There are few close-ups of Merle Oberon in this film - she was recovering from her second bout of cosmetic poisoning, which had left pits and sores in her face and could not be covered with makeup.
Despite the indifferent reception the film received, the cast treasured its experience with director Ernst Lubitsch and the atmosphere he created on set. Burgess Meredith enjoyed working on the production and years later recalled, "I don't know when I had a better time in my whole career than during that period." Of Lubitsch, Meredith said, "He was very psychic. I'd fall down laughing because right away he'd improvise, in the middle of a scene he was doing for me, some very personal thing about my life, with his big cigar in his mouth, and he knew I'd come over and say, 'How did you know about that?' and he'd say, 'I have ways of knowing.' "
Thirty-year-old Merle Oberon first claims to be 22, then raises it to 24; then later admits to being married at the age of 19, six years previously.
Ernst Lubitsch and Sol Lesser had formed a partnership, Ernst Lubitsch Productions, Inc., but it was dissolved after this movie did poorly at the box office.