Jimmy the Gent

Con man Jimmy Corrigan (James Cagney) runs an agency that finds heirs of those who died without a will and he's not above providing phony heirs in order to collect his fee. His girlfriend (Bette Davis) didn't approve of his underhanded techniques so she left him to go work for his supposedly honest and respectable competitor. In order to win her back, Jimmy tries to prove he can go straight and become a respectable gentleman.

Cagney and Davis are both enjoyable in this snappy comedy, each getting plenty of good lines. Cagney, with his bow-tie, crew cut, and nasal accent, is different than most other pictures I've seen him in from this period. Another fine example of what an underrated actor he was, even doing these WB programmers. They're backed up by a fine supporting cast including Allen Jenkins, Arthur Hohl, and Alan Dinehart. A fun one for fans of Jimmy and Bette.

Have always had a thing for seeing films that have great casts or actors/actresses etc. that do a lot for me. That is yet another case of too many to count and list with 'Jimmy the Gent'. Love Bette Davis (i.e. 'All About Eve'), even when she featured in films that were not worthy of her, and James Cagney was great in 'White Heat' and 'Yankee Doodle Dandy'. Michael Curtiz directed two of my favourite films 'Casablanca' and 'The Adventures of Robin Hood'.

'Jimmy the Gent' is certainly worth the watch and definitely recommended, it is entertaining, well made and played with professionalism by people that clearly knew what they were doing and cared. Davis and Cagney did both do better though, in terms of both films and performances, and the same goes for Curtiz and his direction, particularly the above cited films on all counts. So to me it is not one of those must-see films. A longer length would have helped and if it tried to do a little bit less.

While not lavish, not that it needed to be, 'Jimmy the Gent' is well photographed with the right amount of gritty yet never cheap atmosphere. The music may not stay embedded in the brain a long time after, but it is a good match for the story's tone and at least appeals to the ears. It is breezily directed by Curtiz, while the script crackles amusingly and at its best hilariously.

The story has some fun twists and turns, is taut enough and is never dull. Cagney is in a role that plays to his strengths and gives a performance full of energy and that is entertainingly larger than life. Davis' character is not as interesting but she is charming and sassy, making the most of her role. The supporting cast are fine too, Allen Jenkins contrasting endearingly with Cagney.

On the other hand, there are times where the pace was a little hectic and the story over-stuffed. A longer length again would have helped.

Just over an hour felt far too short and with little time to go into more depth. Something that was missing here, giving the film a little emotional blandness.

Concluding, fun film if not great. 7/10

Cagney was tired of playing mugs by this point in his career, but he played this one comically.(Humor is a Cagney trait in any of his roles.) He intentionally had the studio barber put bottle scars on his head just to annoy Hal B. Wallis!!! Ya gotta love that. His attitude towards Warner's was getting worse,understand? He could play a thug like DaVinci could draw a dame named Mona. But in spite of his frustrations with the studio,I personally view this as one of his most memorable performances of the 30s!!

I loved this amazing movie. I can't believe the amount of plot and dialogue weaved into 67 minutes by Cagney and Curtiz.

Cagney just does not shut up, thankfully. He is brilliant. The idea that he was a shady geneologist who goes semi-straight and that Bette Davis was his foil was interesting. Lots of lauggh out loud scenes in this movie.

.. and all of those memorable Warner Brothers contract players. In this fast-paced, cynical comedy from Warner Brothers and director Michael Curtiz, Jimmy Corrigan (James Cagney) runs a shady operation that sets up phony heirs to collect the fortunes of deceased people who left no legitimate beneficiaries. This brings him into conflict with another firm headed by the suave Wallingham (Alan Dinehart), and particularly with Wallingham's secretary Joan (Bette Davis), who disapproves of Jimmy's modus operandi. Both firms set about trying to outwit one another for the latest big money case.

Cagney is terrific here, with his hair shaved at the sides, and his suits looking a size too small, both accentuating his machine-gun line delivery and coiled-spring body language. Davis is still in her "cute" period, although her pencil eyebrows are a bit too much. The stars have great chemistry together, even if neither one wanted to make the movie, and Davis was so furious over Cagney's haircut that she refused to do publicity photos with him! The supporting cast of familiar faces is good, and the script, by Bertram Millhauser, has a lot of great lines. The stars' dismissal of the project as low fluff is accurate to a degree, but it's very well done fluff, and an enjoyable diversion.

Production note: That ugly scar on Cagney's head that you see through his buzz cut was painted on intentionally at Cagney's direction just to annoy the suits at Warner Brothers. He was tired of playing the same character repeatedly and reportedly said: "If they want a mug, I'll give them a mug".