14 reviews
Even with Ruby Keeler's tinny voice and the fact she doesn't dance a step, Flirtation Walk is an utterly charming musical from the Thirties with Dick Powell at the height of his lyric tenor period.
West Point's image has done very well by Hollywood. The West Point Story and The Long Gray Line are the other two big films about the U.S. Military Academy on the Hudson. But this was the first film of a grand tradition.
Dick Powell is an army private stationed out in Hawaii who's assigned by his sergeant Pat O'Brien to be a driver for Ruby Keeler, daughter of General Henry O'Neill. She's got a boyfriend in her Dad's aide John Eldredge. But on a moonlight night in Hawaii, the old boy/girl thing happens.
Powell receives a rude awakening the next day when he's made to realize the difference in class between officers and enlisted men. Something like the rude awakening John Agar got in Fort Apache when he was courting Shirley Temple even though he was an officer, albeit a newly minted one from an enlisted man's family. So Powell decided he's going to become an officer and sets about applying for West Point.
The next half of the film is set in West Point and in Powell's final year, Henry O'Neill becomes the Academy Superintendent bring of course Keeler and Eldredge come with him. Here we have the same plot device that was later used in The West Point Story, breaking precedent in having a woman in the Hundred Nights show for the graduating class. Who do you think the woman that the cadets want?
Allie Wrubel and Mort Dixon wrote two nice numbers that are used in the musical show, Mr. and Mrs. Is the Name and Flirtation Walk. Powell sings them well although he didn't need Ruby's thin voice doing the reprise. During the Hawaiian portion of the film Powell sang Aloha Oe. Why Ruby wasn't given any dance numbers is beyond me since that was her strength as a performer.
I should also mention Ross Alexander, who came to a tragic early end three years later, as Powell's roommate at the Point. He was a funny guy and had a nice career going in playing best friends to the hero in film. A sad waste.
I think you'll like the characters created and directed by Frank Borzage in this very charming film.
West Point's image has done very well by Hollywood. The West Point Story and The Long Gray Line are the other two big films about the U.S. Military Academy on the Hudson. But this was the first film of a grand tradition.
Dick Powell is an army private stationed out in Hawaii who's assigned by his sergeant Pat O'Brien to be a driver for Ruby Keeler, daughter of General Henry O'Neill. She's got a boyfriend in her Dad's aide John Eldredge. But on a moonlight night in Hawaii, the old boy/girl thing happens.
Powell receives a rude awakening the next day when he's made to realize the difference in class between officers and enlisted men. Something like the rude awakening John Agar got in Fort Apache when he was courting Shirley Temple even though he was an officer, albeit a newly minted one from an enlisted man's family. So Powell decided he's going to become an officer and sets about applying for West Point.
The next half of the film is set in West Point and in Powell's final year, Henry O'Neill becomes the Academy Superintendent bring of course Keeler and Eldredge come with him. Here we have the same plot device that was later used in The West Point Story, breaking precedent in having a woman in the Hundred Nights show for the graduating class. Who do you think the woman that the cadets want?
Allie Wrubel and Mort Dixon wrote two nice numbers that are used in the musical show, Mr. and Mrs. Is the Name and Flirtation Walk. Powell sings them well although he didn't need Ruby's thin voice doing the reprise. During the Hawaiian portion of the film Powell sang Aloha Oe. Why Ruby wasn't given any dance numbers is beyond me since that was her strength as a performer.
I should also mention Ross Alexander, who came to a tragic early end three years later, as Powell's roommate at the Point. He was a funny guy and had a nice career going in playing best friends to the hero in film. A sad waste.
I think you'll like the characters created and directed by Frank Borzage in this very charming film.
- bkoganbing
- Aug 10, 2005
- Permalink
'Flirtation Walk' may not be a great film, but it entertains and charms and it is difficult not to like. Flawed? Yes. Worth watching? Absolutely, with the many good points nearly making up for the few points that don't come off quite so well.
Coming off least is the story, which even for a musical-comedy is formulaic and extremely simplistic. Sadly, Frank Borzage tends to make heavy weather of it, meaning that 'Flirtation Walk' is not quite as light-on-its-feet as it could have been and the patriotism present in some of the film is a little too overt and heavy-handed.
