The Best Years of Our Lives

Painting an authentic, distressing & heartbreaking portrait of post traumatic stress disorder and expertly led by riveting performances from its outstanding ensemble, The Best Years of Our Lives is a work of restrained craftsmanship that narrates its drama with deft composure and has a thorough understanding of its subject matter.

Crafted with care, narrated with flair & incessantly human in its approach, William Wyler's film's silent, thoughtful contemplation on PTSD is still as relevant today as it was at its time of release. Firmly grounded in realism & having stood the test of time all these years, The Best Years of Our Lives is one of the finest offerings of its kind.

In 2004, I wrote the following statements on an IMDb message board when a user wondered if The Best Years of Our Lives was a forgotten movie:

***** To me watching this movie is like opening up a time capsule. I think in many ways "The Best Years of Our Lives" is probably one of the more fascinating character studies and it holds up extremely well as a look at life in the US in the mid-1940s after WWII. I believe "Coming Home" and "The Deer Hunter", both released in 1978, were the most recent films that were closest in capturing the numerous issues of military men returning from war that were brought up in "The Best Years of Our Lives".

What really impressed me was watching the movie in its entirety when I was in college around 1980-81 and many if not all of the college students applauded at the end of the movie.

This movie still packs a wallop and I'm very happy to read in other posts other users feeling of a movie that will definitely stand the test of time. *****

I'm very happy to see the movie ranked near the top 100 movies on IMDb and AFI. Also, though it was in competition with what eventually became a Christmas classic, It's a Wonderful Life, arguably, The Best Years of Our Lives' Oscar wins, including Best Picture, were very well-deserved.

I've just seen the film again in 2005 and after almost 60 years, The Best Years of Our Lives is still a powerful, beautifully acted and well-crafted motion picture.

Returning to life at home for our overseas fighting men was not as easy as we here at home may have assumed,and McKinlay Kantor thought it important to write about this fact.The novel caught the attention of Hollywood and soon we were seeing it well illustrated on the big screen.War changes a man to one degree or another,either physically or emotionally or perhaps both.The passage of time doesn't help either,and things at home change a little.Their children grow,and they were unable to be there to witness it firsthand.Again,this makes the adjustment harder.For 4 years,all they knew was war,and they find themselves faced with the impossible task of picking up where they had left off.It's a worthwhile story to engross yourself in.While much of what you see here represents a world that does not exist anymore,the difficulties of adjusting to life at home after war ring true still today.

Three WWII veterans return home to small-town America to discover that they and their families have been irreparably changed.

Such a powerful film. At first the new lives of the soldiers seem to be facing small adjustments, such as their children's interest in "atomic energy" and "scientific efficiency". But soon we find that jobs are hard to find, and the wives and girlfriends sometimes met new people while the battles were fought.

Although a serious topic, the film has the right balance of entertainment and drama. It never gets outright depressing, and things like depression and suicide are overlooked. But it still remains a valuable lesson: as bad as dying in the war is, sometimes the transition back to normalcy can be just as damaging.

Although not one of the better known movies today (2014), "The Best Years of Our Lives" won seven Academy Awards in 1946, including Best Picture, Best Director (William Wyler), Best Actor (Fredric March), Best Supporting Actor (Harold Russell), Best Film Editing (Daniel Mandell), Best Adapted Screenplay (Robert Sherwood), and Best Original Score (Hugo Friedhofer). It still sits on the IMDb Top 250, just as it should.

I saw the movie again recently. I always love it. It's touching, has great music, scope and complexity. The film is alive in its human details. But what especially stood out to me this time was how amazing Dana Andrew's performance is. His wife has cheated on him, he's suffering post-war trauma, and can't find a job--but he's still charming and funny. Even though his opinion of himself is pretty low, he keeps going ahead. I love how self-denigrating the character is, how he suspects he's pretty worthless, while his parents, friends and Peggy (but not his wife) see him as extraordinary. And Andrews does it all while being understated and real. Yeah, Dana!