Everybody's Talking About Jamie

Max Harwood delivers a standout debut performance in this camp coming-of-age musical, which features dazzling musical numbers, great costumes and set designs and an over-the-top drag queen performance by the wonderful Richard E. Grant. I could do with less of the gay clichéd themes - they are cringey.

You can tell this was filmed in 2019. Jamie feels like a pre-pandemic LGBT movie musical, if ever there was one.

The heart and charm of the stage musical is not apparent in this adaptation. It feels like an ode to narcissism and self-obsession, rather than a tribute to self-expression. Maybe this film would have had resonance fifteen years ago, but it feels so out of sync with the current zeitgeist. The more it tries to be inspiring, the more on-the-nose and garish it becomes, and the more I want to crawl back into my metaphorical closet...

The main fault of this film is the direction. It lacks vision. It's trying to be a 2000s British feel-good movie one minute, then the next it's a parody of a Netflix teen drama. Either way, with the number of stereotypes it perpetuates, it feels like an LGBT story more concerned with pleasing its straight audience than its gay one. If it had rooted itself in a time and place - 2010 Sheffield - examined that culture, and honed in on the mother-son emotional centre, then it could have been something interesting.

It's not a bad film, per se. It just doesn't know what note it's trying to hit... But, alas, the doe-eyed beauty of Sarah Lancashire's performance broke my heart and Work of Art will always be that bop...

6/10.

I'll start by saying I'm a huge fan of live musicals and I really think West End and Broadway actors are some of the most talented performers around! I'm so sick of musical adaptions where it's such a priority to cast famous actors even when they can't sing (Into the Woods, Sweeney Todd, Beauty and the Beast, the list goes on). To compensate they have to auto-tune the living daylights out of every song so it sounds like you're listening to some kind of tone-deaf, mechanical monster or, when even that fails, they have the actors basically speak the songs (cough Emma Watson cough). I also don't know who decided that James Corden is the musical star du jour but I'd like to know how we get them to cease and desist. It also upsets me when they brutally cut loads of the songs for no apparent reason and/or add in new songs that are clearly just tacked on for unfathomable reasons (a la Aladdin and pretty much every movie musical I've already mentioned).

Anyway, enough moaning about other movie musicals. Given the movie's title, I shall join everybody else talking about Jamie. I like that it's not a carbon copy of the musical (otherwise why not just do an awesome Hamilton-style stage recording) but instead acknowledges that this is a new and different medium from the stage and uses this to its full advantage. All of the cast are talented actors and singers. Max Harwood is the perfect Jamie: sweet, naive and endearing with the most gorgeous voice. His performance is very different from John McCrea's but equally beautiful. All of the other actors do a great job making this as heartwarming, enjoyable and moving as the live musical with a beautiful and meaningful message about encouraging people to be their true and honest selves.

I've no idea who is giving low ratings to this but I'd really encourage everyone to watch it and make up their own minds.

I watched this cautiously as I had not seen the musical on stage, and somehow I felt I was too old to be interested, and I was wrong!! This is a tremendous film and the plot no doubt has been explained over and over again. Jamie is the 16 year old who realises he is a part of Gay History, and that drag queen which he wants to be had also been a cornerstone of that History. The key scene was when Richard E. Grant sings a homage to the 1980's and 90's when drag queens died of AIDS and there is heart wrenching footage of Princess Diana visiting hospitals and hospices. It all made sense; the whole purpose of the film in showing those aspects of Gay History that still many choose to forget. Jamie takes on that continuing History of bullying, mockery, as well as help at home and in school. Sarah Lancashire is moving as his devoted mother trying to hide him from the fact that his father wants to disown him as his son, and despite all the songs that vary in quality I love this film for its bravery in showing us that a 16 year old can be a part of the revolution, which is the perhaps never ending legacy of Gay History, and for every supporter there is a homophobe who wants to destroy that History. A film for all ages and a welcome breath of fresh air. A perfect film for the children of the future in any country that is hostile towards homosexuality that I can think of. A deserved 10.

This is a well made musical biography. The story is touching, uplifting and powerful. The songs are good, the visuals are colourful. The film lifts you up through the great songs.