Snow White and the Seven Dwarfs

This was Walt Disney's first animated full-length movie. I've read where it took somewhere between two to five years to make, and the artwork still stands up to today's standards. It still looks good, especially with today's DVD technology and great-looking television sets. This film, along with Bambi, exhibit some fantastic watercolor-type artwork with the latter being ever more spectacular than this one.

The story is "cute" because of the seven dwarfs. The evil character - the queen - doesn't have that big a role so most of the time it's just a sweet, enjoyable film with nice characters. It's one of the those movies that makes you feel good as you are watching it.

To be honest, some of the scenes lag a bit and Snow White's operatic voice is a bit much for me, but those are the only complaints I could find in this classic film, one of the best ever from Disney.

Quite simply, this one reigns supreme. Although much of the praise this film receives, may be due to the fact that it was it's creator's first attempt at an animated feature, I think it's obvious merits and artistic triumphs are enough to maintain it's place at the top.

First, there is the artwork, which is stunning. The color isn't at it's most vibrant, such as with, say, "Cinderella" (1950), but it is suitable and lovely all the same. A virtual watercolor painting come to life. The details in the animation never fail to amaze. Just look at the raindrops in the chase sequence towards the end. Look how they hit the rocks, and slip away. Such attention to detail was rarely matched in an animated feature, except maybe, in "Pinocchio" (1940).

The characters are of various degrees of interest, with Snow White, probably the least of these. The dwarfs are all charming, and it is they who carry the film during their screentime with the princess. However, one should not deny, that the true star of this film, is the evil queen. Both in her presence of glamour, and in her transformation as an old crone, she is fascinating to watch. I don't believe another Disney villian has ever been both frightening and enchanting, like she has.

Lastly, the music in this film is truly memorable. The "Heigh Ho" sequence is visually impressive, and the dwarfs song as they bathe is a great comedy bit. Not to mention Snow White's anthem "Someday My Prince Will Come"; another gem in the Disney library.

All in all, a tremendous production. Beautiful, thrilling, and memorable.

Snow White and the Seven Dwarfs (1937)

**** (out of 4)

The beautiful and charming Snow White comes under attack by a man who has been hired by the evil Queen to kill her. She ends up taking shelter in the forest with seven dwarfs but soon the Queen has more plans to destroy her.

There's no question that this is a legendary film and a very important one to history as it was the first feature-length film from Walt Disney Studios. The film was a tremendous hit when it was first released and it really broke new ground in regards to what people would be willing to sit through. After all, it was a mystery if people in 1937 would be willing to sit through a feature-length cartoon and whether or not they'd be able to show emotions towards animated characters.

As for the film itself, it's certainly a great one from Disney's original Golden Age. There's no question that the most impressive thing is how great the actual animation is. I've seen plenty of cartoons from this era and the quality is usually good but there's no question that the amount of detail was just taken to a new level here. Just take a look at how much detail is in the forest scenes. Look at the detail to the seven dwarfs. Look at the terrific detail in the Queen's potions.

SNOW WHITE AND THE SEVEN DWARFS features a memorable and lovable lead character, a great villain and seven great comic relief characters. I also liked the fact that the darkness of the Grimm's Fairy Tale was also left in and this certainly makes the film more adult in a way. Disney would make a major breakthrough with this film and it remains refreshing all these years later.

The lampoons, the snark, the mockery, the chorus of disapproval. Snow White Rebooted (not its official title) of 2025 has had such opprobrium heaped upon it, no doubt well deserved, that I found myself suddenly curious to see the 1937 original. I'd never wanted to before. Never saw it as a kid. Maybe I was just curious to see how far we have fallen as a species since those more innocent times.

Were they more innocent though? 1937. Before Pearl Harbor. Between the world wars. The dawn of Disney. The origin point. The first animated feature length movie, isn't it? But this was, basically, the same generation that dropped the bomb on Hiroshima, the same US of A, right? Maybe just as Reds and Blues today regard each other as different species, maybe there was a duality of sorts even then? The human heart is a mystery, is it not?

Anyways, I was tickled by all the 1930s booty twerking going on (very innocent twerking), and it was a pleasant surprise to discover this film has operetta stylings, with coloratura trilling by Snow White, crooning by the prince, and a post-prandial party full of yodelling dwarves. All the forest creatures have the cutesy Bambi look, but I don't mind telling you, when the princess got scared in the forest so did I, and when she fell down weeping my heart ached for her. I also don't mind telling you that I did wish the movie would move along just a bit faster. Just five minutes. A bit more witchy Queen, a bit less tiptoeing dwarves, that would have suited me.

The Evil Queen is a marvellous meanie, and the princess Snow White is so adorably, queasily wholesome, so pure it makes you want to vomit (or possibly to ennoble yourself and become her protector?) that I felt some appreciation of why Alvy said he preferred Snow White's nemesis (in rom-com Annie Hall, 1979).

