User reviews

Laurel and Hardy are a couple of sailors in port. They go to get a room, only to discover that Julie Bishop -- still acting under the name of Jacqueline Wells -- is being forced to marry Walter Long. Later, they need to raise some money, so Oliver volunteers..... for Stan to fight Long in the ring.

Laurel and Hardy's production unit was quite capable of producing scenes of active terror, and then immediately turning the situation around into laughter. Here's an example of that.

Miss Wells had entered the movies in 1923 as a child actress. She assumed the name of Bishop when she signed a contract with Warner Brothers in the early 1940s. She appeared in the last of her eighty features in 1957, and died in 2001, age 87.

This has a bit of the Way Out West feel as the boys attempt to save a girl from a forced marriage to a horrible hotel owner (Walter Long). The antics of trying to get her away from him are quite good. However, the main event is a boxing match where Stan and Ollie try to earn some money betting on a boxing match. Oliver is scheduled to box but soon tricks Stan into going against the very same Long. Why long felt he needed to load up his boxing glove to stop the 120 pound Stanley is questionable, but it will work against him for sure. Laurel and Hardy never, ever come out on top so we know that the situation, while hilarious, is going to be less than successful. Once again, it is worth watching to see these two guys.

Laurel and Hardy return from a spell on a whaler where Hardy was chief harpoon man and Laurel was the bait. They get into port and book into a hotel run by a gruff owner and a young woman working for him. When they realise that the man is forcing the girl to marry him they step in to help out and let the girl escape, but the man proves harder to get away from that they first thought.

Trading from the very start on their physical abilities more than anything else, this short is a firm entry into their stable as it shows the essence of their work in full flow. Our heroes step in to try and do the right thing but end up in trouble with the bad guy. The film takes a little time to set up but moves quickly into the chase and the punch line (literally!) scene. The body of the film is very funny and is good work. The fight is good with the interaction of the crowd and also Laurel really delivering the goods in the ring comedy-wise.

Laurel and Hardy show why they are so good at this stuff by really turning a standard idea into a much funnier film. They work well together and Laurel takes the opportunity to out shine his partner in the boxing match scene at the end. Walter Long as the aggressive, domineering hotel owner is larger than life `and twice as mean'.

Overall this is a good example of what Laurel and Hardy is all about, classy films with the focus on comedy and a talented duo who's delivery serves to make for a better film.

This is another nice Laurel & Hardy comedy short, in black and white with sound. Stan Laurel and Oliver Hardy want a room in a hotel. In that hotel a young woman (Julie Bishop, but credited as Jacqueline Wells) who is working there is forced to marry the hotel manager (Walter Long). Of course Stan & Ollie makes sure this will not happen. Later that day, when the two heroes need some money, Ollie arranges a boxing match to earn some. He wants Laurel to fight and the opponent happens to be the hotel manager.

This comedy short has some great moments. Especially the boxing match is terrific. The first half is a little slower than other Laurel & Hardy movies, but gives us some laughs anyway.

This is certainly one of the most enjoyable Laurel & Hardy shorts and personally one of my favorites.

Once again the short can be divided up into two parts. The first part of the movie is about the comical duo helping a young girl escape the clutches of the hotel owner the two just checked in to. The second part of the movie is about Mr. Laurel ending up in a boxing match by coincidence against that very same hotel owner.

The typical slapstick humor is present in both parts of the movie which makes this movie, unlike some other Laurel & Hardy movies, a consistent and constantly funny movie. The movie has some truly good laughs in it and some of the slapstick moments are absolutely priceless and hilarious. The timing and surprise elements in the movie that are absolutely not predictable in any way makes this movie an absolutely great one to watch.

In my opinion an absolute comical must-see!

9/10

http://bobafett1138.blogspot.com/

By 1932 the Laurel and Hardy comedy partnership was at the top of its game and Any Old Port! is a fine example of the resultant product. The two star performers and the characters they had honed naturally steal the show, but make no mistake, they are far from being the only talents present here.

In order to fit the short two-reel running time the plot is, of course, a simple one - Stan and Ollie, eager to do the right thing, come to a girl's rescue when a brute tries to force her into marriage. But in so doing they make an enemy, one which they must face again when Stan finds himself drawn against the very same man in a boxing contest.