However, 'Flirtation Walk' while not lavish still looks handsome and colourful as well as skilfully photographed. The songs are very tuneful and very easy on the ear, the best of them being the witty and clever "Mr and Mrs is the Name". The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. Despite the story being less than perfect, it has enough pep and zip to keep things moving at a bright and breezy pace, and the penultimate scene is very moving. Pat O'Brien similarly brings sympathetic emotional impact.
In summary, the story is flawed but the charm and likability (especially from the performances and chemistry of the two leads) is immense. 7/10 Bethany Cox
Coming off least is the story, which even for a musical-comedy is formulaic and extremely simplistic. Sadly, Frank Borzage tends to make heavy weather of it, meaning that 'Flirtation Walk' is not quite as light-on-its-feet as it could have been and the patriotism present in some of the film is a little too overt and heavy-handed.
However, 'Flirtation Walk' while not lavish still looks handsome and colourful as well as skilfully photographed. The songs are very tuneful and very easy on the ear, the best of them being the witty and clever "Mr and Mrs is the Name". The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. Despite the story being less than perfect, it has enough pep and zip to keep things moving at a bright and breezy pace, and the penultimate scene is very moving. Pat O'Brien similarly brings sympathetic emotional impact.
In summary, the story is flawed but the charm and likability (especially from the performances and chemistry of the two leads) is immense. 7/10 Bethany Cox
- TheLittleSongbird
- Oct 30, 2016
- Permalink
- planktonrules
- Jun 11, 2010
- Permalink
Flirtation Walk was an okay film. It is about a private stationed in Hawaii who gets involved with the general's daughter. Dick Powell and Ruby Keeler gave fairly decent performances, but the screenplay is a little slow in places. I thought frank Borzage did an alright job directing this movie. This film back in 1934 was a big hit, mostly because of the popularity at the time of Powell & Keeler, but it's pretty predictable by today's standards. Overall, it has some very nice musical performances, and the photography was well shot, which is reflected by the film being nominated for two academy awards, one for sound and one for best picture. I wouldn't watch it again, and would only recommend to those who favor musicals and romances.
- mariow2015
- Apr 10, 2020
- Permalink
'Scrapper' Thornhhill (Pat O'Brien) is an Army sergeant stationed in Hawaii struggling to get his men into shape. One of those men is the singing Dick 'Canary' Dorcy (Dick Powell). General Fitts is visiting for a couple of days. Dick is assigned to drive his daughter Kit (Ruby Keeler).
This is a romance musical taken place around the military. It is the in-between war years and this is a pro-military film. Dick Powell is too old to be a new recruit. He is 30 and looks older if only he doesn't do the double-chin face. The music is not my taste. It has some light humor and drama. This is mostly fine.
This is a romance musical taken place around the military. It is the in-between war years and this is a pro-military film. Dick Powell is too old to be a new recruit. He is 30 and looks older if only he doesn't do the double-chin face. The music is not my taste. It has some light humor and drama. This is mostly fine.
- SnoopyStyle
- Feb 12, 2024
- Permalink
Flirtation Walk is a 1934 musical starring Dick Powell, Ruby Keeler, Ross Alexander, Pat O'Brien, John Eldredge, and Henry O'Neill.
Powell plays Dick Darcy, a private stationed in Hawaii. He meets the general's daughter Kit (Keeler). The two fall for one another, but she's engaged to another (Eldredge). They break up.
A few years later, they meet again, this time at West Point. Kit is still engaged, but very happy to see Dick. Feeling used by her, Dick rebuffs her and hurts her feelings.
Dick has to write and appear the annual show, and the other cadets want Kit to play the lead. Dick refuses as women are not allowed, but the cadets appeal to her father, who gives the okay.
I love Dick Powell. I'm not such a fan of Ruby Keeler, who was certainly very pretty and did some good films with Powell. I did not find this a scintillating musical. The music was dull, and the story was flat.
I actually watched this to see if I could do what no one else has been able to - find Tyrone Power, who was a cadet in this film.
The only reason he is listed on IMDb is that he became famous as he was not a featured cadet. He was an extra, probably answering a call for young men to be extras at West Point. He cannot be spotted.
