Hank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes... Read allHank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes significantly harder, however, after his boss and his brother Steve, manager of a boxer n... Read allHank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes significantly harder, however, after his boss and his brother Steve, manager of a boxer named Steamer Krupp, are murdered, and he volunteers in the effort to catch the mobsters wh... Read all
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Featured reviews
The opening is a little clunky. It does achieve two things. It shows that Hank is a fighter and there is corruption everywhere. It's just weird that this is how he got hired. It's a little clunky. A lot of the story is a little clunky, but it works good enough. It's a middling crime drama.
He hooks up with the appealing Florence Rice and her boss, who runs the company where he'd been looking for a job. Her father is released from prison and all become involved in a crime-busting plan.
Nat Pendleton as a loyal boxer is at his very best here. He is portrayed as likable, strong, and attractive. The goofiness he was asked to assume in almost every other movie I've seen him in is absent here.
There is a gay undertone to the story as it involves the crime boss. He is a disabled man with an obsession for fighters. We see a frieze of Greco-Roman athletes in his apartment. And when Rice tries to turn his head a little, he tells her sourly that he has no real interest in legs. Maybe this is because of his own disability. Maybe it means women's legs.
The movie packs a wallop and is undeservedly obscure.
And yet everyone plays their parts with a will; the peculiar veerings of the plot keep the audience guessing; Pendleton gets gets a speech that is touching; and Calleia, who only shows up after three quarters of an hour, is absolutely dominating. This with a cast that includes Florence Rice, Lewis Stone, John Wray, and Cy Kendall. Keep an eye out and you can see Dennis O'Keefe, still uncredited but instantly recognizable.
Calleia was a fine singer on Broadway, but only rarely sang in the movies. He was too busy playing bad guys and compelling oddities, like his turn as an ambiguous cop in GILDA. He retired to his native Malta in 1963 due to ill health; Coppola wanted him for Don Corleone in THE GODFATHER, but Calleia turned him down. He died in 1975 at the age of 78.
Though not a superstar in films, before he became one in TV, Robert Young played a variety of roles in movies. His likable personality served him well, and he is very good here as Hank Sherman, a young man who goes undercover to get evidence against Joe Emerald, the head of a protection organization (Joseph Calleia). His first effort fails miserably when instead of a shooting a cop, he shoots his partner and is thrown out of the group. So he tries again, this time by replacing his brother, killed by the mob, as the manager of a fighter (Nat Pendleton).
Very good and exciting film, with a gay undertone that possibly went over the head of the 1930s audiences. The mob boss, Emerald, is crippled and, from his treatment of Florence Rice's character, has no use for women. When he brings Hank into his deco steam room, it's filled with Greco-Roman friezes of nude men. He more or less tells Hank that he lives vicariously through fighters, which is why he wants Hank's client. An interesting twist on what could have been just a formulaic mob story.
The excellent finale takes place in said steam room, where detectives are searching for hidden files.
Dark film, noirish, albeit before noir, and intriguing. Recommended.
And then I look at that cast. Robert Young, early in his career, first billed to 4th billed MGM stalwart Lewis Stone? This got me interested and kept me that way. This was one of the positives of the old studio system. The studios could build up a cast of players known for inhabiting a certain type of role and almost any writer and director could get the audience to "get" that character without too much sweat.
Robert Young plays broke law student Hank Sherman who gets a job loading produce. Unfortunately, he almost immediately runs afoul of the "Produce Delivery Protective Association" when he refuses to give them a percentage of his pay and they begin beating him. Along comes Eli Decker, owner of all of the warehouses on five blocks, in his limousine when he sees the sight. He gives chase to the gangsters with his cane and asks Hank if he would like a job as his chauffeur. Decker's driver ran away when he was asked to help stop the gangsters. I wonder how far he got in that neighborhood at night on foot in a chauffeur's outfit? At any rate I thought I could see where this film was going completely. I was wrong. Wealthy Eli Decker is on a crusade against the very profitable rackets, and he has the ear of all the right people. Florence Rice plays Peg Gattle, Decker's beautiful young employee that Hank has instant eyes for. Lewis Stone plays Dr. Gattle -as in M.D. - who spends twelve years wrongfully imprisoned thanks to the head of the rackets, until Decker gets him out. He's also Peg's dad. In prison Dr. Gattle has figured out who the head of the rackets is and is helping the D.A. and Decker. Meanwhile Hank's brother is training a new fighter played by Nat Pendleton who plays his usual thick headed muscle bound and completely likable good natured character.
So who is the sworn enemy of the title? I won't tell you, but I will tell you that the head of the rackets and all of the men living off of them are not going down without a fight even if it means murder. Also, the original plan that the D.A. has for bringing down the rackets has to be changed mid-film- actually a couple of times. There is a robbery gone wrong, Joseph Calleia as the crippled head gangster whose penthouse has a swell view of dancing girls using their legs like he never could who you could ALMOST feel sorry for if he wasn't such a cold blooded killer, John Wray as the head man's number two guy who seems to delight in violence, a hidden vault full of racketeer money that must be found, and finally, maybe Nat Pendleton's fighter isn't that thick after all.
A rousing good crime film with lots of tension, melodrama, and even some comedy, and a great early role for Robert Young, who, when he isn't chasing the girl with what seem like tired pick-up lines is very good here.
Did you know
- TriviaFirst of six films pairing Robert Young and Florence Rice released from 1936 to 1939.
- GoofsWhen 'Steamer' (Nat Pendleton) carries Joe Emerald (Joseph Calleia) out of the fire, he hits Emerald's head on the door jamb. Calleia never broke character: since he was supposed to be passed out, he just kept his eyes closed.
Details
- Runtime
- 1h 13m(73 min)
- Color
- Aspect ratio
- 1.37 : 1