Molly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a hi... Read allMolly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a high-profile crime.Molly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a high-profile crime.
- Awards
- 3 wins total
Thomas E. Jackson
- Police Sergeant
- (as Thomas Jackson)
Ben Alexander
- Jimmy's College Friend
- (uncredited)
Louise Beavers
- Washroom Attendant
- (uncredited)
Harry Beresford
- Taxi Driver
- (uncredited)
Maurice Black
- Nicky's Pal
- (uncredited)
Wade Boteler
- Detective
- (uncredited)
William Burress
- Policeman
- (uncredited)
George Chandler
- Reporter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring her intense interview with police, Molly Louvain sarcastically suggests she is responsible for multiple crimes, including the death of William Desmond Taylor. Taylor, a Hollywood director, was indeed murdered in 1921. The scandal rocked Hollywood. His unsolved death prompted Hollywood's self-imposed Production Code. She also says she killed "Rothstein." This would be Arnold Rothstein, once head of organized crime in New York City. She says she kidnapped Dorothy Arnold --- a wealthy socialite who disappeared in New York City on December 12, 1910 and whose case has never been solved. Finally she said she stole Charley Ross. This refers to the kidnapping of Charles Ross, a four-year-old child on July 1, 1874 in Philadelphia. This was the first high-profile abduction for ransom case in the U.S. and was never solved. All of these cases would have been familiar to audiences of the day.
- GoofsScotty is supposed to be a hot-shot reporter, and yet: He knows her name is Molly, her photo is in the papers, but it never, ever occurs to him that she might be THE Molly.
- Quotes
Scotty Cornell: Takes practice to live with a bullet in your heart.
- ConnectionsFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- SoundtracksWhen We're Alone (Penthouse Serenade)
(1931) (uncredited)
Written by Val Burton and Will Jason
Played during the opening credits and at the end
Played on piano, hummed and partially sung by Ann Dvorak
Played on the radio and at the dance hall
Featured review
Ann Dvorak was always worth watching, she often stole scenes in support and was far from bland when in lead roles. Lee Tracy likewise. Have a lot of great admiration of Michael Curtiz and he directed a few of my favourite films of all time (have named them in some of my other reviews of his work), so it was interesting to see one of his early works. The story sounded sort of interesting, though had the traps of being unrealistic and melodramatic.
'The Strange Love of Molly Louvin' is worth a one-time watch, if not much more than that. It has a good deal of good things, such as the production values and leads, but also a good deal of bad, such as a story that never quite comes together. All did much better things, Curtiz even did better at this early stage of his career. 'The Strange Love of Molly Lauvin' is not a terrible film but it is just not a great one. Don't really consider it particularly good either and only slightly above average curio level.
Will start with 'The Strange Love of Molly Louvin's' good things. Dvorak, very early on in her career, carries the film well in a not easy role to pull off, while having an issue with the character herself Dvorak made the absolute most of what she has and is in control of her material rather than the other way around. Tracy is even better in a role perfect for him, he is both charming and amusing and gives his character a likeable snap and wit. Actually thought that Dvorak and Tracy did have chemistry here and it was done very nicely, their banter raising a smile. Most of the rest of the supporting cast are solid too, Guy Kibee and Frank McHugh are good value.
It is a good looking film as well, stylishly shot without being filmed play-like and the settings and costumes are handsome without being too glossy. The music doesn't overbear and is not too constant. The script has moments, especially in the banter between Dvorak and Tracy and the story does liven up when Tracy appears. Curtiz gave much better and much more distinctive and refined direction later on but does more than competently here in terms of visually and some atmosphere.
Sadly, 'The Strange Love of Molly Louvin' is brought down by the story which never really comes together. Do agree that it did feel incomplete and choppy, like there were scenes filmed that never made it into the finished product which would have helped it make more sense. The ending is abrupt to the point of not feeling like an ending at all and did agreed feel like the writers were fighting severe time constraints and ran out of time. The story also came over as ridiculous and very difficult to find any believability in, didn't mind so much that it was cliched and was a very slow starter (coming to life when Tracy enters the picture) but did mind that there is a real lack of realism throughout.
Also felt that the script was confused tonally. At some points it is very melodramatic and soapy, doing this to an overwrought degree, and at other points there were attempts at very hit and miss comedy that didn't always gel and the gear changes between the two weren't always seamless. It would have been better to stick to just one of them rather than attempting both. Richard Cromwell was pretty bland and if there was anybody that Dvorak didn't have any chemistry with it was him.
Concluding, above average curio but very little exceptional here and quite strange. 6/10
'The Strange Love of Molly Louvin' is worth a one-time watch, if not much more than that. It has a good deal of good things, such as the production values and leads, but also a good deal of bad, such as a story that never quite comes together. All did much better things, Curtiz even did better at this early stage of his career. 'The Strange Love of Molly Lauvin' is not a terrible film but it is just not a great one. Don't really consider it particularly good either and only slightly above average curio level.
Will start with 'The Strange Love of Molly Louvin's' good things. Dvorak, very early on in her career, carries the film well in a not easy role to pull off, while having an issue with the character herself Dvorak made the absolute most of what she has and is in control of her material rather than the other way around. Tracy is even better in a role perfect for him, he is both charming and amusing and gives his character a likeable snap and wit. Actually thought that Dvorak and Tracy did have chemistry here and it was done very nicely, their banter raising a smile. Most of the rest of the supporting cast are solid too, Guy Kibee and Frank McHugh are good value.
It is a good looking film as well, stylishly shot without being filmed play-like and the settings and costumes are handsome without being too glossy. The music doesn't overbear and is not too constant. The script has moments, especially in the banter between Dvorak and Tracy and the story does liven up when Tracy appears. Curtiz gave much better and much more distinctive and refined direction later on but does more than competently here in terms of visually and some atmosphere.
Sadly, 'The Strange Love of Molly Louvin' is brought down by the story which never really comes together. Do agree that it did feel incomplete and choppy, like there were scenes filmed that never made it into the finished product which would have helped it make more sense. The ending is abrupt to the point of not feeling like an ending at all and did agreed feel like the writers were fighting severe time constraints and ran out of time. The story also came over as ridiculous and very difficult to find any believability in, didn't mind so much that it was cliched and was a very slow starter (coming to life when Tracy enters the picture) but did mind that there is a real lack of realism throughout.
Also felt that the script was confused tonally. At some points it is very melodramatic and soapy, doing this to an overwrought degree, and at other points there were attempts at very hit and miss comedy that didn't always gel and the gear changes between the two weren't always seamless. It would have been better to stick to just one of them rather than attempting both. Richard Cromwell was pretty bland and if there was anybody that Dvorak didn't have any chemistry with it was him.
Concluding, above average curio but very little exceptional here and quite strange. 6/10
- TheLittleSongbird
- Jul 22, 2020
- Permalink
Details
- Runtime1 hour 13 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was The Strange Love of Molly Louvain (1932) officially released in India in English?
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