By the way, he and Linda Christian lived directly across the street from Dick Powell and June Allyson on Copa D'Oro in LA.
Dick Powell had such a beautiful voice, but it wasn't used a lot or to great advantage here. In short, this can't hold a candle to "42nd Street" or "Dames," or other musicals of the era.
Powell plays Dick Darcy, a private stationed in Hawaii. He meets the general's daughter Kit (Keeler). The two fall for one another, but she's engaged to another (Eldredge). They break up.
A few years later, they meet again, this time at West Point. Kit is still engaged, but very happy to see Dick. Feeling used by her, Dick rebuffs her and hurts her feelings.
Dick has to write and appear the annual show, and the other cadets want Kit to play the lead. Dick refuses as women are not allowed, but the cadets appeal to her father, who gives the okay.
I love Dick Powell. I'm not such a fan of Ruby Keeler, who was certainly very pretty and did some good films with Powell. I did not find this a scintillating musical. The music was dull, and the story was flat.
I actually watched this to see if I could do what no one else has been able to - find Tyrone Power, who was a cadet in this film.
The only reason he is listed on IMDb is that he became famous as he was not a featured cadet. He was an extra, probably answering a call for young men to be extras at West Point. He cannot be spotted.
By the way, he and Linda Christian lived directly across the street from Dick Powell and June Allyson on Copa D'Oro in LA.
Dick Powell had such a beautiful voice, but it wasn't used a lot or to great advantage here. In short, this can't hold a candle to "42nd Street" or "Dames," or other musicals of the era.
It's just not worth the hour and a half you have to give up to see this movie. The two leads fall predictably in love within the first 15 minutes and, for reasons unclear, decide to pretend not to love each other until the last 10 minutes.
Not excruciatingly bad, but nowhere near good. Just kinda ambles across the screen and bores everyone in its path. I'm pretty sure it's a comedy, but don't hold me to that.
Not excruciatingly bad, but nowhere near good. Just kinda ambles across the screen and bores everyone in its path. I'm pretty sure it's a comedy, but don't hold me to that.
Another internet reviewer summed up the experience of watching this very well. They also have an interest in watching all of the movies that have been nominated for Best Picture Oscars over the years and have found some hidden gems in doing so. But they've also had to sit through a whole bunch of movies like "Flirtation Walk" that feel like a total waste of time.
I'm not sure I thought it was a waste of time, because I don't think any movie is a total waste of time. At the very least, I think it's fascinating to see what studios thought people wanted to see, and how the culture as reflected in movies has changed over the decades. But I can see what they mean. It seems inconceivable to me that anyone could find something to like in this thuddingly boring movie, and it boggles the mind that anyone at the time thought this was worthy of a Best Picture nomination, even in a year with twelve nominees. But I guess times have changed along with our standards for entertainment.
I like Dick Powell better as a film noir anti-hero than a song and dance man (though he doesn't do any dancing in this), and I've never liked Ruby Keeler (who oddly doesn't dance either, though that's ok because I've seen the result). This movie is part tribute to our military heroes/part show-within-a-show musical. It's all terrible, or at least would be terrible if it wasn't so inert. It would have to be somewhat bold to be outright terrible, whereas this movie is lifeless and dull beyond comprehension.
Also nominated for a Best Sound Recording Oscar, but that's meaningless because back then studios could put forward movies for automatic nominations in that category. And anyway, it's not like great sound recording would have made this movie any better.
Grade: D-
I'm not sure I thought it was a waste of time, because I don't think any movie is a total waste of time. At the very least, I think it's fascinating to see what studios thought people wanted to see, and how the culture as reflected in movies has changed over the decades. But I can see what they mean. It seems inconceivable to me that anyone could find something to like in this thuddingly boring movie, and it boggles the mind that anyone at the time thought this was worthy of a Best Picture nomination, even in a year with twelve nominees. But I guess times have changed along with our standards for entertainment.
I like Dick Powell better as a film noir anti-hero than a song and dance man (though he doesn't do any dancing in this), and I've never liked Ruby Keeler (who oddly doesn't dance either, though that's ok because I've seen the result). This movie is part tribute to our military heroes/part show-within-a-show musical. It's all terrible, or at least would be terrible if it wasn't so inert. It would have to be somewhat bold to be outright terrible, whereas this movie is lifeless and dull beyond comprehension.
