A young impoverished aristocrat falls in love with an inn-keepers daughter, but has to marry money.A young impoverished aristocrat falls in love with an inn-keepers daughter, but has to marry money.A young impoverished aristocrat falls in love with an inn-keepers daughter, but has to marry money.
- Awards
- 2 wins total
Albert Conti
- Imperial Guard
- (uncredited)
Claire Delmar
- Noble Lady at Corpus Christi Mass
- (uncredited)
Ray Erlenborn
- Altar boy
- (uncredited)
Carey Harrison
- Imperial Guard
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCopies of the film were few and rarely shown, until Erich von Stroheim was shown the French copy at the Cinematheque Francaise by Henri Langlois in 1954. Von Stroheim was able to give editing instructions, thanks to which Kevin Brownlow was able to restore this film to the director's cut, using the color segment of the Corpus Christi procession, material found only in the USA version and the copy at the Library of Congress Film Archive, and also restoring it to the 24 fps speed.
- Quotes
Title Card: O Love - - without thee - - Marriage is a sacrilege and mockery!
- Crazy creditsIn its entirety an ERICH VON STROHEIM Creation
- ConnectionsFeatured in The Man You Loved to Hate (1979)
- SoundtracksPARADISE (The Love Theme)
Music by J.S. Zamecnik
Lyrics by Harry D. Kerr
Copyright 1928 Sam Fox Music Pub. Co.
Featured review
Von Stroheim stars as Austrian nobleman Nickolas von Wildeliebe-Rauffenberg. His family wants him to marry Cecelia Schweisser (Zasu Pitts), the crippled daughter of a wealthy business magnate. But Nicki meets the beautiful Mitzi (Fay Wray), a farm girl and harp player of low birth. Mitzi is being pursued by the loutish butcher Schani (Matthew Betz), but her heart pines for the dashing Nicki. Can their love survive the pullback from society?
Stroheim lavishes the screen with ornate costumes and settings that threaten to overwhelm the meager narrative. There's even a lengthy Technicolor segment showing a parade full of pomp and majesty. Wray is very good, sensual yet innocent at the same time. Pitts also manages to elicit pathos from a role that could easily have been a one-note villain. Stroheim encountered his usual post-production problems, and multiple editors were brought in to work on the film, including Josef von Sternberg. Some consider this a masterpiece, whereas I found it good, though not exceptionally so.
Stroheim lavishes the screen with ornate costumes and settings that threaten to overwhelm the meager narrative. There's even a lengthy Technicolor segment showing a parade full of pomp and majesty. Wray is very good, sensual yet innocent at the same time. Pitts also manages to elicit pathos from a role that could easily have been a one-note villain. Stroheim encountered his usual post-production problems, and multiple editors were brought in to work on the film, including Josef von Sternberg. Some consider this a masterpiece, whereas I found it good, though not exceptionally so.
- How long is The Wedding March?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Весільний марш
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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