After deserting from the U.S. Navy in the 1930s, an officer re-enlists under a fake name after Pearl Harbor and serves on a minesweeper.After deserting from the U.S. Navy in the 1930s, an officer re-enlists under a fake name after Pearl Harbor and serves on a minesweeper.After deserting from the U.S. Navy in the 1930s, an officer re-enlists under a fake name after Pearl Harbor and serves on a minesweeper.
- Director
- Writers
- Stars
Billy Nelson
- Bos'un 'Freshwater' Heims
- (as Bill Nelson)
William 'Billy' Benedict
- Inoculations Corpsman
- (uncredited)
Ralph Dunn
- Madigan
- (uncredited)
Edward Earle
- Officer at Briefing
- (uncredited)
Jack Gardner
- Ship Officer Lookout
- (uncredited)
Jody Gilbert
- Fat Girl in Bar
- (uncredited)
Jon Gilbreath
- Sailor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I originally saw this movie because of western actors Russell Haden and Quinn 'Big Boy" Williams but Richard Arlen provided the solid acting it needed. Jean Parker played a good role as the love interest between Arlen and Hayden. It starts with FIxit (Williams) taking Houston (Arlen) in after being punched out of a rail car. Fixit not only gives him room and board, introduces him to his beautiful sister Mary (Jean Parker), he gets Houston on a Minesweeper and in WW ll that's dangerous business. Arlen plays the various dynamics well. He's vying for the love of Mary with Elliot, being a solid friend of Fixit and has a big secret he must hide from the Navy.
This is the story of a man who tries to make amends for past misdeeds in the service by reenlisting under another name, and whose experience in the service gives him an edge in the disarming of water mines.
It is a well written story, with interesting characters all around, including the minor ones. Everything is very believable, not just by film standards, but by normal standards.
However, I gave this only a ranking of 6, which is still above average, because for me it was painful viewing. It is not because of a bad story, but because it shows the pain involved with gambling addiction in a true light, which means it will be difficult to watch. This is still quality work, and if you aren't afraid of the pain, this may be the film for you.
It is a well written story, with interesting characters all around, including the minor ones. Everything is very believable, not just by film standards, but by normal standards.
However, I gave this only a ranking of 6, which is still above average, because for me it was painful viewing. It is not because of a bad story, but because it shows the pain involved with gambling addiction in a true light, which means it will be difficult to watch. This is still quality work, and if you aren't afraid of the pain, this may be the film for you.
From the man that would have brought you the Navy Way came a film that, towards the end of the second world war, seemed determined to get those young men in army or navy uniforms to fight for their countries.
So, the story of a deserting Navy captain with a gambling problem who decides to join the troops again, even as a lowly minesweeper and seaman, is perfectly politically correct for the blossoming of the US involvement in the world's biggest monetary conflict to date a.k.a. WWII.
It's obnoxious. The storyline is predictable. The characters are caricatured. People, including myself, are always ready to shoot on Micael Bay's awful Pearl Harbour, but that is nothing more than a film like Minesweeper with a much bigger budget. In the end, it's all about God, country, killing those Japs, and if you die, you die a hero, and everyone is proud of you, cos you were a good kid.
But what can you do? The film isn't laughable, and it's made in a straight forward way that means no harm. As a product of its times and indoctrinations, it can be forgiven, but as a poor film, it cannot.
So, the story of a deserting Navy captain with a gambling problem who decides to join the troops again, even as a lowly minesweeper and seaman, is perfectly politically correct for the blossoming of the US involvement in the world's biggest monetary conflict to date a.k.a. WWII.
It's obnoxious. The storyline is predictable. The characters are caricatured. People, including myself, are always ready to shoot on Micael Bay's awful Pearl Harbour, but that is nothing more than a film like Minesweeper with a much bigger budget. In the end, it's all about God, country, killing those Japs, and if you die, you die a hero, and everyone is proud of you, cos you were a good kid.
But what can you do? The film isn't laughable, and it's made in a straight forward way that means no harm. As a product of its times and indoctrinations, it can be forgiven, but as a poor film, it cannot.
Unlike most war movies, you'll find no real "battles" being fought in "Minesweeper." For that, I actually give it some credit. It pays tribute to the crew of minesweepers - those who helped take care of Japanese mines laid at the mouths of US harbours. That's not especially glamorous, so I applaud whoever decided to make this movie. It's an important job, and not all the honour should go to those who are face to face in combat with the enemy.
The star of this is Richard Arlen. He plays an officer who deserted from the Navy years before, and then re-enlists under an assumed identity once Pearl Harbour is attacked. So part of the movie is spent wondering whether he's going to get caught. The dangers of this type of service are well documented, and there's a tragic incident as the movie nears its end. The cast is decent enough.
The basic problem with this is that it spends far too much time emphasizing the somewhat unbelievable romance the develops between "Tennessee Smith" (as Arlen's character was known) and Mary (Jean Parker.) Given that Mary was apparently already almost engaged when Tennessee showed up, I found it rather difficult to accept that she'd get caught in this romantic triangle, and I thought it weakened the movie.
This certainly isn't a high profile war picture, nor does it appear to have had much of a budget. It's not bad; it's an appropriate tribute. I just wish it had stayed a bit more focused on those to whom it was paying tribute and to the service they were offering. (4/10)
The star of this is Richard Arlen. He plays an officer who deserted from the Navy years before, and then re-enlists under an assumed identity once Pearl Harbour is attacked. So part of the movie is spent wondering whether he's going to get caught. The dangers of this type of service are well documented, and there's a tragic incident as the movie nears its end. The cast is decent enough.