Also nominated for a Best Sound Recording Oscar, but that's meaningless because back then studios could put forward movies for automatic nominations in that category. And anyway, it's not like great sound recording would have made this movie any better.
Grade: D-
- evanston_dad
- Jul 7, 2024
- Permalink
FLIRTATION WALK (First National, 1934) directed by Frank Borzage, teams Dick Powell and Ruby Keeler for the fifth time, and the first to present their names above the title. When released in November 1934, this sentimental musical-comedy was so successful that it was nominated for an Academy Award for best picture, along with eleven (yes, 11!) other movies that year, but no win.
The predictable plot begins in Hawaii in which Powell plays Army Private Richard Palmer Grant Dorcy, better known as "Canary," who meets and falls in love with General John Brent Fitt's (Henry O'Neill) daughter Kit (Ruby Keeler) on a two day visit at the base. Kit happens to be engaged to Lt. Robert Biddle (John Eldredge), but she doesn't care. She gets Dick to take her out for a moonlight drive, and they are later are caught embracing by Biddle. Fearing Dick would get court martialed, Kit discourages and cures the lovesick private before she leaves Hawaii. Determined to forget Kit and become an officer and a gentleman, Dick decides to leave Hawaii and enroll at West Point. After more than three years at the military academy, and close to graduation, Dick encounters Kit once more. (Her father is stationed there as the new superintendent). Dick then tries to ignore Kit and give her a hard time, but risks getting a dismissal from the academy when caught embracing Kit once more in her quarters by Biddle.
Pat O'Brien co-stars as Scrapper Thornhill, Dick's sergeant in the first half of the story set in Hawaii, while Ross Alexander and John Arledge appear as the cadets in the second half set at West Point. Alexander, the one with the physical appearance of dancer Ray Bolger, supplies some fine comic touches here. Directed by two-time Academy Award winning director, Frank Borzage, FLIRTATION WALK focuses more on plot than musical interludes. Powell sings a little, but tap dancer Keeler does not do any fancy footwork here. There are no real lavish production numbers to speak of, with the exception of a Hawaiian luau some 20 minutes into of the story. The 15 minute segment of the Hundredth Night Show at West Point consists of songs by Allie Wrubel and Mort Dixon: "No Horse, No Wife, No Mustache," the lively and amusing "Mr. and Mrs. Is the Name" and the title song.
Aside from scenes filmed in Hawaii and West Point, light comedy, sentimental moments and good tunes, Dick and Ruby are believable their roles, while Pat O'Brien, as a tough sergeant, isn't afraid to shed a tear, especially during Dick's West Point graduation. Quite different from the previous Powell and Keeler musicals, from Broadway theater setting to military background, which actually works to good advantage, although there is too much time devoted to plebe year and Powell reciting the definition of "Leather."
FLIRTATION WALK was distributed on video cassette through MGM Home Video in 1992, and can be seen on the Turner Classic Movies cable channel. One final note: Although it's been said that future film star Tyrone Power appears as one of the extra cadets, he is so hard to find. (****)
The predictable plot begins in Hawaii in which Powell plays Army Private Richard Palmer Grant Dorcy, better known as "Canary," who meets and falls in love with General John Brent Fitt's (Henry O'Neill) daughter Kit (Ruby Keeler) on a two day visit at the base. Kit happens to be engaged to Lt. Robert Biddle (John Eldredge), but she doesn't care. She gets Dick to take her out for a moonlight drive, and they are later are caught embracing by Biddle. Fearing Dick would get court martialed, Kit discourages and cures the lovesick private before she leaves Hawaii. Determined to forget Kit and become an officer and a gentleman, Dick decides to leave Hawaii and enroll at West Point. After more than three years at the military academy, and close to graduation, Dick encounters Kit once more. (Her father is stationed there as the new superintendent). Dick then tries to ignore Kit and give her a hard time, but risks getting a dismissal from the academy when caught embracing Kit once more in her quarters by Biddle.
