The airplane Pat and Claudette charter to fly them to Chicago is a 1928 Travel Air 4000, registration NC4419, s/n 379. As of 2018, it is still registered and airworthy.
An article in the 3 April 1935 edition of Variety notes this film was shot using a new camera developed by Warner Bros. that allowed for increased definition of actors against a background and for a greater depth of field.
One of five films pairing Joan Blondell with Glenda Farrell released by Warner Bros. from 1933 to 1935 as two blonde bombshells. The other films include: Havana Widows (1933), Kansas City Princess (1934), We're in the Money (1935) and Miss Pacific Fleet (1935).
Joan Blondell was married to this film's cinematographer George Barnes at the time. They would divorce the following year.
In the 1930's, Joan Blondell was among the queens of what were then called "women's pictures"---movies about the travails of working women during the Great Depression. In 1935, she moved up in the world to play a heiress who strikes out on her own in a decidedly tamer version of her earlier roles.
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