Code of the Secret Service

CODE OF THE SECRET SERVICE has RONALD REAGAN as an agent on the trail of counterfeiters in Mexico, with ROSELLA TOWNES as his co-star. She's pretty and earnest, resembling Lana Turner in her starlet days. Reagan handles all the action in a believable enough way, so it's surprising that the film was received so indifferently by some reviewers.

Actually, it resembles a cliffhanger that could have been used as a serial for Saturday afternoon programming in the kind of serial chapters that were used in the '30s and '40s to keep the kids in their seats. Reagan keeps finding himself and Townes in precarious situations that they have to use a little ingenuity to get out of, always escaping in time to keep one step ahead of villainous MORONI OLSEN.

Not bad at all, as these crime capers go, with Reagan and Townes both giving earnest performances in what feels like a Republic serial but is actually a Warner Bros. B-film with a brief running time.

Interesting mainly for a glimpse of early Reagan as action hero in a programmer.

This is a lousy movie; even Ronald Reagan named it as the worst he ever made. There's only one interesting thing about it: Jerry Parr was inspired to join the Secret Service because of this movie, and he ended up saving President Reagan's life!

Besides that, it's plain and simple lousy. Reagan plays a Secret Service agent who is tasked to find a money scam in Mexico. Someone has stolen official treasury plates and is printing fake currency. Do you think the good guys will capture the bad guys before it's too late? What about inflation? Well, that's not really discussed. This movie is only an hour long, so there's not much time for details. It's a C-picture, showing how the USA always has good guys running around capturing bad guys, so you'd better not think about stealing from us! Folks, stick with Kings Row.

In his first autobiography, "Where's the Rest of Me," Ronald Reagan told of one movie, which he carefully avoided naming, that he feared would destroy his career -- and that of everyone else connected.

He begged Warner Brothers not to release it, but the studio promised only not to allow distribution around Los Angeles.

Surprisingly, even that promise was broken. (Who'd a-thunk a studio would break a promise?) Reagan told of walking by a theater where it was playing and having the ticket seller say, "You should be ashamed."

It was this movie.

Actually, it's not only not that bad, it's pretty darn good.

"Code of the Secret Service" moves! As someone said of another entry in the series, it almost looks like a serial re-edited into a feature.

There is one scene, though, Reagan mentioned in "Rest" at which I laughed out loud because I remembered his describing it all those years ago. I will say only that, when you watch "Code," pay close attention to the Spanish-English dictionary Brass gets from Gabby.

The director and script supervisor, though, did a smooth job on another scene, where Gabby wins a bet from one of the Mexican soldiers.

Another point to watch for: According to the opening titles, the first two "Brass Bancroft" films were based on writings by W.H. Moran, a former chief of the Secret Service.

Also be on the lookout for some outstanding character actors, including the wonderful Chris-Pin Martin and Martin Garralaga.

And Moroni Olsen gets one of his biggest parts. He was a fine actor in more than a hundred roles, and was working right up to his final year.

Finally, there is some really nice Mexican-sounding music that accentuates the locale of the action.

It's a good movie.

Code of the Secret Service (1939)

** (out of 4)

Follow up to SECRET SERVICE OF THE AIR has Lt. Brass Bancroft (Ronald Reagan) trying to track down some counterfeiters. He tracks them to Mexico where they plant a murder wrap on him so Brass must escape the Mexican police while trying to do his job as well. I enjoyed the first film in the series but this one here was pretty bland from start to finish and the 58-minute running time seemed like triple that. According to the Robert Osborne introduction on TCM, Reagan was so worried this film would end his career that he begged Warner not to release it. In a compromise they agreed to release it everywhere except for Los Angeles since Reagan lived there. I don't think the film was that bad but it's still not that good. The biggest problem is that there's just no energy to the film. The first film plays out like a fun serial and this one goes for that effect but it fails because of the rather weak direction. Many films around this era dealt with money laundering and most of them handled it better than this. Eddie Foy, Jr. is certainly the best thing about the movie as he brings a few laughs. Reagan sleepwalks through the role and doesn't bring much to the film. Two more sequels would follow though.

Early in Ronald Reagan's career, he made some surprisingly good films such as LOVE IS ON THE AIR, BROTHER RAT and SECRET SERVICE OF THE AIR. While they weren't exactly masterpieces, they were competently made and good B vehicles for the struggling young actor. However, among these films came the awful CODE OF THE SECRET SERVICE--ostensibly a follow-up to SECRET SERVICE OF THE AIR, though the films really aren't all that similar (besides, CODE OF THE SECRET SERVICE was written by chimps, the other one was not).

Reagan once again plays the character "Brass Bancroft", though oddly, he isn't a pilot in this film nor does it have much to do with the last one--especially in tempo. Instead of an action-adventure film, this film lacks depth and has so many logical errors that it looks like a bad movie serial (such as SPY SMASHER) and condenses it all into one very brief movie. Again and again, characters defy logic and the plot is amazingly banal because the emphasis is on fist fights and guns like a bad B-Western--making Reagan seem to have the charisma of a tomato. Some examples of how bad it was were the plane Reagan rode on at the beginning of the film changed from a Lockheed airliner to a Douglas DC-3 (taking off as one and landing as the other), a car that whipped around corners on a dirt rode that sounded exactly like one on asphalt and Reagan almost getting killed again and again by the Mexican police yet all he had to do was show him his i.d. and let them know he was a US Secret Service agent!! The bottom line is that this is a super-bad B-picture that is bad enough it should be considered a "C-picture"--it's THAT bad. Warner Brothers should have been ashamed of themselves.