Bait

I love the texture in this, every shot is beautifully framed. A recent film, using old techniques (shot on 18mm).

Shot and edited by Mark Jenkin. All of the sound is done in Post-production. So much effort behind this, and it looks amazing.

Giving a numerical score to a film like this is very difficult because it depends entirely upon what you want from a film like this. As a piece of art this film is a 10 out of 10. The use of a 16mm clockwork camera, bold editing, dubbed dialogue and hand-processing of the film all serve to enhance the themes of the film perfectly (miscommunication, old vs new ways of life, conflict between classes, gentle aggression of gentrification).

Having said that, if you are looking for a film that captivates you with story and plot, look elsewhere. There is a plot and but it serves as something through which to display the technical aspects of the film itself.

It reminded me of short stories by people like Raymond Carver and Flannery O'Connor: there is a lot to chew on but most of the fat lays beneath the surface, as such the film doesn't hold your hand and if you don't tend to consider the technical aspects of film making when sitting down to watch a film, then this probably isn't for you.

I have given this film a 7/10 because I think that is the closest approximation I can give it but pieces of work like Bait serve to further emphasise how reductive rating films numerically is. If you enjoy films that tell low-key, theme rich but action light plots and focus on the technical craft of film-making then I think you will enjoy this. It's only 89 minutes long and there are no other films being made right now like it.

Oh, one titbit, if you aren't accustomed to the Cornish accent, I recommend subtitles if available. Even for UK natives some characters accents may prove too thick to catch every word.

I don't review many films on IMDB but was moved enough by BAIT to write something. The visuals are always interesting, shot in black and white it reminded me of some of the British WW2 propaganda films, especially with some of the performances that are by their nature very realistic and not showy. The performance of Edward Rowe is mesmerising as a tortured man, his livelihood threatened, his culture undermined, his sheer frustration with what life has dealt him. I really didn't know what to expect from his character with each twist and turn. I also really appreciated the non-romantic view of Cornwall, it wasn't idolised and showed the impact of the decline of traditional industry with the growth in tourism. I hope a lot of viewers won't be put off by it being in black and white as it deserves to be seen widely

'Bait (2019)' looks like a movie from the late twenties/ early thirties, with black-and-white cinematography and overdubbed dialogue. It's an odd decision, since the narrative doesn't demand this treatment in the slightest. The story is like something out of a soap opera, a small-town tale of tourism vs local business. It isn't just its abstract aesthetic that marks it as distinct; its plot is peppered with contextless scenes that could either be flashbacks or flash-forwards. This strange choice makes the movie much more confusing than it ought to be. It sort of comes across as an attempt to arbitrarily 'liven up' the flick's relatively straightforward story. Though it does transform the flick into somewhat of an enigma, it never really feels necessarily. The picture just doesn't quite come together as satisfyingly as it perhaps ought to. Its aesthetic is well-achieved, though, and its narrative is typically rather interesting. It's ultimately a fairly engaging experiment. 6/10

Black and white is back....'Bait' is a fine piece of visually stunning filmwork.....a bloody work of art. It also includes a cast of many first timers that pulled their weight like big Hollywood stars.

A subtle story with a huge message. As a coastal Floridian USA, I know exactly what this film is talking about, only this film says it much better. I'm not even sure I have the intellect or the vocabulary to offer a satisfactory review or critique of this film.

A simple story with complex characters. Dialog is sparse but adequate and spoken visually with few words. The old time black and white ambiance is the perfect foil to portray the flawed nature of character.

A love story shown from many perspectives. A one time fishing village now in flux and weathering out the new reality. A fisherman unwavering and unwilling to change with the times. I widowed father doing what he needs to survive for his son. The city folk looking for peace and quiet weekend. The Inn keepers building a summer business. Teenagers coming to age and looking for relationships and purpose. The bar, and owner at the center of town serving her patrons and trying to stay afloat. They all revolve each other as each character reaches for what they believe is most important. Tragedy strikes and we see what's truly the most important.

This is a must see film and direction, location, content, casting, script, audio, visual, media, production, editing, etc, etc....were all well defined and executed. I rated a 9, excellent, although this type of film might not be everyone's cup of tea.