In this gripping real-life narrative, two formidable women deliver compelling performances at the forefront.
The tale's authenticity lends credence to its chilling plot: in Bremen, a seemingly meek yet cunning woman, responsible for poisoning about 15 individuals over several years, truly existed. I viewed this film in a German cinema near Bremen, where locals are familiar with this historical incident.
The movie portrays the murderer as jealous of her adversary, Cato Böhmer, a young law clerk, reflecting on her motivations and psychological state, yet her actions largely remain enigmatic, leaving the audience with lingering questions. Why did she commit multiple murders while maintaining a facade of compassion?
The film stands out for its clear, enjoyable dialogue, a refreshing change from many modern movies that often use mumbled lines or drown conversations with loud music or background noise.
The original score, masterfully executed by a 40-member orchestra, beautifully complements the film's mood.
Set around 1830, the plot intertwines with the technological and economic progress of the time, including railroad construction in Northern Germany and historical settings. An intriguing aspect is the depiction of a mechanical copying device, unfamiliar to me.
This film is a must-watch, not just for enthusiasts of historical narratives. I eagerly anticipate Udo Flohr's next creation and hope for the continued casting of such dynamic performers.
