A mostly silent version of Edna Ferber's original novel, with some songs from the musical as a last-minute additionA mostly silent version of Edna Ferber's original novel, with some songs from the musical as a last-minute additionA mostly silent version of Edna Ferber's original novel, with some songs from the musical as a last-minute addition
- Awards
- 1 win
Tess Gardella
- Queenie [prologue]
- (as Aunt Jemima)
Dixie Jubilee Singers
- Themselves [prologue]
- (as Jubilee Chorus)
Storyline
Did you know
- TriviaUpdate: some of the "lost" footage of the prologue has been found, both sound and picture, and this includes footage apparently not included in the Turner Classic Movies (TCM) edition of the film. Some of this once-lost footage is included in A&E's The Great Ziegfeld (1996) and a few scenes from this footage are now included in the three-part PBS documentary Broadway: The American Musical (2004). The discovered footage includes Jules Bledsoe singing "Ol' Man River" with the Dixie Jubilee Singers in full costume. Also featured on this "Biography" episode were scenes of Tess Gardella singing "C'mon Folks" and Helen Morgan singing "Bill." All of these scenes survive in only faintly tolerable sound and picture quality, but at least they survive.
- GoofsWhen Nola is given the letter Gaylord has left for her telling her he is leaving her, she is shown holding and reading the letter with her right hand holding the letter near the top and her left hand near the bottom. In the next shot, her hands have changed positions.
- Quotes
Capt. Andy Hawks: [intertitles]
[immediately after Kim is born, to the townspeople leaving the boat]
Capt. Andy Hawks: Another leading lady!
- Crazy creditsAll performers in the prologue are identified verbally.
- Alternate versionsThis movie is currently in the Turner library, since MGM bought the rights for the 1951 remake. The Turner Classic Movies Channel broadcast a 118-minute version, which included an Overture (i.e., the sound portion of the Prologue, and only part of it, at that) and Exit music. The Overture contained 2 of the 5 songs of the prologue ("Hey, Feller!" and "Bill") so you do get to hear Tess Gardella and Helen Morgan. Otis Harlan introduces those songs and then introduces "Ol' Man River," but that song is not heard. For some sections with lost sound dialog, subtitles are provided. Although we do hear a brief rendition of "Coon, Coon, Coon" sung by Laura La Plante as she rehearses, her scenes singing that song and 4 others on stage are totally silent. The only other songs sung were "The Lonesome Road", presumably by Jules Bledsoe dubbing Stepin Fetchit, and "Why Do I Love You" by an unidentified singer as part of the Exit music. None of the other vocals are included in the TCM print of the film.
- ConnectionsFeatured in Show Boat (1936)
- SoundtracksGwine to Rune All Night (De Camptown Races)
(1850) (uncredited)
Written by Stephen Foster
In the score during the overture
Featured review
Interesting but flawed part-talkie version of the great musical based on the novel by Edna Ferber.
There is a long "overture" that features songs from some of the original Broadway cast (including Helen Morgan singing "My Bill") and most of the film is silent. There are a few talking sequences but one track is lost (though recently rumored to have been discovered).
But being silent is this film's problem. What's really wrong is that the racial part of the story, much of what drives the plot in the stage version and the 1936 and 1951 versions is missing. In this version Julie (Alma Rubens) is fired from the show boat because Parthy (Emily Fitzroy) is jealous of her affection for the daughter Magnolia. In the other versions Julie is discovered as a black passing for white and married to a white man--a criminal offense in the 19th century South.
But most of the rest of the story is in place as grown-up Magnolia (Laura LaPlante) falls in love with her leading man Gaylord (Joseph Schildkraut) and leaves the show boar for a fast life in Chicago, where the husband's gambling reduces them to poverty and breaks up the marriage. Magnolia goes on the stage and becomes a hit as a "coon shouter," a white singer of black music.
This version also features a drowning that does not appear in other versions of the play.
LaPlante is good as sympathetic Magnolia, but Schildkraut is a tad gay as the husband. The changes in plot require Fitzroy to play Parthy as a raving hag. Rubens is touching as Julie; she would make one film after this in 1929 and would be dead in 1931 from drugs. Otis Harlan plays Hawks. That's it. The rest of the cast is made up of bit players.
No one sings "Old Man River." Stick to the superb 1936 version starring Irene Dunne, Allan Jones, Charles Winninger, Helen Morgan, Helen Westley, Donald Cook, Hattie McDaniel, Paul Robeson, Queenie Smith, and Sammy White.
There is a long "overture" that features songs from some of the original Broadway cast (including Helen Morgan singing "My Bill") and most of the film is silent. There are a few talking sequences but one track is lost (though recently rumored to have been discovered).
But being silent is this film's problem. What's really wrong is that the racial part of the story, much of what drives the plot in the stage version and the 1936 and 1951 versions is missing. In this version Julie (Alma Rubens) is fired from the show boat because Parthy (Emily Fitzroy) is jealous of her affection for the daughter Magnolia. In the other versions Julie is discovered as a black passing for white and married to a white man--a criminal offense in the 19th century South.
But most of the rest of the story is in place as grown-up Magnolia (Laura LaPlante) falls in love with her leading man Gaylord (Joseph Schildkraut) and leaves the show boar for a fast life in Chicago, where the husband's gambling reduces them to poverty and breaks up the marriage. Magnolia goes on the stage and becomes a hit as a "coon shouter," a white singer of black music.
This version also features a drowning that does not appear in other versions of the play.
LaPlante is good as sympathetic Magnolia, but Schildkraut is a tad gay as the husband. The changes in plot require Fitzroy to play Parthy as a raving hag. Rubens is touching as Julie; she would make one film after this in 1929 and would be dead in 1931 from drugs. Otis Harlan plays Hawks. That's it. The rest of the cast is made up of bit players.
No one sings "Old Man River." Stick to the superb 1936 version starring Irene Dunne, Allan Jones, Charles Winninger, Helen Morgan, Helen Westley, Donald Cook, Hattie McDaniel, Paul Robeson, Queenie Smith, and Sammy White.
Details
- Runtime2 hours 27 minutes
- Color
- Sound mix
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