IMDb RATING
6.5/10
3.2K
YOUR RATING
A scientist becomes murderous after discovering, and being exposed to the radiation of, a powerful new element called Radium X.A scientist becomes murderous after discovering, and being exposed to the radiation of, a powerful new element called Radium X.A scientist becomes murderous after discovering, and being exposed to the radiation of, a powerful new element called Radium X.
- Director
- Writers
- Stars
- Awards
- 1 win total
Boris Karloff
- Dr. Janos Rukh
- (as Karloff)
Georges Renavent
- Chief of the Surete
- (as Georges Renevant)
Ricca Allen
- Bystander
- (uncredited)
Charles Bastin
- French Newsboy
- (uncredited)
May Beatty
- Mme. LeGrand
- (uncredited)
Ted Billings
- Counterman
- (uncredited)
Ernest A. Bouveron
- French Newsboy
- (uncredited)
Helen Brown
- Blind Girl's Mother
- (uncredited)
Daisy Bufford
- Infant's Mother
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Invisible Ray is an exciting story about an overworked scientist who works effortlessly in his Carpathian castle looking for secrets of the universe. Boris Karloff plays the scientist Janos Ruhk who travels with a band of other scientists to Africa for the spot where an unidentified element landed centuries ago. Karloff is very good as the scientist who accidentally poisons himself with this new radioactive element. Karloff is obsessed with the idea that his fellow travelers, amongst them the stately Lugosi as Dr. Benet, are after his honors and secrets of this new find. Because of this, Karloff goes on a maniacal murdering spree of his former friends. There are many good elements in this film, most dealing with the rather interesting story of science gone amok. Lugosi is good too, although his role is not very big. I must agree with many that this pairing of the horrific duo is a second to The Black Cat. Nonetheless this is a fine Universal science fiction/horror film.
One doesn't get to enjoy this gem, the 1936 Invisible Ray, often. But no can forget it. The story is elegant. Karloff, austere and embittered in his Carpathian mountain retreat, is Janos Rukh, genius science who reads ancient beams of light to ascertain events in the great geological past
particularly the crash of a potent radioactive meteor in Africa. Joining him is the ever-elegant Lugosi (as a rare hero), who studies "astro-chemistry." Frances Drake is the lovely, underused young wife; Frank Lawton the romantic temptation; and the divine Violet Kemble Cooper is Mother Rukh, in a performance worthy of Maria Ospenskya.
The story moves swiftly in bold episodes, with special effects that are still handsome. It also contains some wonderful lines. One Rukh restores his mother's sight, he asks, "Mother, can you see, can you see?" "Yes, I can see more clearly than ever. And what I see frightens me." Even better when mother Rukh says, "He broke the first law of science." I am not alone among my acquaintance in having puzzled for many many years exactly what this first law of science is.
This movie is definitely desert island material.
The story moves swiftly in bold episodes, with special effects that are still handsome. It also contains some wonderful lines. One Rukh restores his mother's sight, he asks, "Mother, can you see, can you see?" "Yes, I can see more clearly than ever. And what I see frightens me." Even better when mother Rukh says, "He broke the first law of science." I am not alone among my acquaintance in having puzzled for many many years exactly what this first law of science is.
This movie is definitely desert island material.
THE INVISIBLE RAY is a highly enjoyable horror film that seems way ahead of its time, coming as it does in 1936 and making use of meteors and Radium X in its plot design. BORIS KARLOFF is the scientist whose ideas are "stolen", or so he believes, by others and goes about seeking an unusual method of revenge, killing off his intended victims one by one.
FRANK LAWTON and FRANCES DRAKE are the romantic leads with BEULAH BONDI playing an aristocratic Lady Arabella who is one of the victims. But the film is mainly a showcase for BORIS KARLOFF as the mad scientist, with BELA LUGOSI doing extremely well (and underplaying effectively) the role of a colleague among those on the "victim" list.
Universal obviously planned this as a low-budget feature, but the sets are impressive, all the technical credits are more than adequate, and the story is well-paced and effective throughout.
