Sweet Rosie O'Grady

Newspaper reporter makes a name for himself by scandalizing in print a beloved showgirl, known abroad as "The Yankee Sensation". She counteracts by telling his rivals it's all a publicity stunt and that she and the reporter are actually in love. Musical remake by 20th Century-Fox of their 1937 hit "Love is News", which starred Loretta Young; this version, filmed in gloppy Technicolor, is just an excuse to show-off their latest find, Betty Grable, who has presence but no funny lines (and a dearth of memorable songs). As the reporter, Robert Young doesn't even have presence. Fox tried again with this story in 1948 under the title "That Wonderful Urge", starring Gene Tierney. Strictly for Grable-buffs. ** from ****

Much better than many of the acclaimed MGM musicals. Take a look at "Summer Stock" and compare it to this. "Rosie O'Grady" wins by a mile. Voters and reviewers have not been privy to seeing this classic because movie networks continuously show film product from MGM, Warners, and RKO, but they do not own the movie rights to Fox. Thus, the public has rarely seen these movies. I am 70 years old, have heard of Betty Grable before, but this is the first Grable film I've ever seen. I saw it courtesy of FXM. In years to come as all movies are put up to critical comparison, it won't be only MGM vs. MGM like it is now... there are many great musicals, from every era, from several studios, that the general public has rarely seen. This is one of them. Not spectacular, but better than the average MGM musical of the 40s. Grable had personality, style, and she could sing.

Awesome vehicle for Betty Grable and Robert Young. Filmed in bright technicolor, it was the quality type of musical that MGM could seldom pull off. This film is rarely seen today and gets no breaks because it was a 20th Century Fox property, instead of being in endless repetitive repeats as the MGM lesser-quality films of the era are on TCM.

Regardless, when you get the chance, this is one to sit back and enjoy. Grable is magnificent and Young is surprisingly good. The music is outstanding.

Robert Young is perfectly cast as a wise-guy reporter writing for a pre-Enquirer rag called the Police Gazette who is assigned by his crusty Editor, played perfectly by Adolph Menjou (Walter Burns from the original Front Page), to write a series of expose-type articles on returning stage star Betty Grable's burlesque beginnings. The Technicolor is luscious throughout. Reginald Gardiner is a stitch, as usual, playing Betty's British betrothed who breaks off the engagement as a result of the scandal. Virginia Grey is perky and decorative as Grable's maid. Byron Folger also lends support as a perfectly prissy prig (what else?).

Betty, of course, is the star. She sings and dances with aplomb. The added delight is her comic timing and chemistry with Young. We enjoy and believe them at each others throats which makes the inevitable payoff in each others arms that much more enjoyable.

SWEET ROSIE O'GRADY is typical of the Fox musicals Betty Grable made during her long reign as Queen of the Technicolor musicals, zooming to popularity at the box office during the '40s. Robert Young is the writer at the Police Gazette who churns up stories on her past as a burlesque queen, much to her dismay. She's the fiancé of a stuffed shirt (Reginald Gardiner) and for awhile Young is the cause of a rift in all three relationships.

Forget the paper-thin plot, the kind that Fox used all the time to display Grable in pretty costumes, given the chance to warble a few undistinguished song-and-dance routines in pleasant style.

With a supporting cast that includes Adolphe Menjou, Sig Ruman and Virginia Grey, it passes the time pleasantly but is the sort of film that is quickly forgotten after seeing it once.

Grable fans will appreciate the warmth and humor she brings to a basically one-dimensional role as a showgirl.