The Vermont Victim & The Bakersfield Hustle

Emmett Walsh! +1 Star.

Audrey goes to look for Carly. And finds her own dad. While Lizzie and Pete work on their con, Julia finds work at a bar. Julia also finds Hickey, who is a centerpiece in Marius' latest plot to get back a painting that was stolen from a 'client'.

I really liked the end sequence with Audrey and Carly. +1 Star

7/10.

The Hickey character is for me one of the best since Vince. She sees straight through Marius providing further insight to how he works people and his internal conflicts. Sees Julia as well, a beloved force in the show. This season focuses more on character development while somehow increasing the complexity and volume of cons and chaos. Characters like Hickey succeeds in both being interesting herself and giving us more view into the characters we've grown to love for 2 seasons.

What are we watching anymore? This episode introduces a host of new (and I hope temporary) characters, all of whom have personalities and appearances that caricaturized. Their involvement in the general plot line (if there is even one to be had in this god awful of a season so far) is hard to justify. You have go still give all of these characters, and even the regulars, credit for playing their part with so much conviction. But what the writers probably couldn't sense is that these performances don't translate to an intriguing story. The series is now as dithering and contrived as you can make it, and it's asking a lot from loyal viewers from S1 and S2 to have to carry on to see this through the end.

This season isn't all that great so far. Hopefully it picks up but I'm struggling to get through episodes

Insufferable Carly is looking for her mum Lila, who might not have perished 20 years prior. Carly darling, if your mother doesn't care to let you know she's alive, probably she ain't that great a mum... but hey...Carly wants to do what she wants to do and everyone must abide, because she's a teenager.

Audrey spends the whole episode trying to convince Carly to come home, revealing only after a long while what a scum bag her dad Tex was... and BTW, Audrey also lost her mum.

In a completely unrelated plot, Julia and Marius try to convince the one and only painter of fakes in the US to do a Vermeer. The painter is a black female who has problems with her daughter, but this helps her to conveniently bond with Julia, who loves to talk about her children... sorry, wasn't this a show about a con man and his crew?

To wrap up this tedious and obsessing mother's theme, Taylor and Otto, in yet another boring plot, are both sniffing around a single mother -OMG- who's struggling with her addict daughter.

I am not surprised this show was canned, because this series is awful.