An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.
- Awards
- 2 wins & 3 nominations
Henrietta Burnside
- Sue Ellen
- (uncredited)
Alec Craig
- Zookeeper
- (uncredited)
Eddie Dew
- Street Policeman
- (uncredited)
Elizabeth Dunne
- Mrs. Plunkett
- (uncredited)
Dynamite
- The Panther
- (uncredited)
Dot Farley
- Mrs. Agnew
- (uncredited)
Mary Halsey
- Blondie
- (uncredited)
Theresa Harris
- Minnie
- (uncredited)
Charles Jordan
- Bus Driver
- (uncredited)
Donald Kerr
- Taxi Driver
- (uncredited)
Connie Leon
- Neighbor Who Called Police
- (uncredited)
Murdock MacQuarrie
- Sheep Caretaker
- (uncredited)
Alan Napier
- Doc Carver
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe horror movie technique of slowly building tension to a jarring shock which turns out to be something completely harmless and benign became known as a "Lewton bus" after a famous scene in this movie created by producer Val Lewton. The technique is also referred to as a "cat scare," as off-screen noises are often revealed to be a startled harmless cat.
- GoofsWhen Irena does not show up at her apartment when Dr. Judd, Oliver, and Alice are waiting for her, they leave. Dr. Judd hides his cane in the apartment to give him an excuse to borrow Oliver's key and go back in for it. Afterward, he leaves the door unlocked so that he can sneak back in, something that is hidden from Oliver and Alice. Yet, after Oliver and Alice are threatened in the office, they call the apartment to warn Dr. Judd that Irena is definitely dangerous and that he should leave.
- Quotes
Irena Dubrovna: I like the dark. It's friendly.
- Crazy credits[From the opening credits] "Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression sin the world consciousness." - "The Anatomy of Atavism" - Dr. Louis Judd
- ConnectionsFeatured in Draculeena Presents: Cat People (1960)
Featured review
Cat People is one of the horror genre's most influential films, it's one of the first psychological horrors or at least one of the first to play on the fears of the audience. But Cat People is more than just an influential film, it's also a great one and holds up terrifically well.
It's very well made, with beautiful cinematography and great and effective use of shadows and shadowy lighting. The sets are also hauntingly sumptuous. Cat People has a haunting music score and a very intelligent script that has a good amount of tension as well as a bit of subtle wit. The story, and the atmosphere it has, is one of the main reasons why Cat People works so well, this is more than a monster/ghost feature, this is more a psychological horror that relies on suspense and playing on the audience's fear. Both of which Cat People does splendidly, the suspense in the best parts is positively nerve-shredding and the whole film has a constant eeriness that makes it creepy without resulting to cheap shocks, jump scares or gore. For me the two most effective scenes have always been with the pool and the walk through the park, the latter being justifiably famous and contains a very clever "false shock". It's beautifully directed by Jacques Tourneur, the characters are interesting and the acting is mostly solid if not the best, with Simone Simon being superb. Simon brings a sensuality, menace and poignancy to her role, that makes her presence chillingly mysterious but at times moving. Tom Conway does just fine too.
If there is anything to criticise, Kent Smith is very stiff here. Other than that Cat People is great, both of its genre and as a film in general. 9/10 Bethany Cox
It's very well made, with beautiful cinematography and great and effective use of shadows and shadowy lighting. The sets are also hauntingly sumptuous. Cat People has a haunting music score and a very intelligent script that has a good amount of tension as well as a bit of subtle wit. The story, and the atmosphere it has, is one of the main reasons why Cat People works so well, this is more than a monster/ghost feature, this is more a psychological horror that relies on suspense and playing on the audience's fear. Both of which Cat People does splendidly, the suspense in the best parts is positively nerve-shredding and the whole film has a constant eeriness that makes it creepy without resulting to cheap shocks, jump scares or gore. For me the two most effective scenes have always been with the pool and the walk through the park, the latter being justifiably famous and contains a very clever "false shock". It's beautifully directed by Jacques Tourneur, the characters are interesting and the acting is mostly solid if not the best, with Simone Simon being superb. Simon brings a sensuality, menace and poignancy to her role, that makes her presence chillingly mysterious but at times moving. Tom Conway does just fine too.
If there is anything to criticise, Kent Smith is very stiff here. Other than that Cat People is great, both of its genre and as a film in general. 9/10 Bethany Cox
- TheLittleSongbird
- Jan 4, 2015
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Cat People
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $134,000 (estimated)
- Runtime1 hour 13 minutes
- Color
- Aspect ratio
- 1.37 : 1
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