A woman's beach vacation takes a dark turn when she begins to confront the troubles of her past.A woman's beach vacation takes a dark turn when she begins to confront the troubles of her past.A woman's beach vacation takes a dark turn when she begins to confront the troubles of her past.
- Director
- Writers
- Stars
- Nominated for 3 Oscars
- 41 wins & 114 nominations total
Ellie Mae Blake
- Martha
- (as Ellie Blake)
Athena Martin Anderson
- Elena
- (as Athena Martin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The acting is phenomenal, especially from Olivia Colman and Jessie Buckley, and it does an excellent job of getting the audience to understand the stress of parenthood. However, the film tried to build up so much tension that never reached its breaking point. Rather, it fizzles out in a very disappointing finale.
Terribly overrated. Flat, strange, meandering, meaningless film. Entitled people who are very dislikeable, complaining about their privileged lives. Olivia Coleman is a selfish older woman and there are many flashbacks of her as a younger selfish woman. This is meant to be a mother "telling her truth" about the ugliness of motherhood. Nothing groundbreaking here. Just a boring story of self-absorbed, mindless people.
1. The narrative is unfocused. Two unrelated storylines are told in parallel, and the narrative is very scattered. Some characters (e.g. The local gang) are totally unnecessary.
2. Cinematography is annoying. Just too many closeups.
3. The screenplay is very pretentious. Its title and plot is misleading. Any audience would expect something to happen, yet nothing happens eventually. The title should be "The lost doll".
2. Cinematography is annoying. Just too many closeups.
3. The screenplay is very pretentious. Its title and plot is misleading. Any audience would expect something to happen, yet nothing happens eventually. The title should be "The lost doll".
When this film ended, I was left wondering what it was exactly that I just watched and felt like I was trying to find a deeper meaning within the film that I'm not even sure is really even there. Throughout the entire film, I was waiting for something to happen that would tie certain scenes together to make the story line more cohesive and make more sense and provide some sense of closure in regard to the plot and the actions of the main character. But at the end of the film, there I was... still waiting. There were scenes that were completely irrelevant to the story (for example, the scene with the hikers). I kept waiting for that scene to become relevant later in the film, but it never did. It was just "filler," I guess. As far as the acting goes, it was fine, as was the directing. I think the main failure of this film is the plot in general. Basically, it tries to build up a lot of intrigue (and does a decent job at that) but then in the end, you're still left struggling to find meaning and relevance and make connections that don't exist. And because of that, the film comes off as a bit pretentious due to its failed attempt to explore the main character's complex psychological state but even in that, it barely skims the surface.
I learned of Olivia Colman when she played Queen Anne in "The Favorite" (and won an Oscar for the role). I later saw her on "Broadchurch", as well as seasons three and four of "The Crown". She also provided one of the voices in "The Mitchells vs. The Machines".
But now we have Ms. Colman in an intense role. She plays a woman on vacation in Greece whose stay is overshadowed by memories of the daughters whom she abandoned. "The Lost Daughter" both casts doubt on the supposed happiness of family life, and the presumed pleasantness of tourism, with the protagonist's mental state deteriorating as the movie progresses. Jessie Buckley as the protagonist's younger self is equally intense, almost as much as her character in "I'm Thinking of Ending Things".
Maggie Gyllenhaal's directorial debut is a fine one. I wouldn't call it a masterpiece - and it certainly won't be for everyone - but it's not a movie that you're likely to forget any time soon. Both Colman and Buckley received Academy Award nominations for their roles, with excellent support coming from Ed Harris, Dakota Johnson, Dagmara Dominczyk (Karolina on "Succession"), Paul Mescal and Peter Sarsgaard.
But now we have Ms. Colman in an intense role. She plays a woman on vacation in Greece whose stay is overshadowed by memories of the daughters whom she abandoned. "The Lost Daughter" both casts doubt on the supposed happiness of family life, and the presumed pleasantness of tourism, with the protagonist's mental state deteriorating as the movie progresses. Jessie Buckley as the protagonist's younger self is equally intense, almost as much as her character in "I'm Thinking of Ending Things".
Maggie Gyllenhaal's directorial debut is a fine one. I wouldn't call it a masterpiece - and it certainly won't be for everyone - but it's not a movie that you're likely to forget any time soon. Both Colman and Buckley received Academy Award nominations for their roles, with excellent support coming from Ed Harris, Dakota Johnson, Dagmara Dominczyk (Karolina on "Succession"), Paul Mescal and Peter Sarsgaard.
Did you know
- TriviaBon Jovi granted the rights to use their song "Living on a Prayer" when they learned that Olivia Colman would be singing it in the film.
- GoofsWhen Leda is greeted by Lyle as she gets out of her car, it is daylight. As soon as she enters her apartment, it is dark.
- Crazy creditsThere's a mid-credits scene.
- SoundtracksCasual Yet Serious
Written & performed by Michael Angelo Garcia [aka Indijinouz] & Sebastian Robertson (as Sebastian Barnaby Robertson)
Courtesy of Universal Production Music
- How long is The Lost Daughter?Powered by Alexa
Details
- Release date
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- Official site
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- Also known as
- La hija oscura
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $703,281
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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