To the Last Man

This 1933 movie has a top-notch, all-star cast. Noah Beery plays the feuding family villain patriarch. Jack La Rue is his even more evil partner, who wants to seduce his daughter, played by the beautiful Esther Ralston. At 31, she had been a silent move star for many years.

The good guys feature Randolph Scott and Buster Crabbe. They both became very popular actors, and they really look like brothers. Barton MacLane is the third brother. All three are very tall, and in many scenes they are imposing over the villains, so it is kind of cool to watch the three of them together. John Carradine is also one of the good guys.

Perhaps the biggest surprise is to see Shirley Temple, playing the role of one of the daughters of Buster Crabbe. She is shot at by the villains at one point, and the shooter blows the head off her favorite doll, which Randolph Scott had given her. Shooting at children (and later dogs) is pretty brutal, and little Shirley Temple runs away screaming and crying her little eyes out.

This is a nice movie which fleshes out the family dynamics of both the good Haydens, and the vicious ex-convicts in the Colby family. Naturally Randolph Scott (Hayden) and Esther Ralston (Colby) are in love, but this does not stop any of the killings, murders, and mayhem.

The shock ending cannot even be hinted at. I have never seen any Western movie end like this. Immediately afterwards, there is a final showdown between Esther Ralston and Randolph Scott against Jack La Rue. A surprising double-shock ending.

After spending fifteen years in prison for killing the patriarch of a rival clan, Noah Beery heads west to continue the family feud that turned him into a murderer. While he attempts to goad his rivals into another round of killing, Beery's daughter falls for Randolph Scott, who as a boy watched him murder his grandfather.

Another decent entry in Paramount's Zane Grey series, this features early performances from Scott and Buster Crabbe, as well as an early directing job for the great Henry Hathaway.

It's also fairly interesting in it's use of the old silent film trick of introducing each cast member as they appear, via a subtitle and a little bit of precode skinny dipping.

Speaking of precode, this appears to be pre-common-sense as well, when in one scene a young Shirley Temple is sitting outside and a hidden bad guy shoots her doll in the head, which is only a few feet away. This might not seem very alarming today, but this was before the invention of modern special effects, when film studios employed actual sharpshooters for these types of scenes, a practice that was abandoned when James Cagney refused to do another film that involved him being shot at.

In other words, A LIVE ROUND WAS FIRED PAST SHIRLEY'S HEAD!!

It would be a shame if no strong print of Hathaway's "To The Last Man" survives, because it is far from a typical western-it could fairly be called "pre-code"- and it stands with Walsh's failed "The Big Trail" as an attempt to make a "grown up" adult Western.

Like "The Big Trail" , "Last Man" has one for in the formal styles of Silent Film. What sets it apart is it's theme of decency finally caving in to humanities thirst for revenge and violence. The brutality of the film, both in terms of violence and emotional cruelty, is formidable. It all leads to an ending that, despite the upbeat coda, is truly apocalyptic.

Worth going out of your way to see; but it is too bad there is no quality print.

The Haydens and Colbys are two mountain families who've had such a long term feud, everyone's forgotten what it started over. Never mind when Pop Colby (Noah Beery, Sr.) shoots Grandpa down in cold blood, Dad Hayden takes an unorthodox and cowardly approach in some eyes, he calls in the law.

The Haydens move west and Colby when he gets out of the joint takes the family and moves to where the Haydens are to take up where they left off. Along the way he has an ally, Jack LaRue, who has an agenda all his own.

Of course in Romeo&Juliet fashion, the Hayden son (Randolph Scott) and the Colby daughter(Esther Ralston} meet and flip for each other. If anything that throws gasoline on the feud fire.

This is one of the weakest of Randolph Scott's earlier westerns. I'm not sure if I'm seeing the complete film as a budget video company put out a re-release that looks like it was choppily edited. There are a lot of plot gaps and things that don't make sense.

This is also one of the earliest films of Shirley Temple who's big scene is when one of the Colbys shoots the head off of her doll. It wasn't for sadistic purposes but to get the Haydens to chase them. Still it's an earlier weepy for Shirley. She later did two more films with

Randolph Scott, Rebecca of Sunnybrook Farm and Susannah of the Mounties and with her name above his at that point.

Also at the very end, the fadeout is Esther and Randy in what looks like a photograph of later domestic bliss. And the soundtrack was blaring the Bing Crosby hit Please. Kind of out of place, but since Paramount had the rights to it, they figured they had to use it.

Real Tough Guys depicated in this movie. Great acting and good action sequences for 1933. How many movies can you see likes of Randolph Scott, Shirley Temple, John Carradine, Buster Crabbe and The General from "I Dream of Jeanie" all in one movie! Really recommend this one!