As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper into a maelstrom of psy... Read allAs a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper into a maelstrom of psychological terror and humiliating slapstick.As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper into a maelstrom of psychological terror and humiliating slapstick.
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Featured reviews
Koko-di Koko-da is about a young couple, a man and a woman with a deep trauma that is slowly tearing them apart. They have reached an endpoint in their relationship and something is about to give. The first thing to breaks is their reality.
On a dull camping-trip the couple encounter a troupe of three menacing and allegorical figures that suddenly emerges from the woods. Things quickly turns nightmarish. The man keeps reliving the violent encounter time after time while the woman remembers nothing of it. She in her turn experience her own nightmare, less violent but cold and lonely.
Johannes Nyholm is a very visual artist with some quirky and frankly stunningly beautiful pictures. While Koko-di Koko-da is dense and dark, it is not hopeless and I left the theater feeling quite elate. So, it's not for everyone but give it a go. All in all it's a beautiful experience.
On a dull camping-trip the couple encounter a troupe of three menacing and allegorical figures that suddenly emerges from the woods. Things quickly turns nightmarish. The man keeps reliving the violent encounter time after time while the woman remembers nothing of it. She in her turn experience her own nightmare, less violent but cold and lonely.
Johannes Nyholm is a very visual artist with some quirky and frankly stunningly beautiful pictures. While Koko-di Koko-da is dense and dark, it is not hopeless and I left the theater feeling quite elate. So, it's not for everyone but give it a go. All in all it's a beautiful experience.
It's a metaphor and a groundhog day style that won't appeal to everyone. My brother called it "weird", my girlfriend said she "didn't get it, but I knew you would love it" and yes, I loved it.
It's a fantastic concept and a good way to show the difficulties dealing with trauma, mourning and ptsd. Take it how you want it, is this a real horror movie? It's just a dream? Are they really stucked there? Is something real here? Well, the trauma and a couple relationship going down is definitely there and following that cat is necessary to understand how to overcome and to learn how to move on.
Good atmosphere, creepy and tense. You need a little patience, but I think It's one of the most original ideas in the genre in the last years.
It's a fantastic concept and a good way to show the difficulties dealing with trauma, mourning and ptsd. Take it how you want it, is this a real horror movie? It's just a dream? Are they really stucked there? Is something real here? Well, the trauma and a couple relationship going down is definitely there and following that cat is necessary to understand how to overcome and to learn how to move on.
Good atmosphere, creepy and tense. You need a little patience, but I think It's one of the most original ideas in the genre in the last years.
If you're expecting jump scares or gore, you'll be sorely disappointed, this is an art first head trip through and through. In short, it uses a time-loop slasher as a metaphor for a failing relationship. How well this metaphor works is a little iffy, but points for the bold creativity and sturdy execution. There are also these extended sequences that pair crude shadow play animation with a foreboding string score that could be read as pretentious, but I felt added nicely to the mood of the film. It may not be perfect, but it's certainly an interesting experience if this kind of film is up your alley. If it's not, stop watching these movies and giving them an undeserved low score.
Liked: Fun creepy song, good acting, creepy antagonists.
Disliked: Ending sucked, too vague, felt artsy for the sake of artsy.
I really felt they had something here until the final act, zero conflict resolution for me. I'm all for symbolism and artsy metaphors, but here I just felt like I was trying to make connections as to why or how this was happening much too often with little success.
Disliked: Ending sucked, too vague, felt artsy for the sake of artsy.
I really felt they had something here until the final act, zero conflict resolution for me. I'm all for symbolism and artsy metaphors, but here I just felt like I was trying to make connections as to why or how this was happening much too often with little success.
At its core Koko-Di Koko-Da (2019) is a story of a man and his wife, lost in maze-like wilderness in and around the dense forests of Sweden, whilst being terrorized by a small band of eccentric characters. It's also a surreal, low budget horror film about grief and unrelenting sadness.
The directing is insisting and noteworthy, and the performances are all great. Dismissing it merely as artsy, would just undermine its intention. Koko-Di Koko-Da definitely has a purpose, and an clear vision. But it is unconventional.
Gore is on a scale 2/10 Movie is 6.5/10
I'm glad I watched it.
The directing is insisting and noteworthy, and the performances are all great. Dismissing it merely as artsy, would just undermine its intention. Koko-Di Koko-Da definitely has a purpose, and an clear vision. But it is unconventional.
Gore is on a scale 2/10 Movie is 6.5/10
I'm glad I watched it.
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Details
Box office
- Gross worldwide
- $9,640
- Runtime1 hour 29 minutes
- Color
- Aspect ratio
- 1.78 : 1
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