A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- Won 1 Oscar
- 1 win total
Eddie Acuff
- Second Bus Driver
- (uncredited)
Maude Allen
- Woman
- (uncredited)
Dorothy Appleby
- Waitress
- (uncredited)
Jane Barnes
- Waitress
- (uncredited)
Georgie Billings
- Boy Hiding From Policeman
- (uncredited)
Gladys Blake
- Tenement Resident
- (uncredited)
Stanley Blystone
- First Bus Driver
- (uncredited)
Wade Boteler
- Policeman at Pier
- (uncredited)
Harry C. Bradley
- Reverend Mr. Morris
- (uncredited)
Helen Brown
- Waitress
- (uncredited)
Sonny Bupp
- Boy Hiding from Policeman
- (uncredited)
Storyline
Did you know
- TriviaAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- ConnectionsRemade as Interlude (1957)
- SoundtracksYankee Doodle
Traditional
Played by the busboys at the labor meeting
Featured review
This is a heart-rending story covered up in a romantic comedy of many wonderful and surprising turnings, and it is impossible to guess at the sad conclusion of this very entertaining and stimulating journey. It's a typical Irene Dunne film, it's like a twin shadow of "Love Affair" of the same year, but although this film is more hearty and gleeful in its romantic ways, it is more tragic than "Love Affair", which puts on a more sinister fateful aspect but nevertheless ends better. Here you are faced with a truly hopeless situation with no end to its abysmal tragedy, which no one can do anything about, and still Charles Boyer and Irene Dunne settle to make the best of it and hope for tomorrow anyway, and maybe, after all, it will come...
- How long is When Tomorrow Comes?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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