When Kerstin Norback is shot and gravely wounded by her lover, the trial causes a public scandal, forcing her to move to Stockholm under an assumed name. There she befriends a group of women... Read allWhen Kerstin Norback is shot and gravely wounded by her lover, the trial causes a public scandal, forcing her to move to Stockholm under an assumed name. There she befriends a group of women and attempts to rebuild her life.When Kerstin Norback is shot and gravely wounded by her lover, the trial causes a public scandal, forcing her to move to Stockholm under an assumed name. There she befriends a group of women and attempts to rebuild her life.
- Girl
- (uncredited)
- Man in the Courtroom
- (uncredited)
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Storyline
Did you know
- TriviaAfter the success of the American remake of Intermezzo (1939) produced by David O. Selznick, Ingrid Bergman signed a long-term contract with him that began in April 1940; in the meantime, the hard-working actress returned to Stockholm to produce one more film: June Night (1940).
- Quotes
Fru Cronsiöö: There have been many who've chased after her. I never understood what they saw in her. The educated men as well. A very handsome man, who was an art teacher, wanted her as a model. But I told him it was shameful to use her like that. Then there was a law clerk. Yes, of course. He worked here at the courthouse. But of course you gentlemen neither saw nor heard a thing. Blind as bats, you are. Forgive me, but I tell it like it is. There was kissing in the stairwell. I know that for a fact. My door was ajar, so I saw and heard everything.
- SoundtracksBagatelle No.25 in A minor 'Für Elise', WoO.59
(uncredited)
Written by Ludwig van Beethoven
Played in the score often
Bergman plays Kerstin, a provincial young woman who is shot by a jealous lover. She survives but is treated so shabbily in court that one almost wants to laugh, it feels so different from what you'd imagine would happen today (but then what do I know, maybe Sweden hasn't changed so much?). She tries to start again in Stockholm under a new name, but a woman as fascinating and alluring as Kerstin can't avoid attention, suspicion, jealousy, being misunderstood. It's only a matter of time before something else happens, right?
It's striking how temperamental everyone else, how impulsive, how childlike in their emotional outbursts. The movie reminds one of the glamour imparted by the chiaroscuro of black and white photography. Oh you see so many examples now, online, of colorised b/w movies, thoughtlessly achieved by a generation obsessed with technology and achieving hits, and utterly blind to aesthetics or good taste. Remind yourself of what has been lost by seeing this film.
The scene between Olof Widgren and Ingrid Bergman is one of such tantalising mutual attraction that you virtually will their lips to come together in a kiss. The June night of the title is presumably Midsummer, the night when everyone goes a little crazy, or so it seems. Decisions are made and must be faced up to when the sun comes up. Feelings are destined to be hurt.
One could take issue with the plausibility of someone surviving a bullet to the chest, or the strange old man boring on about the Saturnalia, or the abrupt ending (devoid of melodrama), but I'd say there's a realistic emotional truth to the story, and of course one cannot take one's eyes off Bergman. She could be one of Dostoevsky's heroines, fragile, glacial, determined, seductive and cruel, all within minutes of each other. It feels almost like this film was a springboard for both of them, the actress and her character.
A midsummer night's predicament then.
Recommended.
- HuntinPeck80
- Oct 24, 2023
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Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1