A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.
- Won 2 Oscars
- 7 wins & 2 nominations total
Ben Alexander
- Kemmerich
- (as Kemmerick)
Walter Rogers
- Behn
- (as Walter Browne Rogers)
Slim Summerville
- Tjaden
- (as 'Slim' Summerville)
G. Pat Collins
- Bertinck
- (as Pat Collins)
Zasu Pitts
- Frau Bäumer - Silent Version Trailer only
- (scenes deleted)
Ernie Adams
- 2nd Medic Orderly
- (uncredited)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaWith the loss of limbs and gory deaths shown rather explicitly, this is undoubtedly the most violent American film of its time. This is because the Production Code was not strictly enforced until 1934 and also because Universal Pictures deemed the subject matter important enough to allow the violence to be seen. The scene where a soldier grabs a strand of barbed wire and then is blown up by an artillery shell, leaving only his hands still grabbing the barbed wire, was told to director Lewis Milestone by a former German soldier working as an extra, who saw that happen during a French attack on his position during the war. Milestone used it in the film.
- GoofsWhen Paul talks to the dead soldier in the pit, the soldier is breathing visibly and at one point his eyes blink.
- Quotes
Paul Bäumer: You still think it's beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it's better not to die at all.
- Crazy creditsLater reissues of the film mentioned that the film was an Academy Award winner in the opening credits.
- Alternate versionsThe Library of Congess also restored a sound version, 133 minutes long, which is the version occasionally shown on American TV.
- ConnectionsEdited into No Greater Glory (1934)
Featured review
The film begins in a classroom. Outside, martial music is blaring and the professor inside the room is lecturing the boys about their duty to the Fatherland and encouraging them all to as a group in the German army at the outbreak of WWI. The film is exceptional in how it captures the enthusiasm and naiveté of the boys--as they imagine glory awaiting them after they enlist! Even in boot camp, the mood is light and the new recruits are excited about seeing their first action. This perfectly sets the stage for the actual war--not the sanitized or "fun" war of many films but the hellish and pointless mess that was WWI. The rest of the film is brutally honest and harsh and shows how the students die off one-by-one and the remaining students become more and more jaded and emotionally dead due to the fighting.
I love this film and strongly recommend it to anyone who considers themselves to be a film buff. Part of my love of the film is because it was made relatively shortly after the war and the uniforms, trucks, etc. all appear correct for the period. Many years later, a made for TV version of this film appeared with Ernest Borgnine and Richard Thomas. It, too, was excellent but also was perhaps a bit too polished and pretty--lacking some of the grit of the original. Great acting, direction and production all made this original THE best of the anti-war films of the 1920s and 30s.
Other similar great movies I strongly recommend are J'ACCUSE (French), WESTFRONT 1918 (German), THE BIG PARADE (USA--silent) and THE EAGLE AND THE HAWK (USA). All excel at portraying war in a truthful and non-glamorized manner--it's just a shame that their impact of the world as a whole was negligible--particularly in Germany--where Fascism would soon replace the anti-war sentiment of the book ALL QUIET ON THE WESTERN FRONT. In fact, his books and this film were banned once the Nazis came to power just a few years later.
I love this film and strongly recommend it to anyone who considers themselves to be a film buff. Part of my love of the film is because it was made relatively shortly after the war and the uniforms, trucks, etc. all appear correct for the period. Many years later, a made for TV version of this film appeared with Ernest Borgnine and Richard Thomas. It, too, was excellent but also was perhaps a bit too polished and pretty--lacking some of the grit of the original. Great acting, direction and production all made this original THE best of the anti-war films of the 1920s and 30s.
Other similar great movies I strongly recommend are J'ACCUSE (French), WESTFRONT 1918 (German), THE BIG PARADE (USA--silent) and THE EAGLE AND THE HAWK (USA). All excel at portraying war in a truthful and non-glamorized manner--it's just a shame that their impact of the world as a whole was negligible--particularly in Germany--where Fascism would soon replace the anti-war sentiment of the book ALL QUIET ON THE WESTERN FRONT. In fact, his books and this film were banned once the Nazis came to power just a few years later.
- planktonrules
- Feb 6, 2007
- Permalink
- How long is All Quiet on the Western Front?Powered by Alexa
Details
Box office
- Budget
- $1,200,000 (estimated)
- Runtime2 hours 32 minutes
- Color
Contribute to this page
Suggest an edit or add missing content