The basic problem with this is that it spends far too much time emphasizing the somewhat unbelievable romance the develops between "Tennessee Smith" (as Arlen's character was known) and Mary (Jean Parker.) Given that Mary was apparently already almost engaged when Tennessee showed up, I found it rather difficult to accept that she'd get caught in this romantic triangle, and I thought it weakened the movie.
This certainly isn't a high profile war picture, nor does it appear to have had much of a budget. It's not bad; it's an appropriate tribute. I just wish it had stayed a bit more focused on those to whom it was paying tribute and to the service they were offering. (4/10)
One might think a movie entitled "Minesweeper" would be a war film, but instead its billed as an action, adventure and comedy film. It does have those elements, to the extent that it is quite a mixed bag. But, of course it is a war movie, because it's all about Navy men who serve on a minesweeper at one of the California coastal port cities during World War II. It's most likely San Diego or Long Beach from which convoys sailed to the Pacific theater.
One reason it may not have been played up as a war film, right in the middle of war, was because it wasn't the type of war duty most people imagined or associated with war time. And, the film itself, with its milieu, doesn't seem to have the feel of a war film. Reflecting on this, it occurred to me that not many men or women in wartime service were able to stay at and go home to mom's house for home-cooked meals.
Most sailors were either at sea or based at a foreign port sailing on combat missions. Most Army and Marine GIs were either on the ground in combat units or in command and supply posts supporting them. Most Army Air Corps members were assigned at European or Pacific bases and commands that were flying combat or bombing missions. These countless numbers of military people were far from their homes.
Aside from that, this film is a modest look at a small service of the Navy that was important for keeping American ports open and protecting convoys and Navy ships from mines. But, this clearly is a B movie. It was one of just 80 films made by Pine-Thomas Productions between 1940 And 1957. It was filmed at Catalina Island and the Paramount studios. The film quality and production values are second-tier, and the screenplay and story are just so-so.
Richard Arlen stars as Richard Houston, under an alias of Jim Smith. Arlen was about midway in his career. After starting with some promise as a leading man in silent films, when sound came on and a crop of handsome and talented new actors began appearing in the early 1930s, Arlen was increasingly relegated to B films. I've seen a couple in which his is quite good, but in this film he seems flat and dull. Some of the cast are good and others seem wooden. The best performance is by Guinn Williams who plays 'Fixit' Smith. This is one of the meatier roles this long-time supporting player had in the more than 220 films he made.
Look for Robert Mitchum in an uncredited role. He plays Seaman Chuck Ryan who rows a boat out to a mine so that another seaman can cut it loose from being tangled in their minesweepers tow. The mine blows up and Mitchum's scene is a wrap.
Probably the only people who will like this film will be military veterans and those interested in all aspects of war in movies.
One reason it may not have been played up as a war film, right in the middle of war, was because it wasn't the type of war duty most people imagined or associated with war time. And, the film itself, with its milieu, doesn't seem to have the feel of a war film. Reflecting on this, it occurred to me that not many men or women in wartime service were able to stay at and go home to mom's house for home-cooked meals.
Most sailors were either at sea or based at a foreign port sailing on combat missions. Most Army and Marine GIs were either on the ground in combat units or in command and supply posts supporting them. Most Army Air Corps members were assigned at European or Pacific bases and commands that were flying combat or bombing missions. These countless numbers of military people were far from their homes.
Aside from that, this film is a modest look at a small service of the Navy that was important for keeping American ports open and protecting convoys and Navy ships from mines. But, this clearly is a B movie. It was one of just 80 films made by Pine-Thomas Productions between 1940 And 1957. It was filmed at Catalina Island and the Paramount studios. The film quality and production values are second-tier, and the screenplay and story are just so-so.
Richard Arlen stars as Richard Houston, under an alias of Jim Smith. Arlen was about midway in his career. After starting with some promise as a leading man in silent films, when sound came on and a crop of handsome and talented new actors began appearing in the early 1930s, Arlen was increasingly relegated to B films. I've seen a couple in which his is quite good, but in this film he seems flat and dull. Some of the cast are good and others seem wooden. The best performance is by Guinn Williams who plays 'Fixit' Smith. This is one of the meatier roles this long-time supporting player had in the more than 220 films he made.
Look for Robert Mitchum in an uncredited role. He plays Seaman Chuck Ryan who rows a boat out to a mine so that another seaman can cut it loose from being tangled in their minesweepers tow. The mine blows up and Mitchum's scene is a wrap.
Probably the only people who will like this film will be military veterans and those interested in all aspects of war in movies.
Did you know
- TriviaRobert Mitchum uncredited role involves knot-tying training( at 19 minutes into the film). Sailors stand in a row tying knots on a horizontal rope stretched across. Mitchum is the tall sailor on the right. He also is the oarsman in one of two rowboats lowered over the side of the ship (at 25 minutes). He is shown in the close-up shot near the striped ball-shaped mine. His mate chops haphazardly at its tow rope until they both are blown up.
- Quotes
CPO Ichabod Ferdinand 'Fixit' Smith: You get Liberty?
Richard Houston - aka Jim 'Tennessee' Smith: Till tomorrow.
CPO Ichabod Ferdinand 'Fixit' Smith: I got 48 hours and boy I'm gonna eat my way right through it!
- Crazy creditsOpening credits prologue: DECEMBER 1941
Details
- Release date
- Country of origin
- Language
- Also known as
- Dragor de mine
- Filming locations
- Santa Catalina Island, Channel Islands, California, USA(underwater scenes)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 7m(67 min)
- Color
- Aspect ratio
- 1.37 : 1
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