Middle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.Middle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.Middle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.
Roscoe Ates
- Peter Higgins
- (as Rosco Ates)
Frankie Bailey
- Extra
- (uncredited)
Nick Copeland
- Henchman
- (uncredited)
Claire Du Brey
- Rally Leader
- (uncredited)
Robert Dudley
- Husband Getting Haircut
- (uncredited)
Ann Dvorak
- Rally Audience Extra
- (uncredited)
Dorothy Granger
- Newlywed
- (uncredited)
Henry Hall
- Police Sergeant
- (uncredited)
DeWitt Jennings
- Police Chief
- (uncredited)
Storyline
Did you know
- TriviaWhen Hattie says Ivy looks like "Madame Queen" , audiences throughout the U.S. and Canada would instantly know this as a reference to a character in the "Amos n' Andy" radio series, where white actors played black characters.
- Quotes
Hattie Burns: You must be pretty proud of yourself, breaking up our meeting like that.
Peter Higgins: After that, you couldn't run for a streetcar!
- Crazy creditsThis story is dedicated to women - who have been fighting for their rights ever since Adam and Eve started the loose-leaf system.
- ConnectionsReferences The Stolen Jools (1931)
- SoundtracksA Bird in a Gilded Cage
(1900) (uncredited)
Music by Harry von Tilzer
Lyrics by Arthur J. Lamb
Sung a cappella by Marie Dressler as she plucks a chicken
Featured review
This sprightly programmer, starring Marie Dressler, transforms the story to modern politics ca. 1931. Dressler and the women are anxious to close the speakeasies -- this was made during Prohibition. There is a strong cast of women, including Polly Moran, Joan Marsh and Karen Morley. The men are played by supporting comics, including Roscoe Ates, on whose voice Porky Pig was modeled.
Dressler was an interesting character. A big legitimate stage star, she was one of the leaders of the strike that formed Actor's Equity. By the late 1920s, she was washed up, until screenwriter Frances Marion wrote a role for her, and by 1931, she was MGM's biggest star. Her character was a fat, good-intentioned, foul-mouthed harridan, and she could tread the line between comedy and drama as surefootedly as anyone in the industry.
Charles Reisner directs without much visual flair in this movie. He relies mostly on cuts to move the story along, moving the camera only slightly to maintain composition.
POLITICS is pretty well dated, but it remains a fascinating film, if only for the performance of Miss Dressler.
Dressler was an interesting character. A big legitimate stage star, she was one of the leaders of the strike that formed Actor's Equity. By the late 1920s, she was washed up, until screenwriter Frances Marion wrote a role for her, and by 1931, she was MGM's biggest star. Her character was a fat, good-intentioned, foul-mouthed harridan, and she could tread the line between comedy and drama as surefootedly as anyone in the industry.
Charles Reisner directs without much visual flair in this movie. He relies mostly on cuts to move the story along, moving the camera only slightly to maintain composition.
POLITICS is pretty well dated, but it remains a fascinating film, if only for the performance of Miss Dressler.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Hell Bent for Election
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 13 minutes
- Color
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