Half a Sinner

That opening scene with the impish little boy writing punishment sentences on the blackboard is a charming hoot. The whole time he's muttering he will NOT be a good boy despite what he's writing. Monitoring him, teacher Anne (Angel) looks dowdy, I guess like a school teacher's supposed to look. She's been leading a respectable but repressed life, content it appears with the romantic margins. Then, one day, she drops her homely eye-lasses and goes shopping-- new dresses, stylish hats, flattering cosmetics-- and the make-over is complete. The conversion from gray moth to striking butterfly is also complete. But does she know what comes with the good looks that catch a man's eye. From now on it's a pack of trouble.

Lively little madcap from Universal, thanks to the two leads, Angel and King. Their chemistry works as they try to outwit gang of crooks whose corpse-bearing car they've unfortunately stolen. Now both the crooks and cops are after them. Maybe Anne was better off making little boys write on blackboards. But then this is Hollywood and we know how such antics end, especially for such an attractive twosome. All in all, it's a fun way to spend an hour, maybe not Hepburn and Grant, but with their own B-movie brand of charm.

Comedy noir would seem to be a contradiction in terms, but there are in fact movies in this vein that deserve serious attention, particularly The Ladykillers (1951). A much lesser entry, however, is Universal's 1940 release, Half a Sinner, in which a none-too-flatteringly photographed and costumed Heather Angel is pursued not only by comic cops and comic crooks but by smiling bland man, John King. The second last of over 400 films (many of them shorts) directed by comedy giant, Al Christie, this Trouble with Harry/Midnight Manhunt effort is somewhat repetitious but pleasant enough to talk during and even come late for. The players do what they can with their something-borrowed (cf. the overcoat device in Manhattan Melodrama), something-thin material, but only Clem Bevans, Tom Dugan, William B. Davidson and ever-reliable Constance Collier really shine.

As school winds down Anne Gladden (Heather Angel), a single teacher, decides to throw caution to the wind, gets herself all dolled up and heads out to the park. There she is accosted by a rude gentleman and in order to get away takes his car and drives off. She is unaware that the car is stolen and that there is a dead body in the back seat under an overcoat. The coat belongs to the boss of the gangsters and he's not happy that the evidence that could put him away for a long time is now out and about on a joy ride. Soon Anne is not only being chased by the cops and the gangsters but she's managed to pick up a nice man as well.

Suspenseful and silly this is a very enjoyable romp as the ever lovely Heather Angel tries very hard to get out of trouble and hang on to her man. Clearly a program picture this fun film manages to be considerably more especially when Constance Collier as Mrs Brenckenridge shows up and runs rough shod over everyone and everything. The woman is a pip.

I really liked this a great deal. This is one to keep an eye out for since its an hour of your time well spent.

A bored school teacher gets mixed up with the mob. She's decided to get out and see life, so she buys fancy clothes and drives off in a car the killers were using to dispose of a body. She meets a handsome stranger along the way, and they decide to return the car. After lunch, of course. All pretty unlikely, but if we just go along, it'll be an adventure. It's pretty silly. A 59 minute shortie B film from universal. From a story by dalton trumbo, whose life was turned upside down by the huac in the 1940s. Directed by al christie. This appears to be the last full length film he directed! The very last short christie directed was an odd little eleven minute bit with bob hope and friends called "bob's busy day". Apparently that was part of a larger film but has been sliced and diced into a tiny little short.

I'm sure this little comic piece was never meant to be taken seriously. It involves a snowball effect caused by a young schoolteacher out on a lark. She ends up with a car carrying a body and evidence against a crime boss. It's a series of escapes and puzzled cops, running back and forth, chasing the young woman and her wealthy handsome new acquaintance. The police are good hearted buffoons. The crooks are silly and pretty ineffectual. There are some narrow escapes, but no one ever seems to get all that flustered over the events. Reality takes a holiday in this one and that's OK. It's just so darned tongue in cheek and over the top that we never really feel much for the plight of the characters.