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Close-Up is a column that spotlights films now playing on Mubi. Leo McCarey's The Awful Truth (1937) is showing February 13 - March 15, 2017 in the United Kingdom in the series The Rom Com Variations.Leo McCarey’s 1937 screwball classic The Awful Truth is the epitome of a sub-genre dubbed by philosopher Stanley Cavell the “comedy of remarriage.” In the film, husband and wife Jerry and Lucy Warriner (Cary Grant and Irene Dunne) succumb to their marital suspicions and embark on an easier-said-than-done divorce. He returns home from an unspecified dalliance, complete with fake Florida tan (ever the gentleman, he bronzes so as to save Lucy the embarrassment of getting asked why her husband looks pale after spending time in the sun), but upon his arrival, Lucy herself is nowhere to be found. She must be with her Aunt Patsy, Jerry assures his guests, that is until Aunt Patsy (Cecil Cunningham) shows up sans niece.

Cary Grant films on TCM: Gender-bending 'I Was a Male War Bride' (photo: Cary Grant not gay at all in 'I Was a Male War Bride') More Cary Grant films will be shown tonight, as Turner Classic Movies continues with its Star of the Month presentations. On TCM right now is the World War II action-drama Destination Tokyo (1943), in which Grant finds himself aboard a U.S. submarine, alongside John Garfield, Dane Clark, Robert Hutton, and Tom Tully, among others. The directorial debut of screenwriter Delmer Daves (The Petrified Forest, Love Affair) -- who, in the following decade, would direct a series of classy Westerns, e.g., 3:10 to Yuma, The Hanging Tree -- Destination Tokyo is pure flag-waving propaganda, plodding its way through the dangerous waters of Hollywood war-movie stereotypes and speechifying banalities. The film's key point of interest, in fact, is Grant himself -- not because he's any good,...

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Above: Cinetract 2: Revolution Is in the Eye of the Beholder, a video essay by David Phelps. The video is part of a new issue of one of our very favorite—and one of the best—film magazines in the world, La Furia Umana, which is now out. Each issue is focused on dossiers on particular directors, and this issue includes essential articles on Leo McCarey, Paul Vecchiali, Jean-Claude Rousseau and José Luis Guerín. In the McCarey dossier are pieces by our very own Daniel Kasman—on the Cary Grant & Ginger Rogers vs. the Nazis film, Once Upon a Honeymoon—and Ted Fendt on McCarey's Charley Chase comedy shorts. But don't ignore the depth and variety of articles outside this center, which include searing video pieces by Notebook regulars David Phelps—on Lang, Vertov and protest—and Gina Telaroli on Joan Bennett, Max Ophüls, The Reckless Moment and the reflections of American presidents.

Irene Dunne, Charles Boyer in Leo McCarey's Love Affair Leo McCarey on TCM: Going My Way, Duck Soup, Love Affair, Make Way For Tomorrow Leo McCarey's Love Affair (1939) is now mostly forgotten, whereas its 1957 remake (also by McCarey), An Affair to Remember, remains a romance classic. In the original, in place of Cary Grant and Deborah Kerr we have Charles Boyer and Irene Dunne as the star-crossed lovers. Boyer would become a fantastic dramatic actor in later years (e.g., Max Ophüls' Madame De…), but here he's just Hollywood's boring version of the "suave continental." Irene Dunne, on the other hand, was one of the best actresses of the '30s and '40s. She's fine in Love Affair, though it's not one of her greatest performances. (Warren Beatty and Annette Bening starred in a widely panned 1994 remake, that also featured Katharine Hepburn in the role played...

Bing Crosby, Gene Lockhart, Barry Fitzgerald, Going My Way Leo McCarey is Turner Classic Movies' Director of the Evening this Christmas. Considering that McCarey was an ardent Catholic, TCM has made a quite appropriate choice. Unfortunately, McCarey's anti-Red My Son John — despite the fact that the Bible plays a prominent role in that film — hasn't been included on the TCM film roster. Instead, TCM watchers will have the chance to check out Going My Way, Make Way for Tomorrow, Duck Soup, The Milky Way, Love Affair, and Once Upon a Honeymoon. The year Billy Wilder's film noir classic Double Indemnity was nominated for Best Picture — and Alfred Hitchcock's Lifeboat, Vincente Minnelli's Meet Me in St. Louis, and Otto Preminger's Laura weren't — McCarey's sappy, feel-good Going My Way was chosen as the Best Picture of 1944 by enough members of the Academy of Motion Picture Arts and Sciences.

With Mother’s Day coming on Sunday (for our U.S. readers), we wanted to celebrate movies that mothers love, but not just our idea of what they love. That’s right, the staff of Disc Dish gave their mothers a job to celebrate the holiday where their kids are supposed to do all the work! We asked our moms what their favorite films are — and the results were fun, varied and even a bit provocative! See for yourself below.

And if you’re a mom, we want to know yours’ too. Tell us what your favorite movies are and why.

Today, as on every day, we thank our mothers for their enthusiasm, encouragement and awesome taste in movies!

Selma Chopinsky, mother of Irv Slifkin

Goldfinger (1964)

The third James Bond adventure is the one many claim is the best. It certainly has all the 007 elements going for it, from memorable...