Pastoral Symphony

Following cessation of hostilities the Grand Prix at the first International Film Festival at Cannes in 1946 was shared between no less than six films, two of which were French. One of these was René Clément's powerful 'Battle of the Rails' and the other this adaptation by Pierre Bost and Jean Aurenche of a novella by André Gide, directed with restraint and sensitivity by Jean Delannoy.

For filmic purposes the theological issues of the original are less emphasised than the plot, the complex interrelationships and the physical actuality of the setting. The character of Piette has been added so as to enlarge the theme of jealousy and unrequited love whilst Jacques' decision to enter the Catholic priesthood has been omitted as is the pastor's seduction of Gertrude before her operation.

Michele Morgan was offered the role of Gertrude and after five years in Hollywoodland she jumped at the chance to do something worthwhile. Her superlative performance revived her career on home soil and was described by her former mentor Raimu as 'magnificent'. Even by French standards of the time the quality and substance of the cast is immeasurable, notably Pierre Blanchar, Line Noro, Jean Desailly and the tragically short-lived Andrée Clément. The cinematography of Armand Tirard is luminous and Georges Auric's score endures as one of the film's strengths. Delannoy has not been afraid to take his time and this slow-burner builds to a devastating third act.

Despite the changes André Gide was most gracious and when asked by Delannoy at the Paris premiere to sign a copy of his novella he wrote: 'To Jean Delannoy, for whom this little volume has served as a pretext to create a beautiful film.'

This is arguably this director's best loved film and was long recognised, even in America, as epitomising the best of French cinema. Thus far it has garnered a mere six reviews on IMDb which is both shameful and deeply dispiriting.

La Symphonie Pastorale is a neglected classic of French cinema.It is high time tall tales about its importance are told to all cinema lovers whether in France or outside of France.It is one of those few lucky films in the history of French cinema with which some of the most important personalities of French culture have been associated. One can cite the names of Michèle Morgan,André Gide and Jean Delannoy. This film is an honest adaptation of André Gide's best book "La Symphonie Pastorale".Jean Delannoy has worked wonders with this film by making a star as well as talented actress out of charming Michèle Morgan.It is true that love and its implications is the major theme of this film but we also get a chance to see other sentiments such as jealousy and innocence.After viewing this film there would hardly be anyone who would not have been influenced by the heroic figure of the leading lady Gertrude.The best human experience which one can derive from this film concerns how the vision of a person changes in the course of time ? It is a wonder that this film and the book have remained free of controversies despite the presence of religion.

I had read this in high school French class and am a warm fan of Michelle Morgan, so I rented this recently. For those looking or a comedy, this is the wrong choice.

This is the story of a stuffy, humorless and unimaginative married Protestant pastor with several children near a small village in the Swiss Alps,who one day, takes in a little blind girl who has just lost her mother. He raises and teaches the girl everything - and in the process gradually falls in love with her as she becomes an adult, to the great alarm of his family. His denials that he has fallen in love with her - and that he has done all he can to deny her a life independent of the family in order to keep her there, dependent on him and grateful to him, are the source of the drama.

The movie is very grim. The pastor is someone any viewer will grow to hate within 5 minutes of the movie! Narrow, self-satisfied, pompous, haughty toward wife, family and congregation, he is truly unlikeable. At times, the dialogue is over the top. At times, the viewer is frustrated because if the pastor's son, or the blind girl, only articulated clearly what they wanted without this terrible deference to the lying pastor, the situation would be averted.

All that said, the movie has its power. Michelle Morgan is lovely and sweet. The viewer will remember this one.

My title will enrage the highbrows,but ,after reading the notorious "Cahiers du Cinema" who on earth (and particularly in France) will

watch a Jean Delannoy film ,cause it's " inevitably bad" cause Godard and co have decided it is so?

"La Symphonie Pastorale" is a marvelous black and white movie.A simple story of a minister who takes on a little savage girl,Gertrude (a Dreyeresque name!) .For a short while ,it's got something of Helen Keller ,cause the heroine is blind when the story begins.But Delannoy focuses on the relationship between the man who's got four children and his protégée.Pierre Blanchar (it's probably his best part) and Michèle Morgan are at the top of their game and they give subtle performances.When the elder son (Jean Desailly)comes back,and falls in love with Gertrude ,the tragedy is in the air.The priest realizes he loves the girl in a way a father should not.

Delannoy takes advantage of the snowy landscapes and the frozen rivers,of the tiny church where the organ becomes a mediator between Gertrude and the young man ,of an excellent cast.

He has even got a sense of humor !There's a private joke .When they show Desailly the organ ,one of the men says "Amour,Delices et Orgues!" which was the title of a (very mediocre) previous film in which the actor was featured the same year.