IMDb RATING
8.1/10
7.1K
YOUR RATING
Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.
- Awards
- 1 win & 2 nominations total
Yuri Yurovsky
- The Priest
- (as Georg Jurowski)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
one of the great masterpieces of world cinema
essential viewing (and listening)...the newly-restored Munich Film Archives dvd of this film is simply wonderful. the G. Huppertz score is a marvel (lovingly restored by Erich Heller making use of the widow's piano score). Kurosawa's tribute to this classic can be seen in his handling of the "siege of the third fire tower" in RAN)...and, of course, Kriemhild's vindictive widow was the model for the Wicked Witch in SNOW WHITE... a landmark of international cinema: not to be missed.
10riddion
One of the best adventure movies ever
When I saw this wonderfully exciting adventure film, it got me thinking, "Why can't people make films like this anymore?". Partly why the film makers don't make films like this anymore is that they are so occupied in having the best special effects around and don't give a hoot about the characters, story or detail (Jurassic Park, Lost World, Independence Day, Armageddon are only a small part). I would love to go and see a film that have real characters from these make-believe worlds. There are so many movies today that have Americans in a make-believe world, acting and talking like Americans, this makes me sick all over. This movie has real characters we care about in a believable world. This is partly why I love silent films so much. It is the acting and not the dialog that the viewer gets to know the character through.
This film has all the elements that makes up for a good adventure film. Very good story, exciting action, wonderful sets, beautiful photography, chillingly wonderful villains and some of the best special effects I've seen (for the time's standard). I especially love the trick photography to make Siegfried invisible and casting a shadow even though he is. I'm looking forward to watching Kriemhild's Revenge.
If you haven't seen this movie and love adventure movies, see it. It is so exciting and magical that you'll remember it always when you see a bad adventure movie, something that is normal today.
This film has all the elements that makes up for a good adventure film. Very good story, exciting action, wonderful sets, beautiful photography, chillingly wonderful villains and some of the best special effects I've seen (for the time's standard). I especially love the trick photography to make Siegfried invisible and casting a shadow even though he is. I'm looking forward to watching Kriemhild's Revenge.
If you haven't seen this movie and love adventure movies, see it. It is so exciting and magical that you'll remember it always when you see a bad adventure movie, something that is normal today.
A Lavish & Memorable Adaptation of the Saga
This lavish and memorable adaptation of the first part of the Nibelungen saga is worthwhile for a number of strengths. While Fritz Lang and Thea von Harbou seem to have rather freely adapted the original material, they succeeded beyond doubt in bringing the main characters to life and in creating a distinctive and interesting atmosphere for the story. The cast, likewise, do a good job in portraying their characters. The visual effects are uneven, and a couple of times they do not work all that well, but at other times they work wonderfully.
This first part of Lang's epic primarily covers the "Siegfried" part of the saga. Siegfried is the kind of near-perfect hero who can become rather dull in a hurry if the actor and director overdo it, but here Paul Richter works well in the role, and Lang effectively brings out the sometimes tangled connections between Siegfried and the other characters. These relationships are really the most interesting aspect of this part of the story, and Lang does well in keeping them the main focus for most of the time. Gunther, Hagen, Kriemhild, and Brunhild each have an interesting connection with Siegfried, and by giving the other characters a well-developed personality, the movie also enhances Siegfried's own identity.
The story moves rather slowly much of the time, in order better to develop the atmosphere and characters. This actually enhances the action and adventure sequences, giving them (and the movie as a whole) more substance. The picture works very well and, aside from a very small number of its visual effects, has held up well over the years.
This first part of Lang's epic primarily covers the "Siegfried" part of the saga. Siegfried is the kind of near-perfect hero who can become rather dull in a hurry if the actor and director overdo it, but here Paul Richter works well in the role, and Lang effectively brings out the sometimes tangled connections between Siegfried and the other characters. These relationships are really the most interesting aspect of this part of the story, and Lang does well in keeping them the main focus for most of the time. Gunther, Hagen, Kriemhild, and Brunhild each have an interesting connection with Siegfried, and by giving the other characters a well-developed personality, the movie also enhances Siegfried's own identity.
The story moves rather slowly much of the time, in order better to develop the atmosphere and characters. This actually enhances the action and adventure sequences, giving them (and the movie as a whole) more substance. The picture works very well and, aside from a very small number of its visual effects, has held up well over the years.
10pekinman
One of the great masterpieces of any generation
I am not especially an aficionado of silent films though I have long loved Lang's 'Metropolis'. Being an opera lover, especially Wagner, it is to my shame that it has taken me decade to get around to watching Lang's masterpiece 'Siegfried'.
Even more than Richard Wagner's 4 Ring operas in 'Der Ring des Nibelungen' Lang's films tie in many of the ancient Nordic and Teutonic legends that contributed to Wagner's monumental creation.
