Fingers at the Window

An axe wielding serial killer is on the loose with six murders in Chicago. A shadowy figure pushes a bird seller to kill with an axe. Struggling actor Oliver Duffy (Lew Ayres) notices the suspicious bird seller stalking Edwina Brown (Laraine Day). After more attempts, he suspects someone is targeting her by hypnotizing different people to commit the crimes.

The basic outlandish premise is possible serial killer hunt material. There is a lot of stupidity coming from the police and media. It's much more than the usual trope. It's not the sharpest crime drama but it is better than the standard during that era. Mostly, I like Duffy and I like Edwina despite some cluelessness. Quite frankly, there are a few too many clueless characters in the movie. It actually gets to be funny. Overall, I like this but it's not winning any awards.

Lew Ayres and Laraine Day star in "Fingers at the Window," a 1942 film which also stars Basil Rathbone.

An ax murderer is killing people in Chicago, and the police don't have any leads. A young actor, Oliver Duffy (Ayres) suspects that a woman, Edwina (Day) is going to be attacked after he notices her being followed.

Oliver attaches himself to her, sees some activity outside of her window, and also notices a problem with her door latch, as if someone was preparing it to break in. He tries to figure out why she has been singled out, but Edwina, being an airhead, can't come up with anything.

Ayres and Day are delightful, having worked together so well in the "Dr. Kildare" series, and Rathbone is terrific as a distinguished doctor.

This was Ayres' last film before the war, during which he served as a conscientious objector (he was a medic on the front lines), something very controversial at that time. MGM washed their hands of him and the "Dr. Kildare" series quickly became the "Dr. Gillespie" series.

One of the first "Dr. Gillespie" films concerned a man who had lost a limb during the war - MGM was making a point. Ayres made one too, by winning an Oscar nomination for "Johnny Belinda" in 1948.

"Fingers at the Window" is a little silly with some plot holes, but the cast makes it work. Despite its macabre subject matter, it's directed by Charles Lederer with a light touch to mine the humor. Enjoyable.

Any story about an axe murderer on the loose has to be taken seriously--and this one is no exception, especially since it is given some film noir ambience in lighting, sets and photography--and has Basil Rathbone as the master mind of all the villainy.

Laraine Day and Lew Ayres (usually cast in the Dr. Kildare series) are the stars of this well made B-film that played the lower half of double-bills when released in 1942. They both move capably through a story that mixes romance, humor and suspense--although much of what happens stretches credibility a bit. Attempts on Laraine Day's life provide a few genuine thrills in this somewhat creepy tale about an actor (Lew Ayres) and a society girl (Day) on the trail of a serial killer being masterminded by sinister Basil Rathbone who uses hypnotism to carry out his plans.

Although a minor mystery, it has some chilling moments thanks to the intensity of Rathbone's acting and some atmospheric night scenes with the heroine being menaced and stalked on rainy streets by a killer.

This is just one of the films discussed in my career article on LARAINE DAY that appears in the current Spring 2001 issue of FILMS OF THE GOLDEN AGE.

I hesitate to call this film a mystery, because the nature of the murders that are plaguing Chicago is known to the viewer from the very beginning. And although it has some traits common to noir, I found the tone of this film to be too light to firmly place it in that genre.

Lew Ayres (as Oliver Duffy) plays an out of work actor who stumbles into a murder plot aimed at Laraine Day (Edwina Brown). She is rather kooky and he seems unable to string two serious lines together. With his help, they capture the axe murderer who attempts to end Laraine's day.

Ayres develops a theory about the nature of the murders, but the police won't listen. They are buffaloed by the hypothesizing of a psychologist--a common theme in the 40s and 50s when audiences seemed intrigued by the mysteries of the human mind and the simple "explanations" that science seemed to offer. For a superior example of this, see "The Bad Seed" from 1956. Hitchcock liked to dabble in these kinds of stories, as in "Spellbound" in 1945.

But this film does have some appeal. And Basil Rathbone, in his role, provides the intensity that was his hallmark.

This is a great little film and Lew Ayres is much under-rated as a leading man because of the Kildare series. he has a light touch that is only overpowered by the classic Basil Rathbone who gives even dross a great deal of class. Enjoy.