It Happened Tomorrow

"It Happened Tomorrow" could have stood a better beginning - the choice to introduce the story with elderly Dick Powell and Linda Darnell (as Larry and Sylvia Smith) celebrating 50 years of wedded bliss sacrifices the story's surprises. The film does possess the light touch required to make the framing sequence charming. But, director René Clair and Mr. Powell build an unexpectedly good level of suspense regarding Powell's courtship, and mortality. They are so good, you can almost forget how much the opening gives away…

Watch for a thoroughly delightful (and unfortunately rare) performance by sagely John Philliber (as "Pop" Benson). He plays the keeper of the "Evening News" "morgue" (a place where newspapers keep obituaries and other files). Possibly, Mr. Philliber had read his own notice; he died in 1944. Powell was also able to read the writing on the wall, and saved his fledgling career by pursuing more interesting roles (like this one). Jackie Oakie and Edgar Kennedy are also on board. This is a subtle celebration of life, and its mysteries.

******** It Happened Tomorrow (5/28/44) René Clair ~ Dick Powell, Linda Darnell, John Philliber, Jackie Oakie

It seems that this is a much sought after and rarely diffused film - and it is now available on DVD. Picture quality not bad at all considering the time it was made and plot generally quite lighthearted if not unduly mystifying. I was expecting something a little more spicy with a bit of time-travel involved - but was not too disappointed in the end as the actors' performances are good and the subject matter is quite original. I would therefore recommend it to all who love comedy fantasiies but without going over the top about it .

Reporter Dick Powell in the gaslight era of 1896 big city America would like to have the knowledge of the future. Well, think of all the scoops he could have on his job. Later on that evening another staffer on the paper John Philliber gives him a copy of tomorrow's evening addition. And for the next three days Powell's life is turned topsy turvy trying to take advantage of this most inside of information.

At this point in Dick Powell's career he was looking desperately to rejuvenate his career. His musical days were over, he left Warner Brothers, signed with Paramount looking for some straight acting parts, but Paramount mostly put him musicals and not as good as the ones he did with Warner Brothers.

Powell had scored some success in Preston Sturges's Christmas in July with no songs and he grabbed this one. He did well in the role here, but soon he'd change his screen image for all time later that year in Murder, My Sweet.

Exiled Rene Clair helmed this whimsical tale and got good results from his cast. Linda Darnell is as lovely as ever with her uncle Jack Oakie as a mind reading carnival act. And Edgar Kennedy does his patented slow burn as a police inspector who suspects the worst when Powell is scooping the police on some crime stories.

The plot has quite a few twists and turns and it would be a sin to give even one of them away. Powell and Darnell learn a most valuable lesson to take the future as it comes day by day. A little knowledge can indeed be a dangerous thing.

Certainly, the best reason to watch "It Happened Tomorrow" is that it is fun to watch, with an interesting premise, a story and characters that are pleasantly exaggerated to just the right degree, and a good pace that keeps things moving. But it's not without a point, either, and by keeping things from ever getting too serious, it's rather effective in its implied observations.

The likable Dick Powell and the appealing Linda Darnell work well together, giving solid performances without trying to get more out of their characters than they should. Jack Oakie is nicely cast as the boorish uncle of Darnell's character, and he gets some very good moments.

The premise of reading tomorrow's news is certainly familiar in other forms and from other pictures, but it is the kind of interesting idea that always works well when it is in good hands. René Clair has the right feel for it, keeping things light most of the time, and adding some creative details. The story is often very clever in showing the ways that the advance knowledge both influences and misleads the characters.

The story moves fairly quickly, with some good period detail. It's an enjoyable movie and also, without being heavy-handed or obtrusive, illustrates some worthwhile ideas.

Reporter Stevens (Powell) is tipped off to tomorrow's headlines by mysterious Pop Benson (Philliber) before the events happen. At the same time, Stevens is romancing lovely Sylvia (Darnell) who is part with her uncle (Oakie) of a phony occult stage act.

It's Twilight Zone material given a humorously light touch by the masterful Rene Clair, (And Then There Were None {1945}). Considering the final screenplay comes from as many as 7(!) writers, it's surprising the result holds together as well as it does.

A key point is watching such a spooky, noirish premise treated humorously, at times even bordering on the farcical. But the gimmick works surprisingly well, thanks also to a number of plausibly intelligent twists. Then too, Powell gets into the swing with a lively, engaging performance. And what a slice of eye candy is the sweetly innocent Darnell, a long way from her usual tough cookie specialty.

The premise amounts to an imaginative twist on the old concept of fate. The suspense comes from waiting to see how fate will play out. If you think about it, you see why the portent had to be couched as a newspaper headline. Otherwise the ending would have to be quite different.

Anyway, it's an entertaining movie, unusual for the unorthodox treatment. Still, it's that light touch that separates the material from the sci-fi pack for our post-Twilight Zone era.