Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.
- Won 1 Oscar
- 4 wins & 2 nominations total
Robert Adair
- Ivy's Admirer at Music Hall
- (uncredited)
Harry Adams
- Pub Patron
- (uncredited)
William Begg
- Party Guest
- (uncredited)
Leonard Carey
- Briggs - Lanyon's Butler
- (uncredited)
Rita Carlyle
- Jekyll's Patient
- (uncredited)
Frank Goddard
- Undetermined Role
- (uncredited)
Bobbie Hale
- Pub Patron
- (uncredited)
Pat Harmon
- Music Hall Customer
- (uncredited)
Sam Harris
- Party Guest
- (uncredited)
Boyd Irwin
- Police Inspector
- (uncredited)
Tom London
- Undetermined Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe remarkable Jekyll-to-Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March's Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. Only in the late 1960's did Mamoulian reveal how this was done.
- GoofsImmediately after Hyde changes to Jekyll in front of Dr. Lanyon, he moves his head and briefly reveals the padded armature attached to the back of his chair, intended to hold his head in the same position while the makeup artists worked on various stages of his transformation.
- Alternate versionsThis film was published in Italy in an DVD anthology entitled "Il dottor Jekyll e Mr. Hyde", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin . This version is also available in streaming on some platforms.
- ConnectionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
- SoundtracksToccata and Fugue in D Minor, BWV 565
(1708) (uncredited)
Music by Johann Sebastian Bach
Played by orchestra during opening credits and in some scenes by an anonymous organist dubbing Fredric March
Featured review
For all the existing film versions of Robert Louis Stevenson's "The Strange Case of Dr Jekyll and Mr Hyde" (1886), this 1931 Paramount offering starring the incomparable Frederic March is probably the best. None quite follow the original book, whose tale is actually told backwards in a way. The book does not follow a series of linear events that lead to the so-called "transformation". Instead, rumors of a strange man surface between two characters in the very opening. We learn about Hyde first before Jekyll, which is not the way any film adaptation has ever told the story.
Still, the present film has a lot going for it. At the forefront is Frederic March in the classic dual role of good and evil. When he first becomes Hyde, I thought another actor was playing the role, it's that good! Another distinctive aspect is the camera work which must have been extremely innovative for its time. The opening moments are shot with a first person perspective. The transformation is done relatively seamlessly considering CGI effects had yet to be invented. There are other moments of shadows and dark corridors. The atmospheric fog that permeates the entire film is worth the price of admission.
As stated by other reviewers, some of the dialog hearkens back to an earlier era of the Vaudeville Melodrama. Characters didn't just love each other, they loved each other for eternity! Still a fine film all things considered, dated perhaps in places, but still March's performance is unbeatable, and definitely deserved of the Academy Award for Best Actor.
Still, the present film has a lot going for it. At the forefront is Frederic March in the classic dual role of good and evil. When he first becomes Hyde, I thought another actor was playing the role, it's that good! Another distinctive aspect is the camera work which must have been extremely innovative for its time. The opening moments are shot with a first person perspective. The transformation is done relatively seamlessly considering CGI effects had yet to be invented. There are other moments of shadows and dark corridors. The atmospheric fog that permeates the entire film is worth the price of admission.
As stated by other reviewers, some of the dialog hearkens back to an earlier era of the Vaudeville Melodrama. Characters didn't just love each other, they loved each other for eternity! Still a fine film all things considered, dated perhaps in places, but still March's performance is unbeatable, and definitely deserved of the Academy Award for Best Actor.
- classicalsteve
- Nov 1, 2007
- Permalink
Details
Box office
- Budget
- $535,000 (estimated)
- Gross worldwide
- $16,615
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.20 : 1
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