Pop Goes the Easel

This episode marked a huge turning point for the Stooges. Producer Jules White hired on Del Lord to direct, a former stuntman and Keystone Cop from the early days of silent comedy. An ideal match with writer Felix Adler. These two artists would unite to develop the most insane (yet) material for Moe, Larry and Curly.

It's safe to say Adler borrowed the "guys on the street" Depression scene from Laurel and Hardy, usually being chased by the cops for vagrancy. Same deal with the Stooges, managing to give the coppers the slip and dash into an artsy art school. Here we see lots of new gags, no doubt suggested by Del Lord, foremost Moe's famous "two fingers" poke in Curly's eyeballs. YOUCH! Curly also gets to walk around in drag! -- which would become a laugh out loud bit for years to come, opening the door to even more bizarro story ideas and routines.

And why not put to good use some of that modeling clay in the studio, right? New-found artists Moe, Larry and Curly get into a whopper of a clay fight, again thanks to Lord's creativity. As expected, this would inspire the famous (gooooey, crunchy, wall-splattering) Stooge pie fights over the next two decades.

Fun fact; Moe and Larry's young daughters are seen playing hopscotch in a bit part. Silent film comedian Bobby Burns plays Professor Fuller, also a dirctor of many early films like Del Lord. Interestingly, Lord would direct one comedy for the BOWERY BOYS in the 40s.

Always on remastered Columbia dvd, box sets generally ranging from each decade; 30s, 40s and 50s episodes. Many thanks to METV for running these gems Saturday nights.