Pat O'Brien co-stars as Scrapper Thornhill, Dick's sergeant in the first half of the story set in Hawaii, while Ross Alexander and John Arledge appear as the cadets in the second half set at West Point. Alexander, the one with the physical appearance of dancer Ray Bolger, supplies some fine comic touches here. Directed by two-time Academy Award winning director, Frank Borzage, FLIRTATION WALK focuses more on plot than musical interludes. Powell sings a little, but tap dancer Keeler does not do any fancy footwork here. There are no real lavish production numbers to speak of, with the exception of a Hawaiian luau some 20 minutes into of the story. The 15 minute segment of the Hundredth Night Show at West Point consists of songs by Allie Wrubel and Mort Dixon: "No Horse, No Wife, No Mustache," the lively and amusing "Mr. and Mrs. Is the Name" and the title song.
Aside from scenes filmed in Hawaii and West Point, light comedy, sentimental moments and good tunes, Dick and Ruby are believable their roles, while Pat O'Brien, as a tough sergeant, isn't afraid to shed a tear, especially during Dick's West Point graduation. Quite different from the previous Powell and Keeler musicals, from Broadway theater setting to military background, which actually works to good advantage, although there is too much time devoted to plebe year and Powell reciting the definition of "Leather."
FLIRTATION WALK was distributed on video cassette through MGM Home Video in 1992, and can be seen on the Turner Classic Movies cable channel. One final note: Although it's been said that future film star Tyrone Power appears as one of the extra cadets, he is so hard to find. (****)
Some good songs, good cast. Dick Powell handles most of the singing, sounding great as always, even in Hawaiian. Pat O'Brien is enjoyable in a familiar role as the tough guy with a heart of gold. Biggest disappointment of the whole movie is no dancing by the lovely Ruby Keeler. What were they thinking? The movie is very different from the 42nd Street-Footlight Parade-Golddiggers musicals that the Powell/Keeler team is most famous for, and if you expect to see that type of movie, you might be disappointed. I love them in those movies, but I also enjoyed this as something different. It would be nice to see this movie released as part of a DVD box set to complement the great Busby Berkley set released in early 2006.
Flirtation Walk (Frank Borzage, 1934) is an entertaining if disjointed salute to the West Point military academy that flits from romantic comedy to putting-on-a-show musical to sentimental drama. Dick Powell is a happy-go-lucky private who joins officer training when he thinks he's lost the girl he loves (Ruby Keeler). Though the film doesn't really gel, there are some great sequences: Powell and Keeler falling in love in hazily-romantic Hawaii, his speedy rendition of Mr & Mrs Is the Name and the penultimate scene: an emotional encounter between the forlorn Powell and gruff, good-hearted sergeant Scrapper (Pat O'Brien). The rest is comprised of broad comedy, petty squabbling and lots of enthusiastically-choreographed marching. It's a wonder any young girls continued to idolise Powell after seeing him manufacture a quadruple-chin here - then maintain it through an entire montage. Incidentally, the curious, antiquated title comes from a romantic pathway in the film, which has a legend attached.
With hindsight,"flirtation walk" appears as a blueprint for "shipmates forever"(and even ,so to speak for "Blue Hawai" in which Elvis played a discharged soldier mind you).Like the 1935 (shall we say "sequel"?)work,it features the same actors and it's the most distressingly mediocre movie by one of the greatest directors of the era."Flirtation walk " pales into insignificance when compared to "no greater glory" "little man what now?" "three comrades" "mortal storm" "young America" "stranded" "big city" .....and I don't even mention the masterpieces of the silent era !Borzage epitomized greatness ,and perhaps are we too demanding ?There is a good idea,the play a la "Hamlet" or how to get a message of love through.
However,Borzage 's touch is nowhere to be seen in this umpteenth version of "I shall become an officer and a gentleman".If you want to see a good patriotic movie by Borzage,do choose " stage door canteen" in which the characters are made of flesh and blood.
However,Borzage 's touch is nowhere to be seen in this umpteenth version of "I shall become an officer and a gentleman".If you want to see a good patriotic movie by Borzage,do choose " stage door canteen" in which the characters are made of flesh and blood.
- dbdumonteil
- Sep 1, 2009
- Permalink