Well worth viewing and certainly one of the better Karloff/Lugosi joint ventures.
FRANK LAWTON and FRANCES DRAKE are the romantic leads with BEULAH BONDI playing an aristocratic Lady Arabella who is one of the victims. But the film is mainly a showcase for BORIS KARLOFF as the mad scientist, with BELA LUGOSI doing extremely well (and underplaying effectively) the role of a colleague among those on the "victim" list.
Universal obviously planned this as a low-budget feature, but the sets are impressive, all the technical credits are more than adequate, and the story is well-paced and effective throughout.
Well worth viewing and certainly one of the better Karloff/Lugosi joint ventures.
Karloff and Lugosi - Together again! This is one of those films that casual fans will pass over and tend not to appreciate as much. It's not an all-out horror film like the duo's previous two hits, The Black Cat and The Raven. But, it is very worthy of both's talents and is a fun film when re-visited.
The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.
Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.
Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.
Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).
The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!
The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.
Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.
Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.
Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).
The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!
This is just about in the same league as `The Black Cat', although I'd give this a 9 rather than a 9+. That's praise indeed for a film that has been so badly underrated that it is amazing!
`The Invisible Ray' is part horror, part drama and certainly part sci-fi. For a movie made in 1936 the sci-fi elements were a good deal ahead of their time. The mixture of horror, drama and sci-fi are a perfect blend, while the acting on the part of Lugosi and Karloff couldn't be better.
Director Lambert Hillyer captures a lot of elements that James Whale did so often. What I'm saying is that this film is eerie and well shot. The scene with the gargoyles outside of Lugosi's room is a perfect example of the mood. It's a standout moment in the film, which is so sadly missing in today's movies of the genre.
As with `The Black Cat' and `Island of Lost Souls', I can't understand why this film has yet to be released on DVD. When you consider some of the junk that's already been transferred to DVD it's that much more puzzling.
Anyway, watch this film if you get the chance. When it's released on DVD grab it fast and put it in an honored spot within your DVD library.
`The Invisible Ray' is part horror, part drama and certainly part sci-fi. For a movie made in 1936 the sci-fi elements were a good deal ahead of their time. The mixture of horror, drama and sci-fi are a perfect blend, while the acting on the part of Lugosi and Karloff couldn't be better.
Director Lambert Hillyer captures a lot of elements that James Whale did so often. What I'm saying is that this film is eerie and well shot. The scene with the gargoyles outside of Lugosi's room is a perfect example of the mood. It's a standout moment in the film, which is so sadly missing in today's movies of the genre.
As with `The Black Cat' and `Island of Lost Souls', I can't understand why this film has yet to be released on DVD. When you consider some of the junk that's already been transferred to DVD it's that much more puzzling.
Anyway, watch this film if you get the chance. When it's released on DVD grab it fast and put it in an honored spot within your DVD library.
Did you know
- TriviaThe set for Dr. Rukh's laboratory appeared as that of Ming the Merciless in Flash Gordon (1936) and Countess Zelaska's castle in Dracula's Daughter (1936).
- GoofsThe film shows a clipping from a news magazine announcing that the principal characters have gone on an expedition to Nigeria to find the meteor containing Radium X. Yet in the earlier sequence showing the meteor landing on earth, it hit on the southwest coast of Africa over 1,000 miles away from Nigeria.
- Quotes
Ronald Drake: [discussing Benet's plan to invite unwitting scientists to a lecture intended as a trap for Rukh] Do you think it's fair to expose them to the danger?
Dr. Felix Benet: There are only two people he wants to destroy. Two, or perhaps... three.
- Crazy creditsThe character of "Professor Meiklejohn," correct in the opening credits, is listed as "Professor Mendelssohn" in the closing credits.
- ConnectionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
- SoundtracksBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Played on an organ for the wedding
- How long is The Invisible Ray?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- El rayo invisible
- Filming locations
- Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA(Hunchback of Notre Dame church set)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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