Here Comes Cookie

In this sort of sequel to MANY HAPPY RETURNS, retired millionaire George Barbier finds his daughter Betty Furness, is engaged to a gold-digger Rafael Alcayde. To stop this, he gives all his money to his other daughter, Gracie Allen, and goes down to the small rural town he was born in, to wrestle Harry Holman. Completely misunderstanding -- surprise! -- Miss Allentakes in every broken-down vaudevillian and his trained seal. Plus when Alcayde learns of what Barbier has done, he tells Gracie he loves her and she him. So she decides to put on a show using all this lack of talent.

It's a particularly crazy comedy in which Miss Allen is in charge, and is visually inventive. While Burns nd butler Andrew Tombes are discussing how to find an unused bathroom, a spoons player or troupe of acrobats might pass in foreground or background. Credit director Norman Z. McLeod not only for his experience in silent comedy, but his time directing the Marx Brothers.

George Burns and Gracie Allen: my favorite Hollywood couple of the golden age! And this might just be my favorite movie of theirs. At least so far!

I'm on a bit of a George Burns and Gracie Allen kick after discovering that one of the ways to fall asleep peacefully at night is to listen to Old Time radio. I first started listening to the old detective shows, because they do sound soothing - but be careful, because they can get into your subconscious while you're sleeping and impact the kind of dreams you'll have. So, I found out the hard way that it's much better to listen to something lighthearted like the George Burns and Gracie Allen Show, and I fall asleep feeling confident that my dreams will be at least not scary. They are such a comfort to me, those two!

My favorite part about this movie - the way Gracie Allen keeps calling George Burns Georgie Porgie. I could just feel the chemistry between them, and how wholesome their relationship was in real life, as mirrored by the wholesomeness of their relationship in this movie, however farcical it is.

Bonus points for the fact that Gracie Allen's father in the movie is named Harrison, my surname. Whenever my name or my girl's name is in a movie, I always know there's a positive message to be found there for me - a personal message. And I certainly found one here, one of lightheartedness and love.

So glad George and Gracie existed in this world, and thank God for the film restoration people that make sure old movies like these are not forgotten but live on through the passage of time.

The plot is thin, the premise even thinner. However, Grace Allen is her usual ebullient self, somehow even in her "dimwittedness" suggesting that some shrewd insights lie beneath the surface, and that everyone else is only a fall guy. The scenes with father and sister are sometimes extremely amusing, but the primary distinctive feature of the film is that it gives the viewer the opportunity to see many of the old vaudeville acts in their pristine form, as Gracie the heiress opens her home to the out of work performers. Probably these were performers who appeared in vaudeville with Burns and Allen themselves.

The plot is thin but the casting is stuffed with major faces from the heydey of Vaudeville. For most of these performers, uncredited as they were, this is the only recording of parts of their act. Enjoy the silliness and pretend you're at Minsky's.

Although billed as a Burns and Allen vehicle, it's actually George Barbier who has the main role and carries the weight of the comedy in this enjoyable, well-produced "B" movie. Not that I'm complaining. Barbier is not only more than equal to the task, he carries off more laughs than the dithery Miss Allen—who is delightfully partnered here not only by Barbier but by Andrew Tombes who makes the most of one of his largest and most ingratiating roles ever. George Burns has only a small role and seems to have been included in the cast simply to serve as an occasional butt for why-don't-you-marry-Gracie jokes.

Other players who register more strongly than Mr Burns include Betty Furness (as the daughter who comes to her senses), Rafael Storm (as the money hound), James Burke (as the fake swami), Syd Saylor (a credulous taxi-driver), and Harry Holman (a disillusioned crony).

As for the twelve (count them) vaudeville headline acts announced in the credit titles, we see only two (three if you count the fact that drummer Jack Powell is handed two bites), although five or six others flit by in the background.