Yodelin' Kid from Pine Ridge

This entry is on everyone's must-see list because it co-stars the legendary Betty Bronson. Betty had actually retired from movie-making in 1932, and after this "comeback", she didn't make another movie until A Pocketful of Miracles in 1961. Betty is absolutely lovely here and it's a thrill to see what a fine pair Gene and Betty make in this really top-notch script that helps to make it (as far as I'm concerned) one of Gene's top five pictures. Other assets include a fine support cast led by Smiley Burnette (who excels in what amounts to a character role), LeRoy Mason (a well-spoken heavy), Charles Middleton (Gene's dull-witted dad), and Russell Simpson (a delight as a really nasty piece of work). Good slots are also provided by Jack Dougherty (the heavy's partner in crime), Henry Hall (the sheriff), Jack Ingram and even Art Mix. Mr Toones, on the other hand, has – thankfully! – but one brief moment.

Despite its somewhat off-putting title, this entry shapes up as one of Gene's most vibrant and exciting. Even Joseph Kane, normally a rather humdrum director, seems to have realized the movie's potential and pulled out all stops to make it as thrilling as possible. Production values are great. (If you're quick, you can plainly spot Kane in a rare on screen appearance as one of the turpentiners. As far as I know he actually faced the camera only five times in his lengthy directorial and editing career).

Please note that while the Platinum Disc print is of good quality, it's mastered from the TV cut-down that's missing six minutes of essential footage, including the opening scenes of the street parade, other bits and pieces here and there, and the entire episode where Gene rides away from his home ranch after being dismissed by his dad, encounters Betty who asks him when he's coming back. Gene tells her that he doesn't know. A tearful Betty promises to wait for his return.

Excellent storyline. Beautifully upscale sets. Nice direction and marvelous character actors. Plus Autry gets the most interesting girl he's been paired with in his movies! Thank goodness we didn't have to see him in Africa again!!!!

This Autry film is one of a hand full of his films that for years has been available to the public only in the 53 or 57 minute cut versions. Recently I had the opportunity to see the restored and uncut version on the Starz Westerns channel a few weeks back and what a difference the added 6 or 7 minutes make. The restored version includes a scene of Gene saddling up and singing a nice trail song as he leaves his ranch following his banishment by his father for warning the rival group. Along the way he meets Millie Branum ( Betty Bronson), a young starving girl he befriended earlier by giving her a calf. Millie gives him his rope back and asks him if he will ever return. Gene replies that he doesn't know and Millie blurts out that she will be waiting for him. As Gene rides away continuing his song you see Millie watching him leave as tears stream from her eyes. Also restored are scenes of newspaper headlines superimposed over rodeo footage of Autry's success on the rodeo circuit. Finally an announcement that he is coming back to Pine Ridge with a traveling show. There is more nice restored footage of the show's parade into town with Champion prancing and marching to the music. (The Champion shown in these scenes is not the original screen Champ since he had only three white stockings . The horse used in these scenes has four white stockings.)However, Gene spots his Dad from the parade route and rides over to him, sticks out his had and says " hello Dad". His father turns and walks away. This movie also contains some of Autry's best riding of all his movies. Many closeup chase scenes and running stirrup mounts that clearly show that it is in deed Gene performing these feats. In all a much more enjoyable movie in the restored version.

One reviewer on here said he "couldn't find a single yodel" in "Yodelin' Kid from Pine Ridge". He must have gone to the popcorn stand, or the restroom, just as the movie started, as Gene yodels the first few bars of the theme song over the credits of the movie. Yes, he did yodel, in a number of his early recordings. And yes, so did Roy Rogers. But my opinion is that Gene's yodeling was superior to Rogers'.

Gene Autry started making records in the late 1920s, and many of his early records were his versions of records made earlier by Jimmy Rodgers, who was famous for his yodeling. That's where Gene learned how to yodel.

Beats me why The Western Channel only rated this entry a 1 out of 4. It's easily one of Gene's best. Great mix of hard riding, fast shooting, big cast, and scenic location, plus Gene's way with a song. And get a load of that jug band. They could make music with a bathtub. Gene's trying to bring peace between cattlemen and turpentiners, all the while baddie LeRoy Mason is rustling and blaming it on the turpentiners. Got to admit this is first time I've seen turpentine trees involved in a plot, but it is a change from the standard formula. Look for some good stunt work, plus the grinning aside that the cowboys are just shooting blanks—a joke that I guess stayed in. Looks like one trip-wire episode with a horse going suddenly head over heels-- I hope I'm wrong. Anyhow, Frog gets to cut-up, this time as an impresario of a big time pageant show! And with a moustache, no less. All in all, a fine Autry mix, thanks to Republic. Next time The Western Channel ought to watch a movie before rating it.

A "9" on the matinée scale.