Seeing this chaste, landmark (birthmark!) fantasy, this jewel of cinema, one can better comprehend the shamelessness, the utter hubris of Disney's foolish decision to, ahem, 'update' the story for today. As I'm sure you know, Snow White 2025 was pilloried and lampooned, almost to oblivion, months before it even opened. What a saga it has been. A gift for social media snarks, but one can't blame them. To decide to remake an immortal classic is the kind of decision that could only come from the sort of people who are today busy crushing all the dreams in Hollywood's dream factory. Let them all be sacked and float away down river, eke out there remaining days in the wilderness; no fairytale cottage, just a one-room cave for the lot of them.

Snow White and the Seven Dwarfs (1937). Virtue, not virtue-signalling. Pure of heart, not pure thru filters. Delight your children and the child within.

There isn't much that hasn't already been said about "Snow White and the Seven Dwarfs", Walt Disney's first feature length animated film. Suffice it to say that it not only fulfilled the studio's hopes beyond their wildest dreams, it made possible the Disney films that followed it. From the famous Grimm fairy tale about a beautiful princess who flees her jealous stepmother and finds refuge with seven friendly dwarfs, Walt Disney created a cinematic milestone. At the time the film was in production until the day it was released, rival producers were supposedly referring to it as "Disney's Folly".Although this myth has been recently debunked in film historian JB. Kaufman's magnificent new book (''The Fairest One Of All:The Making Of Walt Disney's Snow White And The Seven Dwarfs''Weldon Owen/Disney Press, 2012)it's true that only after it's huge success, did fellow movie makers attempt their own full-length cartoon features. Upon it's debut, at Hollywood's Carthay Circle theater, (December 21, 1937)the film was embraced both by critics and audiences, grossing many times it's then record (for an animated film) $1.5 million budget. Eight successful reissues have kept the movie in the public consciousness now for over six decades, during which time the field of animation has grown by leaps and bounds. Still. despite the cinematic advances and the passage of time, "Snow White" stands alone. While the classic story is but a framework for the film (a fact which troubled me for years), "Snow White" can be fully enjoyed for the pioneer it truly is.

Along with a splendid cast of voices headed by Adriana Caselotti (Snow White) Harry Stockwell (father of Guy and Dean, as the Prince) and Lucille La Verne (The Queen), there are songs which can truly be called timeless: "Whistle While You Work", "Heigh Ho", "Some Day My Prince Will Come", etc.). Much time and effort went toward developing the characters of the Seven Dwarfs and giving each a distinct personality (absent in the original story) which went a long way in making audiences care for Snow White's plight. Interestingly enough, although the fairy tale was toned down considerably to make it more "family friendly", the overzealous way in which the film makers transformed the Wicked Queen into a hideous hag at the climax was the subject of an incredible amount of controversy at the time. In fact, it was under a partial ban in England which made it off-limits to children under 16 years of age! Nevertheless, it was the recipient of a special Academy Award in 1938.

To go on about the impact made by the film would be redundant. It simply must be seen to be appreciated. In 2001, it was released on DVD as the first of Disney's "Platinum Editions". And many months before it was in stores, there was great speculation about the content. All the anticipation was justified when the DVD finally arrived. Critics and consumers were overwhelmed (just like the audiences back in 1937) with both the content and the painstaking restoration (beyond that done for it's 50th anniversary reissue) and made it THE DVD for the subsequent holiday season. Without going into detail, it looks as if it were made yesterday, and sounds better than a film of this vintage could ever be expected to. But the streamlining has not diminished it's charm--only accentuated it. And when you think (before you are drawn into the story, and you ARE) that "Snow White", unlike today's computer-drawn animated features was entirely done by hand, that makes it even more of a miracle.In one scene, when Snow White is scrubbing the steps of the Castle, and pours water from a bucket on them, the effect is remarkable-and that one, near the beginning, is just one small sample of the film's artistry.Back to the DVD. Instead of listing the already well publicized bonus features, let me say that this "Platinum Edition" is like a self-contained history of the film, with hours worth of delights the most astounding being a pieced-together commentary by Walt Disney himself. Out of print for years, it is well worth the effort and expense to find. And although Disney made it a point to announce that they planned to go even further with their subsequent "Platinum Editions", they have yet to top this one. And I doubt they ever will. Incidentally, this year marks the film's 75th anniversary, and I can think of no better way to celebrate this movie milestone than picking up Professor Kaufman's beautiful new books The second volume '' Snow White And The Seven Dwarfs:The Art And Creation Of Walt Disney's Classic Animated film''is also published by Weldon Owen/Disney Press.It's a very extensive and fully detailed catalog of the ''Snow White'' exhibition,(currently at the Walt Disney museum in San Francisco,California).Here, the emphasis is more on the beautiful art as well as rough sketches and background paintings. Along with it's companion book ''The Fairest One Of All'' it will educate and enchant anyone who cares about the history of Film, Disney Animation and especially ''Snow White'' They are, without a doubt,the definitive tributes to a Timeless Classic, and together, they make perfect souveniers for both the film's 75th Anniversary and and a once in a lifetime event.