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Mabel at the Wheel

  • 1914
  • Not Rated
  • 23m
IMDb RATING
5.6/10
1.1K
YOUR RATING
Mabel Normand in Mabel at the Wheel (1914)
ComedyShort

Charlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the... Read allCharlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the race for the Vanderbilt Cup. With her boyfriend locked up in a shed, Mabel takes his plac... Read allCharlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the race for the Vanderbilt Cup. With her boyfriend locked up in a shed, Mabel takes his place. Charlie does what he can to sabotage the race, even causing Mabel's car to overturn.

  • Directors
    • Mabel Normand
    • Mack Sennett
  • Writer
    • Charles Chaplin
  • Stars
    • Charles Chaplin
    • Mabel Normand
    • Harry McCoy
  • See production info at IMDbPro
  • IMDb RATING
    5.6/10
    1.1K
    YOUR RATING
    • Directors
      • Mabel Normand
      • Mack Sennett
    • Writer
      • Charles Chaplin
    • Stars
      • Charles Chaplin
      • Mabel Normand
      • Harry McCoy
    • 13User reviews
    • 6Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos38

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    Top cast21

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    Charles Chaplin
    Charles Chaplin
    • Villain
    Mabel Normand
    Mabel Normand
    • Mabel
    Harry McCoy
    Harry McCoy
    • Mabel's Boyfriend
    Chester Conklin
    Chester Conklin
    • Mabel's Father
    Mack Sennett
    Mack Sennett
    • Reporter…
    Dave Anderson
    Dave Anderson
    • Henchman
    • (as Andy Anderson)
    Joe Bordeaux
    • Dubious Character
    Mack Swain
    Mack Swain
    • Spectator at Races
    William Hauber
    • Mabel's co-driver
    Dan Albert
    • Cheering Spectator
    • (uncredited)
    Charles Avery
    Charles Avery
    • Spectator in Grandstand
    • (uncredited)
    Ada Baumann
    • Mabel's friend and race spectator
    • (uncredited)
    Charley Chase
    Charley Chase
    • Race Spectator
    • (uncredited)
    Alice Davenport
    Alice Davenport
    • Spectator in Grandstand
    • (uncredited)
    Minta Durfee
    Minta Durfee
    • Spectator in Grandstand
    • (uncredited)
    Edgar Kennedy
    Edgar Kennedy
    • Spectator in Grandstand
    • (uncredited)
    Charles Lakin
    • Cheering Spectator
    • (uncredited)
    Grover Ligon
    • Henchman
    • (uncredited)
    • Directors
      • Mabel Normand
      • Mack Sennett
    • Writer
      • Charles Chaplin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    5.61K
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    Featured reviews

    7tavm

    Mabel at the Wheel has Mabel Normand racing with Charlie Chaplin doing some funny villainy

    Just watched this-a Keystone comedy short starring Mabel Normand and Charlie Chaplin-on YouTube. Ms. Normand is also the director and Chaplin does not play The Tramp but the comic villain. As such, he's the funniest thing here as he does overacting to a T which is such a standard technique in these silent movies whether melodrama or slapstick comedy. Mabel is quite an accomplished comic herself whether taking a fall, throwing bricks, or biting Charlie's hand. The race sequence doesn't really have any laughs but is quite exciting to watch as we see Ms. Normand do as the title says. Overall, Mabel at the Wheel is highly recommended. P.S. It would have been nice if any of the versions I checked out had a music accompaniment but I can't complain too much about the complete silent version I watched.
    Michael_Elliott

    Chaplin and Mabel

    Mabel at the Wheel (1914)

    ** 1/2 (out of 4)

    The behind the scenes issues with this movie are pretty interesting but from what I've read Chaplin hated being directed by a woman and his constant battles with Normand almost got him fired. For whatever reason Keystone decided to keep him and Chaplin's hatred of "other directors" finally caused him to be directed by himself from this point on in his career. In the film Mabel and her boyfriend (Harry McCoy) have a falling out so she takes a ride with his rival (Chaplin) but she eventually gets knocked off his bike and into a puddle of mud. Later she's back with the boyfriend who's at a race track when Chaplin kidnaps him forcing Mabel to race the car. This is a mixed bag as far as the film goes because the first half is pretty funny but the second half dealing with the race falls apart. Seeing Chaplin and Mabel slap one another makes you wonder how much they both enjoyed it but these early scenes are certainly the best in the film. The actual auto race wasn't too thrilling or funny to me but things do pick up towards the end and Chaplin's final scene is very funny.
    8ducatic-82290

