A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.
Tyrell Davis
- Basil, called 'Pompom'
- (as Tyrrell Davis)
Eleanor Gutöhrlein
- Maybelle - Party Girl
- (as Sisters 'G')
Karla Gutöhrlein
- Marie - Party Girl
- (as Sisters 'G')
Ethlyne Clair
- Yvonne - Party Girl
- (uncredited)
Bill Elliott
- Night Club Patron
- (uncredited)
Storyline
Did you know
- TriviaThis film was originally completed as a musical, but due to audience interest in such film waning in the U.S., all of those numbers were cut in the U.S. & UK releases, but left intact for other countries. A print of the U.S. version has been preserved by the Library of Congress.
- GoofsOn a map, Toto points out the locations of Cannes and Monte Carlo in the north of France on the coastline of the English Channel. Both cities are in the south of France on the Mediterranean coast.
- Quotes
Tania Donaliff: [refering to her trip to Africa] But I could never stand intense heat for long.
Diane Churchill: Then the place I had in mind for you wouldn't do at all.
Tania Donaliff: No. Huh?
[chuckles]
Tania Donaliff: Charming.
Featured review
In this painfully drawn out bedroom farce, set in Paris, Frank Fay is miscast as the titular love object, a descendant of Don Juan, who is smitten with a young American in Paris (Laura LaPlante) but in order to win her must extricate himself from the tangled web of his long- term intrigues with a virtual harem of lovers (played by Joan Blondell, Margaret Livingston, a sadly underused Louise Brooks and others).
The set up is amusing and deftly staged by Michael Curtiz, but once the direction of the plot becomes clear it bogs down in long, boring and insultingly stupid gag sequences, one upon another, involving Fay's diagnosis with a potentially fatal illness; eventually the viewer can only long for this character's demise.
The fine lineup of female supporting players is wasted as are Charles Winninger as LaPlante's suspicious and protective father and Alan Mowbray as (what else?) the butler. Tyrrell Davis gets to wrap the whole thing up with a decadent chuckle, foreshadowing his even more unusual closing moment in "Our Betters" two years later.
Frank Fay's trademark casual banter works against him here because it only adds to the already sluggish pace.
The set up is amusing and deftly staged by Michael Curtiz, but once the direction of the plot becomes clear it bogs down in long, boring and insultingly stupid gag sequences, one upon another, involving Fay's diagnosis with a potentially fatal illness; eventually the viewer can only long for this character's demise.
The fine lineup of female supporting players is wasted as are Charles Winninger as LaPlante's suspicious and protective father and Alan Mowbray as (what else?) the butler. Tyrrell Davis gets to wrap the whole thing up with a decadent chuckle, foreshadowing his even more unusual closing moment in "Our Betters" two years later.
Frank Fay's trademark casual banter works against him here because it only adds to the already sluggish pace.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Devil Was Sick
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $222,000 (estimated)
- Runtime1 hour 12 minutes
- Color
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