 9/11 vicitm's families suddenly start treating the government as a friend, while in real life there was no such thing. In fact there is still a lot of resentment towards the government because of the fact that a lot of volunteer aid workers did not get a penny. Not even for their severe disabilities.
Still not a bad movie, but a movie which feels like someone is whitewashing the mistreatment of many aid workers by painting a rosy picture of a terrible mistreatment of volunteer aid workers.
What's missing? Anything bad? Well, this movie turns into a feel good movie, wherein all the 9/11 vicitm's families suddenly start treating the government as a friend, while in real life there was no such thing. In fact there is still a lot of resentment towards the government because of the fact that a lot of volunteer aid workers did not get a penny. Not even for their severe disabilities.
Still not a bad movie, but a movie which feels like someone is whitewashing the mistreatment of many aid workers by painting a rosy picture of a terrible mistreatment of volunteer aid workers.
A Bit Unremarkable
"My daughter's worth just as much as anybody in a corner office."
Worth is about an attorney in Washington D. C. who battles against cynicism, bureaucracy, and politics to help the victims of 9/11. An important subject, it focuses both on the victims and families lost in the attack, and how it affected those who didn't experience those great losses that day. It's taken a long while for this to come out. With its premier at the Sundance Film Festival back in 2020, I would've expected it to drop sometime last year, but they waited almost two full years to release it on Netflix. It makes sense to drop it close to the tenth anniversary of the tragedy. I would've expected something more like Spotlight given the subject and the same producers along with Michael Keaton on board. Unfortunately, the movie comes off unremarkable. It explores all that it wants, but nothing more. I'm sorted of reminded of a movie like White Boy Rick or The Mule or some other recent Clint Eastwood movie. The movie does the job but never goes as deep as it should. There are a few emotional scenes that I liked and hoped would stay in that direction. But shortly after we get that bland biopic formula.
The two main performances from Michael Keaton and Stanley Tucci are good. I preferred Tucci's character more than Keaton's, but still good. Who stole the show for me was Laura Benanti. She has a few scenes and she crushes them. Those were the scenes I wish the movie could've been. I also did like these interview scenes throw in throughout. We then get more stories besides the struggle to understand how to compensate the families. The script had its moments. I would say the dialogue was mostly good, but could come off as uninteresting with scenes dragging on. Sara Colangelo had good ideas when it came to direction. The scene on the train when the attacks take place has a good use of music and a good one take. That's the most I can say. The movie has its moments. But it comes off forgettable in the end. I didn't feel like I retained as much as I could. The subject is interesting, but I lost internet watching. This could be something people are really into, especially those who experienced it. I just think more could've been done.
Worth is about an attorney in Washington D. C. who battles against cynicism, bureaucracy, and politics to help the victims of 9/11. An important subject, it focuses both on the victims and families lost in the attack, and how it affected those who didn't experience those great losses that day. It's taken a long while for this to come out. With its premier at the Sundance Film Festival back in 2020, I would've expected it to drop sometime last year, but they waited almost two full years to release it on Netflix. It makes sense to drop it close to the tenth anniversary of the tragedy. I would've expected something more like Spotlight given the subject and the same producers along with Michael Keaton on board. Unfortunately, the movie comes off unremarkable. It explores all that it wants, but nothing more. I'm sorted of reminded of a movie like White Boy Rick or The Mule or some other recent Clint Eastwood movie. The movie does the job but never goes as deep as it should. There are a few emotional scenes that I liked and hoped would stay in that direction. But shortly after we get that bland biopic formula.
The two main performances from Michael Keaton and Stanley Tucci are good. I preferred Tucci's character more than Keaton's, but still good. Who stole the show for me was Laura Benanti. She has a few scenes and she crushes them. Those were the scenes I wish the movie could've been. I also did like these interview scenes throw in throughout. We then get more stories besides the struggle to understand how to compensate the families. The script had its moments. I would say the dialogue was mostly good, but could come off as uninteresting with scenes dragging on. Sara Colangelo had good ideas when it came to direction. The scene on the train when the attacks take place has a good use of music and a good one take. That's the most I can say. The movie has its moments. But it comes off forgettable in the end. I didn't feel like I retained as much as I could. The subject is interesting, but I lost internet watching. This could be something people are really into, especially those who experienced it. I just think more could've been done.
Just fell a little short
Well written, edited, and so forth. Keaton and Tucci are masterful in their portrayals. The movie has very touching moments that portrays the situation in the film as well as those of the stories of the people this is based on in a very sympathetic and emotional manner. I would recommend to almost anyone who asks me to give it a shot. My only real criticism is that it can be slow at times, and at the core concept the movies plot self describes to be about justice. How suing the airlines over the events of 9/11 is about justice or the motivation in doing so however is never explained.
It comes down to characters always saying the whole movie is about being just but never once explains why it's the airlines fault.
It comes down to characters always saying the whole movie is about being just but never once explains why it's the airlines fault.
Did you know
- TriviaWhen the wall of photos of missing people is shown, the same photos are used over and over in different ways.
- GoofsTowards the end of the movie, a chyron appears with the text "December 19, 2003, 5 days until the deadline" then a few seconds later it cuts to a shot of the characters' whiteboard with the text indicating the deadline is December 22, 2003 and is 3 days away, contradicting the chyron preceding it.
- Quotes
Ken Feinberg: You know. Attorney General, I.. People are rational animals. I find if you... if you force them to the table, most behave in the way that makes the most sense.
- SoundtracksMein Herr, Was Dächten Sie
From Die Fledermaus
Performed by Joseph Keilberth and the Hamburg State Opera Orchestra
Written by Johann Strauss (as Johann Strauss II)
Licensed courtesy of Filmtrax Ltd.
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Details
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- Language
- Also known as
- Cái Giá Của Sinh Mạng
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Box office
- Gross worldwide
- $106,645
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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