    Mabel vs Charlie Part 2

    The background to this movie is interesting. Mabel and Charlie had not appeared together since Mabel's Strange Predicament. Sennett brought the petulant pair together again in this film after 2 months, but when Charlie arrived for the shoot he was enraged to find Mabel behind the camera. Charlie felt women were best kept in the kitchen - he later had his many young and foolish wives locked up at home. While Mabel wanted to follow a script set by Mack Sennett, Charlie thought the new film needed gagging up. As the proposed gags would boost Chaplin's standing, Mabel refused to entertain them. Charlie immediately went on strike. On hearing this Sennett flew into a rage, storming into Charlie's dressing room shouting 'You'll do as you're told or get out!' However, the balance of power at Keystone was changing. The Englishman was a rising star, and his popularity could eventually equal or eclipse that of the lovely Mabel. Sennett had to keep the two together, or risk becoming the knucklehead who sacked the world's greatest comedian. He decided the two should bury the hatchet, and he directed the film himself (Sennett/Chaplin autobiographies).

    Mabel was all sweetness after the furore, although she was unsure about riding pillion with Charlie on the Keystone motorbike – a type of machine he claimed to have ridden before. According to Mabel, the crazy Briton crashed the bike into a ditch before they'd gone twenty yards. He'd lied! Once he'd mastered the technique, all was set for a mad ride along a muddy track, where the hapless Mabel would be dumped in a mud pool. This was the cue for the usual Keystone battle of bricks between Mabel plus boyfriend and Charlie. Interesting how there are always some handy bricks lying around to be thrown by inmates of Sennett's 'University of Nonsense'. Charlie becomes a Ford Sterling- type villain for this film, and initiates various dastardly deeds, such as sticking a pin into Mabel's leg, thumping her in the face, and tying her boyfriend up. Without wishing to give the whole plot away, Mabel ends up taking over her boyfriend's racing car drive. The whole film is clearly based around a famous race filmed in Santa Monica, where a front wheel breaks off a car at Dead Man's Curve, causing it to overturn in spectacular fashion. Mabel openly enjoys the adulation she receives from the spectators and team at the conclusion of the race. Oh, how the cast adored their Keystone Girl!

    Things to Note: [1] Charlie's motorbike is a chain drive 1912 Thor IV model. [2] The No. 4 racing car could be Sennett's own Stutz. [3] It is amusing to see the startled old fellow in shirtsleeves and braces,standing in his garden watching Charlie restart his motorbike – he thinks the Hell's Angels are in town. [4] Many roads around Hollywood in those days were seemingly rutted, muddy tracks. [5] When Mabel and Charlie have a fight, a seated spectator looks bemused,then positively scared.[ 6] The entire Keystone company appears to be in this film. [7] The race team's toolkit consists of one spanner, a file, a hand drill, and a bucket. High-tech that. [8] Mabel thinks race preparation comprises taking out a compact and powdering her nose. [9] The mechanic is in the race car to pump fuel and oil (furiously). [10] When the actual race car crashes, the mechanic is thrown out onto his feet. In the faked keystone crash scene the mechanic ends up under the vehicle.[11] There are plenty enough gags for Charlie in the film, and the lack of the standing on the hose gag (which caused the two stars to fall out) does not detract from the film. [12] Charlie reverts to a type of Ford Sterling costume for this film. Could it be that Mabel refused to work with the Tramp, as she feared being upstaged by the scruffy character? She might also have been fearful of the filthy Tramp outfit (Mrs Arbuckle claimed that Mabel used to buy Charlie new clothing, as he never washed his attire).
    10jayraskin1

    Funny Mix: Action, Heroic Mabel, and Chaplin Imitating Sterling Ford

    The plot of this movie is based on a Vitagraph movie from 1908: "An Auto Heroine" In that film, a woman's father gets kidnapped and she drives his car to win the race. In this film, a woman's boyfriend gets kidnapped and she drives his car to win the race, while her father cheers from the stands.

