Karloff is the Chinese warlord Fang, who holds a group of oilmen and missionaries hostage in a remote Chinese outpost.Karloff is the Chinese warlord Fang, who holds a group of oilmen and missionaries hostage in a remote Chinese outpost.Karloff is the Chinese warlord Fang, who holds a group of oilmen and missionaries hostage in a remote Chinese outpost.
- Director
- Writers
- Stars
Luke Chan
- Chan - Abernathy's Servant
- (uncredited)
Paul Fung
- Station Master
- (uncredited)
Mia Ichioka
- Hua Mei
- (uncredited)
Selmer Jackson
- Harry Hemingway
- (uncredited)
Tetsu Komai
- General Ma
- (uncredited)
Eddie Lee
- Wang Chung - the Assassin
- (uncredited)
James B. Leong
- Pao - Man Who Goes for Help
- (uncredited)
Maurice Liu
- Train Conductor
- (uncredited)
Daro Meya
- Chinese Officer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10ROC-7
Have seen this film on Turner for the first time....Karloff and a delightful script marks my contention that Mr. Karloff is an underrated actor...he is whimsical as well as threatening as the officious Chinese General and has prompted me to search and buy this wonderful film. Oh,such a sad season of the Politically-correct..they'd never let Dear Boris film this today and more is the pity! The rest of the cast is pedestrian,but "Dear Boris" is worth the price of admission! His noble ending is worth the wait,but delight in his early exchange with his captors..I have a feeling that Mr. Karloff had a fun time in some of this making of the film.
Excellent movie directed by John Farrow,(Mia Farrow's father) and involves American promoters Myron Galt(Douglas Wood) and Gordon Creed(Ricardo Cortez) who arrive in a village where bandit's are infested throughout the country side of northern China. They plan to foreclose on a valuable oil concession owned by Jim Hallet(Gordon Oliver). However, Creed finds his estranged wife, Jane (Beverly Roberts), a medical missionary, is falling in love with Hallet. He will not give her a divorce, in the meantime an army of bandits looking for money and possessions are lead by their renegade general,Wu Yen Fang(Boris Karloff), he takes over the entire city and uses the Christian Mission as a headquarters. Americans and missionaries find themselves prisoners of Boris Karloff and he does a good job of terrorizing them. West of Shanghai in 1923 was a silent film and also a talkie version in 1930. Walter Houston repeated the role of the Mexican bandit. This is a very slow B movie. Karloff is starred, and does the best that he can to portray a Chinese bandit using the methods of American racketeers. Boris Karloff's acting and makeup is great which made this picture into a classic.
Attention All Fans Of Boris Karloff: if you have not yet watched this delightful Boris performance, you are missing a real treat! Sporting an effective Asian makeup, Karloff portrays robber General Wu Yen Fang, a dangerous tyrant in northern China with an endearing sense of humor. Fang seizes command and holds several visiting Americans prisoners, and it's a real pleasure watching the colorful general toying with them. Among the cast members is Ricardo Cortez, but the one to watch and who steals the show is Karloff himself. I would easily rank this role among his best ever; he played Asian parts a few times in his career, but this is the only time he's ever sold me completely on such a character, speaking in broken English and managing to disguise most of his own British accent here. Some of the most humorous scenes involve Fang's charming communication through his always-present trusty interpreter, trying to understand and shoot back some common Americanisms. In no time, Karloff makes us actually like and feel for this murderous criminal. At the time this movie was made, the production of the usual horror movies which Boris Karloff was so well known for were temporarily halted. I think that WEST OF SHANGHAI proves beyond a shadow of any doubt that Boris had no problem holding his own in non-scary character parts and would have gone on to succeed in other dramatic roles, had the ban on horror movies not ultimately been lifted. *** out of ****
One of Director John Farrow's First Assignments is a Talk-Fest with many Amusing Takes on a Chinese Warlord, "I am Fang!", Boris Karloff repeatedly Recites to Everyone. He is Ruthless and Omnipresent. But He is not without some Fairness, "Doctor good, He help China poor."
Karloff Dominates the Preceding bringing Humor, Pathos, and Charm to a Brutal Tyrant. The Film is completely Centered Around Him and it would have Failed if Not for Karloff's Commanding Performance. Everything else, the Action and the Americans are Lackluster to Say the least.
Ricardo Cortez is simply Static. It has a Twist Ending that is Sad but Satisfying considering what Came Before. Above Average for Boris Karloff Having Fun with the Villainous Anti-Hero.
Karloff Dominates the Preceding bringing Humor, Pathos, and Charm to a Brutal Tyrant. The Film is completely Centered Around Him and it would have Failed if Not for Karloff's Commanding Performance. Everything else, the Action and the Americans are Lackluster to Say the least.
Ricardo Cortez is simply Static. It has a Twist Ending that is Sad but Satisfying considering what Came Before. Above Average for Boris Karloff Having Fun with the Villainous Anti-Hero.
With me it has become a bit of a cliché to say that Boris Karloff is reason enough to see anything, even if the film is not that good(ie. The Invisible Menace). But I do genuinely mean that, he is a very magnetic actor who has the ability to show more than one side to his character in any film and do it well. He is great here as Fang, his accent is not the best but you forgive that immediately when he does sympathetic, humour and threatening with such aplomb with no overdoing or underplaying. His make-up and use of broken English is also very effective and just adds to the performance and character. Ricardo Cortez is appealing and works very well with him, but the rest of the cast do the job solidly enough but with not the command that Karloff shows and with not the perfectly pitched chemistry he and Cortez share(that with Richard Loo's Cheng is good too). It is a good-looking film, and has some funny dialogue exchanges, for example "What are they going to do with him"/"they're going to bury him", that make up for the moments where it does get a little too talky. The story moves crisply and maintains interest with a somewhat movingly dignified ending. I did wish that the length was longer though, 64 minutes does seem too short to me, but the film doesn't rush through or feel like the story is too thin to sustain the duration(the latter being a major problem with The Invisible Menace). To conclude, an enjoyable film and Karloff is great, a longer length, a stronger supporting cast and a little less talk(sometimes that is) would've made it even better perhaps though. 7/10 Bethany Cox
Did you know
- TriviaThe original play takes place in the heart of bandit-infested Mexico, but to capitalize on the interest in China, the location was changed to China.
- GoofsIn the first scene when Fang meets the Westerners, the spatial relationship between Cheng and Fang changes from Cheng facing Fang to standing behind him, totally violating the 180 degree rule.
- Quotes
Gen. Wu Yen Fang: It was easy. I am Fang.
- ConnectionsFeatured in Breakdowns of 1937 (1937)
Details
- Runtime
- 1h 4m(64 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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