The magic of the Laurel and Hardy series is just how simple everything appears to be on the surface, belying just how carefully crafted every detail actually was. Comedy is injected into every moment, not just the obvious gags but the deft little touches such as the brief cutaway shot of Long's incredulous reaction as Stan and Ollie make the simple task of signing in at the guest house a cumbersome exercise, or the nervous fumbling with the pool table cues when Long calls the Boys over.

Long excels in this film every bit as much as Laurel and Hardy, making a truly frightening opponent. At the same time, however, and like just about every supporting character in this successful series of shorts, there remains that perceptible undercurrent of the comically absurd even in the scenes when he is threatening the girl. It was this comedic depth to all of the characters that was so sorely missed when Laurel and Hardy made the switch to the big studios , but that's another story.

One of the other unsung stars of Any Old Port! is the pacing; the cutting, the skillfully-planned chase sequence, the comic timing of the performers all contrive to enhance the experience of watching this film and keep the viewer's interest at a high level throughout.

And whilst the passage of decades has wrought many changes on the world, the core themes within this short have ensured that the comedy has not dated: the basic ideas of good against evil, David pitted against Goliath, money corrupting morals and, fundamentally, grown men still being capable of acting like children.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Any Old Port!' quite one of their very best, but it to me still very good and some of the best material is among their funniest.

Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow.

Despite that, 'Any Old Port!' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Any Old Port!' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.

'Any Old Port!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy's show all the way.

In summary, very good if not one of the best. 8/10 Bethany Cox

If you watch enough movies you can start to make interesting comparisons. One fruitful kind is when a series or sequel sequence is done by a different creative team. Same general idea but completely different movies.

There are other comparisons, but the one that is cogent to this movie is the joke boxing match. Every comic did one, including Chaplin and Keaton. Oh but how different they are! Not until "Raging Bull" and "Rocky" would the camera enter the ring, but watch how Stan draws us in. With Chaplin's tramp we were supposed to be impressed with the comic ballet of the thing, but here the comedy is more personal, and we relate personally.

The notion of noir in film is much discussed, and mostly with error. The core of noir is not in jaggy sets or dark lighting (they are mere cinematic indicators) but in the notion of an average Joe getting caught up in a capricious fate that toys with him.

Credit Hardy with laying the groundwork, at least on the character side.

Ted's Evaluation -- 3 of 3: Worth watching.

Any Old Port! features just enough action and humor to satisfy my appetite for Laurel and Hardy comedy as it focusing on the two men as sailors who book a hotel and discover the owner, Mugsie Long (Walter Long), wants to marry a woman younger than he is, much to her dismay. After being appalled at what they saw, they save the young girl, but without their wallet, which holds the entirety of their savings. Ollie's friend, in turn, offers up $50 if Ollie will compete in a boxing match against the owner of the hotel, to which he forces Laurel to do the fighting. The outcome, as one would assume, is pretty hilarious.

The short is directed by James W. Horne, who I feel is the best man to direct any Laurel and Hardy short. Combined with H.M. Walker's, Horne's direction takes on the kind of kinetic energy necessary to make a short featuring the two comedic legends click instantaneously, with little reservations. A story like Any Old Port! is often filled to the brim with action and comic spectacle, and combined with the energy and power of the performers and the writing involved, manages to be a fun short through and through.

While light on the quotable nature of Laurel and Hardy shorts, and missing the extra banter and witticisms exchanged by the two men, Any Old Port! succeeds because it recognizes, once more, that situational humor triumphs over slapstick, at least when we have Laurel and Hardy at the core of it all.

Starring: Stan Laurel and Oliver Hardy. Directed by: James W. Horne.

Big, ole tough hombre Walter Long, a staple in 1930s crime films and comedies, is right at home with the boys. He owns a run-down hotel and is bullying a helpless girl (played by young Julie Bishop) --that is until Stan and Ollie stop by. Fortunately, the girl escapes, but Mugsy doesn't forget!

Best part is all the wild stuff that happens in between; Mugsy getting his head caught in a table and the local justice of the peace getting the back of his head shaved by fan? No question, lots of this material was later imitated by the THREE STOOGES.

In a real goofy change of luck, Ollie meets up with an old pal who offers him fifty bucks to go four rounds with a boxer --just for kicks? Of course, Ollie agrees because Stan is going to fight the thug. And surprise! The boxer turns out to be Mugsy.

