IMDb RATING
6.6/10
1.1K
YOUR RATING
Powell plays an American cryptologist who tangles with German spies while falling in love.Powell plays an American cryptologist who tangles with German spies while falling in love.Powell plays an American cryptologist who tangles with German spies while falling in love.
Lowden Adams
- Butler
- (uncredited)
Rudolph Anders
- Radio Operator
- (uncredited)
Johnny Arthur
- Code Room Clerk
- (uncredited)
Max Barwyn
- Boris Stronskoff - Russian Singer
- (uncredited)
Storyline
Did you know
- TriviaOriginally intended to be a vehicle for William Powell and Myrna Loy, Rosalind Russell was brought in as Loy was "on strike" for better pay after the huge success of The Thin Man (1934).
- GoofsThis movie takes place during World War I. The map of France on Lt. Gordon's office wall includes Alsace and Lorraine, which weren't returned to France until after the war.
- Quotes
Joel Carter: A wife's place is with her husband. When he's in Paris.
Lieutenant Bill Gordon: Ah, but I'll be up at the front.
Joel Carter: But you could come back over weekends.
Lieutenant Bill Gordon: Or we could get the Germans to come right down to Paris, then I wouldn't have to leave you at all. No, darling, you can do just as much harm here as you could in Paris.
- Crazy creditsIntro: Behind every strategic move in war, a secret army toils ceaselessly. On the accuracy of their dangerous work depends on the launching of battles, the sinking of ships and the destinies of thousands of soldiers on land and sea.
- ConnectionsRemade as Pacific Rendezvous (1942)
- SoundtracksYou're In The Army Now
(uncredited)
Music by Isham Jones
Lyrics by Tell Taylor and Ole Olsen
Played during the opening credits
Featured review
If you like William Powell enough (or another actor in this film) and its venue, you may flow with it. It is a weaker one to my view, and while not a throwaway, not really picked up by anyone in particular. The character Russell played was incongruous and annoying, though she was probably refreshing as a newcomer. There's a bit too much overdone flip and horsiness about her performance here and in a lot of her pictures, to my taste. Likely, it's a script flaw, but given the level of weight of the decoding project at hand, her stunts are incongruous at best. The fact that she had such easy access is also unbelievable, despite her connections by relation. Also, she doesn't really work with Powell's character. After about her third shenanigan, I think, that's it for her. He'll move on. But he trots right along and they end up together. What? That a man of his caliber would hook up with a loose cannon like that just really doesn't work. And they aren't believable together. Binnie Barnes' character, though the villainess, was easier to take down, being consistent and well enough done. This essentially war picture has its interest, but I can't say after one more run through, I would care to repeat. But I do hang onto my classics and after some time, enjoy going back for just the era and actors. One can always ogle the clothes if nothing else.
- misctidsandbits
- Jan 14, 2012
- Permalink
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Details
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1
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