The Ghoul

The surprising thing about THE GHOUL is that it features an impressive background score for a film made in '33, when most soundtracks were almost completely devoid of music. This is something the other comments here failed to mention.

The other plus factor is the brilliant B&W photography done in Gothic style to suit the story elements here. An Egyptologist returns from the grave to take revenge on a servant who has stolen a sacred jewel. BORIS KARLOFF is the doctor with his own rules about how to offer sacrifices to Anubis in order to have eternal life.

The pace is slow and there's too much silly banter that features KATHLEEN HARRISON in a role designed to give the audience comedy relief. RALPH RICHARDSON is excellent as a cleric who seems to be a helpful visitor and ERNEST THESIGER is fine as the nervous servant.

The Gothic ambiance is strong with handsome interiors of a house in shadows and the flavor of an "old dark house mystery" is well sustained. Plotwise, there are loopholes and the story only really picks up once Karloff has returned from the grave.

For fans of this genre, this is an interesting film and Karloff's performance is first rate.

On this site there is a criticism which says to stay away from this film because it is incomprehensible. That's correct for the incomplete copies heretofore available. Now MGM Video has released a complete version on VHS and DVD, a very high quality print. The story is very clear now, and this is one of the high end Karloff flicks. If you like vintage horror films, if you're a Karloff fan, if you liked Karloff's "The Mummy," you will like this film.

Most of the other commenters seem to have seen a truncated, blurry version of this movie. The new DVD certainly kept me entertained! It's true that the movie is very dark, but the shadowy photography is beautiful and Germanic -- prime '30s look, fog, candlelight, and all. I just checked, and I see that cinematographer Gunther Krampf also shot NOSFERATU, THE STUDENT OF PRAGUE, and PANDORA'S BOX. Pretty good resume!

Hoaky old dark house cliches and humor, for sure, but funny if you know the genre. The woman who wants to be the "sheikh's" love slave is a real hoot. Karloff, Thesiger, Hardwick, and Richardson are all very good, as are the romantic couple who spar and then decide they like each other (surprise!). Karloff's self-mutilation scene is brilliantly disturbing. And wait a second, is that a patch of bamboo he stumbles into just in front of the Yorkshire moors? This is all great fun, perhaps best if you check any high expectations at the door.

If you can locate a copy of this exceptional talkie you are indeed fortunate. It took me years to find, yet it was well worth the wait.

The history of this Karloff gem is fascinating. 'The Ghoul' had completely disappeared, not even the trailer survived. Yet in the 1980's (if I remember correctly), a lone nitrate print turned up in Prague, (with Hungarian subtitles) in *appalling* condition. Apparently, the nitrate film had shrunk to a mere third of it's original width, was exceptionally brittle and in a number of pieces yet was effectively restored... albeit not to the quality of it's release. Therefore, I was prepared to overlook the graininess, variable contrast and sound-track distortions.

'The Ghoul' belongs to Karloff. Had the film not vanished it would have become a hardy perennial of late night television horror alongside the Lemalle classics. As for the cast, sets and script (in that order), the film is superior to other horror classics of the period.

The story-line is vaguely reminiscent... an eccentric, terminally ill man (of Egyptian ancestry) decrees that a rare artefact must be entombed with him otherwise trouble will befall. As to be anticipated, the scarab jewel is removed from the hand of his corpse by a tomb robber not long after internment providing the impetus to wreak revenge in the signature fashion.

The quality of the film may distract some viewers, but the atmosphere retains most of it's inaugural impact. Definitely an eight and a half!

Boris Karloff plays a crazy old guy who worships the Egyptian god, Anubis. On his death bed, he swears that if anyone should steal a sacred jewel from his Anubis statue he will return from the dead to exact revenge. Not surprisingly, several very greedy people come along and try stealing the jewel--only to incur the wrath of the zombie Karloff. Despite the whole Egyptian aspect of the film, though, he was not a mummy nor was this just a rehash of THE MUMMY (also from 1933). Overall, it's a rather standard but well-produced zombie murdering the idiots film--not great, but certainly worth seeing.

By the way, in a funny inside joke, there is a parody of the "desert savage" style of film. THE SHEIK, THE SON OF THE SKEIK and THE BARBARIAN were among several films like this and in THE GHOUL, there is a supposed sheik and a lady who is infatuated with this clichéd image of a macho and sexist Middle Eastern lover.