Brunhild is a powerful Icelandic Queen, Siegfried the son of King Siegmund, all this quite different from the operas in that Siegmund was not a king in those. Also, Hagen, the evil deus ex machina is portrayed here as a Wotan like figure, with patched eye and horned helmet. Otherwise, the basic story is the same but more believable as drama than Wagner's highly fantastic story line.
This film is going to last a lifetime with me. And it is especially wonderful that the great musical score by Gottfried Huppertz has been included in the DVD release on Kino films. Its a haunting score and very much its own character. It doesn't try to imitate Wagnerianism but there are what Wagner called leitmotivs to represent the various characters and mood.
Even if you aren't a Wagner fan this film by Fritz Lang displays so many amazing innovations for 1924 that it puts the computerized f/x of our day quite in the shade in terms of novelty and human artistry.
I can't recommend 'Siegfried' highly enough. Haunting and beautiful, even in black and white. The Kino picture is quite clear and the acting superb.
Even more than Richard Wagner's 4 Ring operas in 'Der Ring des Nibelungen' Lang's films tie in many of the ancient Nordic and Teutonic legends that contributed to Wagner's monumental creation.
Brunhild is a powerful Icelandic Queen, Siegfried the son of King Siegmund, all this quite different from the operas in that Siegmund was not a king in those. Also, Hagen, the evil deus ex machina is portrayed here as a Wotan like figure, with patched eye and horned helmet. Otherwise, the basic story is the same but more believable as drama than Wagner's highly fantastic story line.
This film is going to last a lifetime with me. And it is especially wonderful that the great musical score by Gottfried Huppertz has been included in the DVD release on Kino films. Its a haunting score and very much its own character. It doesn't try to imitate Wagnerianism but there are what Wagner called leitmotivs to represent the various characters and mood.
Even if you aren't a Wagner fan this film by Fritz Lang displays so many amazing innovations for 1924 that it puts the computerized f/x of our day quite in the shade in terms of novelty and human artistry.
I can't recommend 'Siegfried' highly enough. Haunting and beautiful, even in black and white. The Kino picture is quite clear and the acting superb.
Dare I say Lang's best?
Fritz Lang's DIE NIBELUNGEN: SIEGFRIED is absolutely astounding cinema, heroic, beautiful, tragic, and overwhelming in its scope. Even though I have been a fan of silent cinema for a decade now, I was intimidated to watch this film due to its length, but the two and a half hours went right by and now I am pumped to see the second installment. As someone who doesn't tend to enjoy "binge-watching," let me tell you, it is a great temptation to just drop my other obligations for the day and just continue this great story.
The most interesting part about this movie is that it both revels in and subtly critiques its main characters. There really isn't a good guy or a bad guy. All of the characters are in their own ways sympathetic, but they are also quite vicious, capable of violence, pettiness, and deceit. Their codes of honor come to fail them as one character after another vows vengeance for wrongs done to them.
After a greasy diet of banal modern blockbusters more interested in advertising the next sequel rather than telling a compelling story, this is such a wonderful alternative.
The most interesting part about this movie is that it both revels in and subtly critiques its main characters. There really isn't a good guy or a bad guy. All of the characters are in their own ways sympathetic, but they are also quite vicious, capable of violence, pettiness, and deceit. Their codes of honor come to fail them as one character after another vows vengeance for wrongs done to them.
After a greasy diet of banal modern blockbusters more interested in advertising the next sequel rather than telling a compelling story, this is such a wonderful alternative.
Did you know
- TriviaThe dragon in the film is not a miniature. It is a full-scale puppet 60 feet long.
- GoofsHow does Hagen know about Siegfried's vulnerable spot where the leaf fell (and even that it was a Linden leaf)? Siegfried himself seems unaware of it at the time, though he evidently later told Kriemhild who was able to mark the spot on his cloak with a cross (Hagen had asked her to do this so that he could 'protect' Siegfried). This anomaly appears to be present in the original poem. Some prints give the woodbird an extra verse beginning 'If by chance a leaf should fall', predicting the event before it happens, but Siegfried still appears to take no notice.
- Crazy creditsKarl Vollbrecht receives a credit as "Erbauer des Drachens" -- 'dragon builder'.
- Alternate versionsA 2012 restoration project completed by the Friedrich-Wilhelm-Murnau-Stiftung has been released by Kino Lorber on both DVD and Blu-ray formats. Both "Die Nibelungen: Siegfried" (1924) and "Die Nibelungen: Kriemhild's Revenge" (1925) are included. The film's running times differ from other versions at 149 minutes and 131 minutes, respectively. This can be attributed to the fact that the restoration utilized some footage from different takes of scenes and slight adjustments were made to the 'frames-per-second' rate perhaps to present a more realistic flow of the action.
- ConnectionsEdited into Germany Year 90 Nine Zero (1991)
- How long is Die Nibelungen: Siegfried?Powered by Alexa
Details
- Runtime
- 1h 40m(100 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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