Suspicion

A timid, attractive young girl named Lina(Joan Fontaine) falls in love with John(Gary Grant) an adventurer, wealthy man. Her parents( Dame May Witty and Sir Cedric Hardwicke) are opposed about the relationship. However, they early married ,living in Sussex . Then she gradually realizes and suspects that her hubby is allegedly a murderer and that she is the intended victim . Lina fears may be next on his list.

After ¨39 steps¨ and ¨Jamaica Inn¨ Hitchcock was encouraged to go to America and promptly won Oscar to best picture for his first film there, titled ¨Rebeca¨. Later,R.K.O, Radio Pictures offered him the direction of ¨Suspicion¨. The picture packs tension , thriller,suspense and excitement. The film is one of the splendid thrillers with 'imminent danger' as its theme, achieving the maximum impact on the audience and containing numerous exciting set pieces with usual Hitchcock touches . The movie is full of lingering images as the glass(Hitch put into the object a light) of milk and shot of the characters upstairs pacing up and down with shades on the walls.

The casting is frankly magnificent .Gary Grant, actually named Archibald Leach ( born in Bristol,1904) in his first Hitchock film is excellent. Joan Fontaine as the timid, shy bride consumed with fears is awesome and won a deserved Oscar to best main actress. First rate secondary cast constituted by Nigel Bruce ¨the famous Watson¨ who worked in ¨Rebeca¨ too ; Dame May Witty (The lady vanishes) ; Cedric Hardwicke(The rope)and Leo G.Carroll a habitual in Hitch movies. But to Hitch didn't like the film for the cutting out the ending, due to production's insistence to retain the sympathetic image Gary Grant, the most attractive of all Hollywood actors ; however Hitch will let ultimately to remake his movie .The motion picture is based on a novel titled : ¨Before the fact¨ and screen written by his familiar brain trust, his wife Alma Reville and Joan Harrison. Also shown in computer-colored version though best avoid it .It's remade in an inferior version by Andrew Grieve(1987)with Anthony Andrews and Jane Curtin.

I'm surprised so many people are disappointed with this movie. It doesn't seem to me more unreal than any other Hitchcock film. As always, the highlights are those moments when we get a glimpse of someone doubting what someone else is saying. This movie specializes in such moments and, inasmuch as doubt is Hitchcock's stock in trade, I can't find anything wrong with SUSPICION. It's playful, scary and, yes, escapist. Hitchcock never made a realistic movie, and I thank him for it.

Despite a flawed ending (imposed we're told, by nervous studio executives) 'Suspicion' is a terrific thriller. It may not be Hitchcock's best movie but it is one of his most entertaining. Cary Grant is perfectly cast as Johnnie Aysgarth, a charming rogue. This was the first of four movies he made with Hitchcock, but it's the performance I enjoy the most. Joan Fontaine, star of Hitchcock's previous movie 'Rebecca', is wonderful as Lina ("monkeyface") the woman he woos. The two make a great couple, and their acting really makes this one believable. Well loved character actor Nigel Bruce (who had also appeared in 'Rebecca', but is best known to most of us as Dr. Watson in the Basil Rathbone Sherlock Holmes movies) is also brilliant as Johnnie's old pal "Beaky". The rest of the cast includes Sir Cedric Hardwicke ('Rope') and Leo G. Carroll (six Hitchcocks in all). 'Suspicion' is a real treat for mystery/thriller fans. I wonder just how many contemporary movies in this style will be as enjoyable in sixty plus years?

The first time I saw this movie, I was kind of undecided. I had taped an Alfred Hitchcock marathon on TV and I only watched it for the sake of watching another Hitchcock film. The second time though, was in the back seat of a conversion van on a LONG road trip and I had a lot of time on my hands, so the more movies I had to watch, the better.

I thoroughly enjoyed it. Having read about the movie, I knew that the ending wasn't Alfred Hitchcock's first choice, but I thought the final shot was very beautifully filmed, and the ending was ok with me.

Of course, the whole movie is beautifully filmed in brilliant sunlight. I think the only really dark scene is the milk one. However, the theme of a woman suspecting that her husband is a murderer is indeed dark.

The movie is about Lina McLaidlaw (Joan Fontaine) who marries the rascally Johnnie Aysgarth (Cary Grant). She slowly begins to suspect that he is plotting to murder her for money, and it certainly doesn't help when his best friend dies under mysterious circumstances. Fontaine is excellent in her role and she certainly deserved her Oscar.

The movie is really quite entertaining. Many people consider Rebecca or Notorious Hitchcock's best movie of the 40's. I like both films a lot, but something about Suspicion makes it my personal favorite of the decade.

This is a must-see for Hitchcock fans. Full of classic performances and of course, suspensefully directed!

That could have been Cary Grant's most chilling line in his long career.

*SPOILERS*

Except RKO didn't have the courage of its convictions. Having bought the rights to Francis Iles' novel, and despite Hitchcock's insistence on sticking with the original ending, neither preview audiences nor the studio were ready to accept Cary Grant as a murderer. So its present ending was hastily written and shot. It completely subverts all the fine work that's gone before.

Joan Fontaine was a brilliant actress and valiantly, passionately, breathlessly tries to make the shockingly amateurish dialogue in the final scene work -- "Oh, Johnny! You were going to kill yourself instead of me, like the audience and I have thought for the last 90 minutes! Oh, Johnny! It's as much my fault as it is yours! Oh, Johnny! I was only thinking of myself . . . ," etc.

Cary Grant does his best with this final abomination of a climax. "Lina! Lina! How much can one man bear! When you and the audience thought I was in Paris murdering Beaky I was really in Liverpool!" Etc.

Huh?

In other words, this beautifully produced, directed, acted and written psychological suspense thriller turns out to be about a charming lazy n'er-do-well who's sponged and embezzled his way through life, who marries a beautiful but neurotic aristocrat who, from day one, increasingly assumes the worst about her husband -- convincing herself (and us) that he's killed before and now is about to kill her?

"Just kidding," the tacked-on final scene says. "It was all innocent. You eating popcorn out there in the dark, and Lina, should be ashamed for even THINKING such things! Go home now."

It helps, out of self defense, to watch "Suspicion" with the original ending in mind. Yes, the milk is poisoned. Yes Johnny killed Beaky in Paris. Yes, he's a psychopath who lies, cheats, steals and kills. Yes, Lina believed him and loved him deeply -- the only man she's ever loved. Yes, her life is no longer worth living, now that she knows the truth about Johnny. Yes, she rightly suspects that milk is poisoned. So she writes a letter to her mother, telling the truth about Johnny's exploits, and that he is poisoning her as she writes -- and that she intends to die. She seals the letter and gives it to Johnny to mail. She drinks the milk. Johnny leaves and unknowingly drops Lina's letter into a mailbox, thus sealing his fate.

THAT'S a rewarding ending.

It also makes everything that's gone before (including writing, directing, performances and cinematography) plausible. It gives "Suspicion" a reason to exist.

But that's the novel's ending.

The film's "Lina and the audience are just paranoid" ending makes fools out of all the talent on display here. And of us.

Hold mentally to the original ending and you'll love it.