10 Stars.

Watch this laugh out loud comedy, one of the best and original of their film shorts. Stan Laurel works his magic, lots of fun in the ring and don't miss the boxing glove loaded with some "heavy" stuff. One of the few Laurel and Hardy shorts with the largest number of extra and bit actors, appearing in the boxing arena.

Best line from Ollie; "I bet on you to lose, and you double crossed me!"

A comedy to treasure, written by comedian and gag writer Charley Chase, brother of director James Parrott. Actress Julie Bishop was actually a child star in the 1920s, later returning to films in the 1930s and appearing with Laurel and Hardy and WC Fields in adult roles.

Get the remastered dvd box set of Laurel and Hardy short films for this one. Thanks much to METV Plus for running L & H all the time, also MOVIES Net on Saturday mornings.

The boys are whaling fisherman in this one although all the action takes place on dry land. I'm probably wrong, but for the life of me I can't think of one film in which we see the two in active duty on board a ship even though the duo appeared as sailors in quite a number of pictures. They decide to board in a rundown lodging house run by a heavy-browed thug who is forcing a helpless young girl to marry him. Naturally, the boys are having none of it and help the girl to escape from her landlord's clutches. All this is really a build-up to the film's set piece: a boxing match between poor Stan and the landlord. I promise you'll never see a funnier fight than this one: for a start the landlord is twice the size of Stan.

Interestingly, the boys use one sequence in this film which they would use again in Way Out West when the landlord chases them for a key which they throw back and forth to each other in their attempts to avoid him.

The second half of this film is much funnier than the first, but it still delivers pretty solid laughs throughout

A LAUREL & HARDY Comedy Short.

It's been a busy day for seamen Stan & Ollie. First they rescued a young woman from a forced marriage with her horrible boss. Now, low on funds, they must meet the vicious brute in a prize fighting match. But, it's ANY OLD PORT in a storm when you're destitute.

A very funny little film. Highlight: the free-for-all at the Mariner's Rest Hotel. That's Walter Long as the villain.

In need of money, Ollie signs Stan up for a prize fight against an old nemesis, and what happens is the usual slapstick and mishaps, though it isn't the best L & H entry;the boxing ring scene is good but it ended too quickly. This short comedy isn't as engaging as the others. Still anything with those bumbling comedians is enjoyable.

"Any Old Port" features Stan and Ollie in dire need of some funds after their fishing business is making a financial loss. After incurring the wrath of Walter Long by sabotaging an arranged marriage, the boys make a hasty exit. Later on, an old friend of Hardy invites Stan to become a boxer so he and Ollie can make some money. The boxing scene is by far the best in his comedy short but "Any Old Port" is still a good one.

That's a quote from William Everson's book "The Films of Laurel and Hardy" about "Any Old Port!," and I have to agree.

Plot In a Nutshell: Two friends (Stan Laurel, Oliver Hardy) get mixed up with a tough hotel owner/boxer.

Why I rated it a '5': To be blunt, it's just not very funny. The entire 'signing the hotel register' scene is downright painful to watch. Dumb dumb dumb. I must have groaned 4-5 times at Stan's stupidity. Sometimes it's just too much. And this was one of those times. That whole scene should be thrown out.

The slight story has the boys coming to the aid of a young woman who does not want to marry the hotel owner. Eventually they steal the key to the room in which she's held, and a long chase between the hotel owner and the boys follows. It's OK, but it's not particularly funny. Eventually they get the best of the guy, free the woman, and they are on their way.

Later, realizing they are short of money, Ollie agrees to take part in a boxing match, then forces Stan to do it. Nice friend. As it turns out, the opponent is the same tough hotel owner. The one who didn't even notice when two billiard balls were thrown with considerable force and connected with his head. But now this same tough guy feels the need to load his glove with metal parts? That really doesn't make sense does it? For the story to 'work' I guess it does, but logically....no. It makes no sense at all. Weak.

Others here have written how the boxing match is 'hilarious' but I don't see why. It's basically Stan hugging his much bigger opponent until the the ref separates them. They lose some gloves in the process, Stan now has the loaded glove, and the match soon ends. Pretty average stuff.

I've seen some reviewers here rate just about every L&H film a '10' and that's just fanboy nonsense. Some of their stuff was absolutely great, but not EVERYTHING. And this sadly was one of the misses. Mediocre at best.

5/10. Would I watch again (Y/N)?: Doubtful. Laughs are few and far between.