    In an article called "Speeding Sweethearts of the Silent Screen," film historian William Drew notes that after Mary Pickford's car chase movie "A Beast At Bay" (Griffith, 1912), this is only the third movie to feature a woman's driving. It will only become standard in movies starting in 1915. Drew notes, "In fact, one can view Mabel at the Wheel as a kind of feminist parable with the heroine defeating the male competitors on the race course as well as the villainous Chaplin." Besides seeing Mabel Normand's feminist heroics, the other reason this film, directed by Ms. Normand, is noteworthy is Chaplin's unique performance. He plays the villain wearing a trench coat and whiskers. Through much of the film, he does what seems like a perfect impression of comedian Ford Sterling. At one point, Chaplin even crosses his eyes like Sterling. It should be remembered that Chaplin was hired at Keystone to replace Ford Sterling. In fact Chaplin's tramp costume uses Sterling's large size shoes, perhaps symbolizing the fact that he was hired to fill Sterling's shoes literally as well as figuratively.

    The first five minutes of the film is quite different from the rest. Chaplin plays simply Harry McCoy's rival for Mabel Normand. This is exactly the same triangle we saw in Chaplin's first film, "Making a Living." The second five minutes of the film is different with Chaplin suddenly turning into a ridiculous villain caricature. He goes around jabbing people and tires with a pin.

    There is a scene where Chaplin takes out a water hose to water a race car course. Apparently, Chaplin refused to do it. Chaplin probably did not see the humor in endangering people's lives. Slapping, punching, pricking and kicking people is one thing, but actually endangering people's lives is another. He worked off the set.

    Famously, Mack Sennett threatened to fire him. He submitted and played the rest of the movie as Normand wanted him to, in Ford Sterling absurdist style. We should remember that Chaplin's humor was based on the funny drunk sketch he made famous. The drunk is funny, but not absurd. The absurd humor that Keystone dealt with was simply not something that Chaplin appreciated.

    This is really a Mabel Normand film and it seems unfair to give Sennett credit for directing it when all he did was discipline Chaplin. Normand had her own problems with Sennett and was probably only staying with him at the time because he gave her the opportunity to direct.

    There are some powerful images in the film: Mabel falling off a motorcycle, Mabel behind the wheel of the car with mechanic William Hauber, Charlie sitting next to Mabel and jabbing her with a pin and her jabbing him right back, and Mack Sennett as a country bumpkin in a cameo appearance. It seems possible that Mabel was expressing how she really felt about Sennett by having him act this way.

    The original film was 1900 feet and the restored version is about 1400. Please keep in mind that over 25% of the film is still missing. Probably the jumpy, quick shots in the racing scenes were much smoother with longer shots in the original.

    Sennett supposedly got a telegram from his partners in New York demanding more Chaplin films during the production of this film and only this telegram stopped him from firing Chaplin. I tend to think that it was the success of this movie that really put Chaplin on the map. While Chaplin was fine in his first ten films, there was nothing particularly distinguishing about him. This two-reeler would have established him as the real replacement for the popular Ford Sterling.
    deickemeyer

    It abounds in funny situations

    Mabel Normand "gets over" finely in this two-reel comedy. It abounds in funny situations and is characterized throughout by that swiftness of action which has made Keystone comedies so popular. - The Moving Picture World, April 25, 1914

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    Storyline

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    Did you know

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    • Trivia
      The motorcycle in the opening scene is a Thor Motorcycle Model M Type IV.
    • Goofs
      In the hilarious scene where Mabel gets dropped in the mud puddle, and where she splashes around getting out/up, she is clearly soaked. Immediately after, when Harry McCoy rolls up in the race car, Mabel runs up to him, and despite some splashes on her dress, she is more or less dry.
    • Connections
      Featured in The Funniest Man in the World (1967)

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    Details

    Edit
    • Release date
      • April 18, 1914 (United States)
    • Country of origin
      • United States
    • Official sites
      • Instagram
      • Official Site
    • Languages
      • None
      • English
    • Also known as
      • A Hot Finish
    • Filming locations
      • 1629 Park Ave, Echo Park, Los Angeles, California, USA(house)
    • Production company
      • Keystone Film Company
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      23 minutes
    • Color
      • Black and White
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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