IMDb RATING
7.1/10
1.7K
YOUR RATING
Embittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.Embittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.Embittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.
- Director
- Writers
- Stars
- Awards
- 5 wins total
Murray Alper
- Joe Duglatz
- (uncredited)
Jean Ames
- Pudgy Girl
- (uncredited)
Brooks Benedict
- Guest at Embassy Club Bar
- (uncredited)
Julie Bishop
- Chorine
- (uncredited)
Monte Blue
- Man in Audience
- (uncredited)
Roman Bohnen
- Sam Chernen
- (uncredited)
Virginia Brissac
- The Dress Saleswoman
- (uncredited)
Jimmy Butler
- Boy
- (uncredited)
Eddy Chandler
- Police Officer on Dock
- (uncredited)
C. Harry Clark
- Working Man at Theatre
- (uncredited)
Tom Coleman
- Man in Audience at Play
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a forgotten classic.It shows the dark side of fame and fortune.Ida Lupino and Joan Leslie were great and this is the best dramatic film I've ever seen Jack Carson in.He really got a chance to show his acting talent being dramatic.Dennis Morgan was excellent and I was glad to see him sing a little even in a drama.I recommend that you see this movie and see all these actors at their best!
This was a terrific film. I was riveted as I watched the story unfold. Ida Lupino, fast becoming one of my favorites, was absolutely magnificent as the stage sister, a "Svengali" using her sibling to propel both of them out of poverty. No wonder I don't go to the movies much -- I'd rather stay home and watch performances such as Miss Lupino's!
I was a bit confused by the blossoming relationship between Leslie's and Morgan's characters (though they both gave noteworthy performances). It could have been built up more, since I thought I missed something when the relationship evolved to its resolution. A small flaw.
But the best part of the film was an unusually strong and moving performance from Jack Carson. He is known more for his comic relief (I hate comic relief!) roles in such films as "Mildred Pierce." Heres, Mr. Carson presented a three-dimensional character that you could not help but feel bad for. A pleasant surprise which only added to a must-see film.
I was a bit confused by the blossoming relationship between Leslie's and Morgan's characters (though they both gave noteworthy performances). It could have been built up more, since I thought I missed something when the relationship evolved to its resolution. A small flaw.
But the best part of the film was an unusually strong and moving performance from Jack Carson. He is known more for his comic relief (I hate comic relief!) roles in such films as "Mildred Pierce." Heres, Mr. Carson presented a three-dimensional character that you could not help but feel bad for. A pleasant surprise which only added to a must-see film.
The siren lure of show business must have had a more irresistible song in the days when stars, in the flesh, came right to towns like Pocatello, Idaho and Biloxi, Mississippi. The dreams were delivered fresh and piping hot, not through the many scrims of television and movie screens, and not through the machinations of crafty publicists and a fawning press. That's the milieu of Green Hill, a sooty steeltown where Helen Chernen (Ida Lupino) has cut her losses and her hopes until her little sister (Joan Leslie) gets a whiff of the greasepaint and hears the roar of the crowd. Lupino up and leaves her laborer husband to propel sis right to the boulevard of broken dreams. First steps on the stampede to the top are the mediocre vaudeville duo of Jack Carson and Dennis Morgan; Leslie marries Carson but leaves him in the dust at Lupino's bidding. Soon Leslie is poised to be the toast of all Broadway, but the tinsel is turning to ashes, and she's turning against her unstoppable bulldozer of a big sister. The bookends of this story told in flashback involve an ermine wrap, a pier on New York's waterfront, and a couple of New York cops....You get the idea. The Hard Way still packs a punch (after all these years), if a punch somewhat softened with a tinge of nostalgia. This is one of Lupino's strongest roles (along with Lily in Road House), and at her best she makes you wonder why she didn't achieve the superstardom of a Davis, a Hepburn, or a Stanwyck. She's just that good.
This was an exceptional film--one that nearly earned a 9 and the deciding factor for me were the musical numbers which actually seemed to sometimes get in the way of the exceptional plot and acting. While this film was quite the coup for a young Joan Leslie, the real star of this film was Ida Lupino and this might just be her best performance. She plays an amoral and conniving woman who will do just about anything to make her younger sister (Leslie) a star--even use nice people like Jack Carson and Dennis Morgan to make it big. The fact that the script is so unrelenting in its way that it shows the depths to which Lupino would go made this a real standout film. Many other films of the day would have tried to soften her character more or give her a shot at redemption towards the end--a big mistake had they chosen to follow the typical formula of the day.
Aside from Lupino, the other standout actor in the film seemed to be Jack Carson, as his character had much more depth and was much more sympathetic than the usual brash character he played. Also, while their acting wasn't a huge standout, Morgan really belted out some excellent songs and I was surprised to see Leslie dance as well as she did (though I wonder if it really was her doing all the flips--you CAN'T see her face and it could have been a double).
Good, gritty entertainment--it's well worth a look.
Aside from Lupino, the other standout actor in the film seemed to be Jack Carson, as his character had much more depth and was much more sympathetic than the usual brash character he played. Also, while their acting wasn't a huge standout, Morgan really belted out some excellent songs and I was surprised to see Leslie dance as well as she did (though I wonder if it really was her doing all the flips--you CAN'T see her face and it could have been a double).
Good, gritty entertainment--it's well worth a look.
Greatly enjoyed this 1942 film starring Ida Lupino,(Mrs.Helen Chernen) who was married to a man who worked in a coal mine and Helen took care of her younger sister, Katie Chernen,(Joan Leslie). Helen hated the town they lived in and also her husband and wanted a bigger and better future for Katie. Katie met up with Albert Runkel, (Jack Carson) who worked on the stage as a song and dance team with Paul Collins, (Dennis Morgan). Katie has a great singing voice and can dance and Albert falls in love with her and gets her into his act. However, behind the scenes is Helen who is scheming to get her sister into big time show business and decides to get her sister married to Albert and runs off and leaves her husband and goes away with her sister and Albert. This story is really about the great actress Ginger Rogers and how her mother pushed her daughter into show business at all costs. They even offered Ginger Rogers a part in this picture, but she refused. Great Classic film, don't miss seeing it on TV.
Did you know
- TriviaPer director Vincent Sherman, the film was based on dancer-actress Ginger Rogers' relationship with her quintessential stage-mother, Lela E. Rogers.
- GoofsNear the end of the film Dennis Morgan takes a seat to see Joan Leslie's play. He is seated next to a young woman. The next time the camera cuts to him he is in the same seat, but sitting next to an older woman wearing completely different clothing.
- ConnectionsFeatured in Hollywood Canteen (1944)
- SoundtracksYouth Must Have Its Fling
(1942) (uncredited)
Music by M.K. Jerome (credited)
Lyrics by Jack Scholl (credited)
Played during the opening credits and at the end
Sung by Gladys George at rehearsal with piano accompaniment
Reprised at a show and sung and danced by Joan Leslie (dubbed by Sally Sweetland) and chorus
Sung on a record by Leslie
Played as background music often
- How long is The Hard Way?Powered by Alexa
Details
- Runtime
- 1h 49m(109 min)
- Color
- Aspect ratio
- 1.37 : 1
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