In Our Time

Very enjoyable indeed. I always enjoyed the stoic acting of Paul Henreid anyway and to see the very attractive and talented Ida Lupino at age 26 was a treat.

The important idea of a beau, either male or female, not being good enough for the family into which he or she's becoming a part of through marriage, is ancient. I know that here in the USA, it reigns galore but of course from studying history, I had learned that the "quality" of the beau in aristocratic Europe families was intense. Like for instance, here in the USA, family crests and all that jazz are meaningless but not so in Europe. There, lineage, pomp and ceremony are of supreme importance.

This is why Ida Lupino's entrance into the family of Count Orvid's of Poland is fascinating. It was like pitting the old Brooklyn Dodgers against the mighty New York Yankees in so many World Series games. Obviously in the film, Dodger Lupino didn't stand a chance except for uncle Leopold Baruta's warm understanding of why aristocracy shouldn't destroy love.

In the meantime, this enchanting love story is set in the backdrop of maniac Hitler's preparations for invading Poland. The film therefore has tension cleverly wound within the fabric of the entire film. And what will happen to the love affair and marriage of Ida and Paul once Hitler attacks? See for yourself--it's a good movie on Turner Classics.

In Our Time English girl Ida Lupino goes traveling with a somewhat subdued Mary Boland and meets up with a real honest to goodness count played by Paul Henreid. It's a romance that develops between them and she becomes a countess.

Henreid is the kind of guy rich girls married back in the day for the title. He has an estate that's tied up in debt. They have to modernize or go broke. But with war clouds on the horizon will they have a chance?

This film is a tribute to the resistance of the Polish people in much the same way Edge Of Darkness is to the Norwegians. It came to the attention of the House Un-American Activities Committee and its writer Hpward Koch made the blacklist.

When Ida Lupino talks about having the estate peasants share in the harvest and maybe bringing in tractors she runs into some bad reaction from Victor Francen the old mastodon head of the family. God made him an aristocrat and them peasants and as an aristorat he's entitled to the perks therein. All this talk about sharing and brotherhood got the HUAC investigators attention.

In the end there's a note of optimism as this film came out in 1944 and the tide of war had turned and the audience who saw In Our Time knew it. The collective cast members fates are left to your imagination.

This wartime film still holds up well even today as recent events show fasciam is very much alive in this world and in places Americans did not contemplate in 1944.

Ida Lupino and Paul Henreid both were very good actors, but very often they were either cast as either supporting actors or starred in smaller and less prestigious films. Here, however, Warner Brothers put both of them in a top film and gave them both a chance to shine--and they were more than up to the task. In particular, Lupino was lovely. Her performance was strong but also with a lot of style--she really was in her element here.

The film begins in the mid-late 1930s in Poland. Ida and her boss (Mary Boland) are visiting the country to buy antiques to take back to Boland's business in England. Shortly after the story begins, a local nobleman (Henreid) meets Lupino and is obviously smitten with her. When he asks her to marry him, there is a bit of a scandal within the family--after all, she is just a commoner. This romance and its repercussions make up the first 2/3 of the film.

At the same time, there are small hints here and there about the upcoming invasion of Poland by the Nazis--something with which audiences of 1944 would have been well acquainted. Eventually, the Nazi hoards invade and Henreid is called to active duty and the inevitable conquest begins.

Overall, there is a lot to like about this film. As I said above, the acting is very, very good. Plus, Henreid and Lupino are ably assisted by various supporting actors that also rise to the occasion. The direction and cinematography are also first-rate. These factors, combined with a good story, make for a very good film--a propaganda film with greater depth than usual and which is still very watchable today.

A bit slow moving but nonetheless interesting. The only thing missing is Maria Ouspenskaya stirring a boiling cauldron.

Paul Henried and Ida Lupino fall in love near Warsaw. She's a British commoner employed by a fancy English antique collector. Paul and Ida meet by accident in an antique shop. After they do some innocent and tender kanoodling for a while, Paul decides to bring Ida home to meet the Fockers...oops...I mean the royal Orvid family.

Only philosophical uncle Leopold Baruta likes Ida. Paul's sister,Janina, hates her while the rest of the Orvids think she's not good enough for Paul. In the meantime, we encounter a guy who's supporting them all-- Count Pavel. The reason why he's a Count is because everyone watches him count his money to then disperse to them as monthly stipends.

Count Pavel is also a representative of Poland to Nazi Germany and he's convinced that, after Czechoslovakia, Hitler had no more territorial designs on Europe so it would be a good idea to give him the Polish Corridor so as not to tick him off into attacking Poland.

Ida begins to dislike the whole Orvid family and especially Paul's reliance on Pavel for dough. So she's about to hop a train to get her back to England when Paul promises to become independent and she buys into it. So they marry, start teaching the peasants how to till the land while Pavel seethes because this is no way for Polish nobility to act.

On Sept,1.1939, the Nazis invade Poland and begin bombing Warsaw. Paul puts on his military uniform and heads for battle. Ida is left home and somehow, she rallies the peasants into fighting the Germans which history proves to be an absurdity. She teaches them the "scorched earth" policy which history teaches was anachronistic because it was the Russians who employed it against the Nazis after 6/22/41.

However despite its flaws,it all makes for an interesting anti-Nazi, morale boosting film for us at home.

It is unusual to see a film made during the Second World War by Warner Bros. that deals with Poland, but here we have this seldom seen gem starring Ida Lupina and Paul Henreid. Lupino plays an English tourist in Warsaw on an antique buying mission when she falls in love with a Polish count, played sensitively by Henreid. They move to his estate and attempt to modernize the farm operations, but the German invasion of Poland throws their lives into turmoil.