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Langdon Towne and Hunk Marriner join Major Rogers' Rangers as they wipe out an Indian village. They set out for Fort Wentworth, but when they arrive they find no soldiers and none of the sup... Read allLangdon Towne and Hunk Marriner join Major Rogers' Rangers as they wipe out an Indian village. They set out for Fort Wentworth, but when they arrive they find no soldiers and none of the supplies they expected.Langdon Towne and Hunk Marriner join Major Rogers' Rangers as they wipe out an Indian village. They set out for Fort Wentworth, but when they arrive they find no soldiers and none of the supplies they expected.
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
Donald MacBride
- Sgt. McNott
- (as Donald McBride)
C.E. Anderson
- Ranger
- (uncredited)
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This is a western only in the widest sense of the word, since it's not set in the Old West. It's set in the mid 18th century during the French and Indian War, on what was the frontier then. It can be seen as an adventure movie, although mostly it's a war film. It's also a character study of Major Robert Rogers, very well interpreted by Spencer Tracy, commander of Rogers' Rangers, an American military company of rangers attached to the British Army (this was of course before the War of independence).
The movie is harsh in its military objective (destroying an hostile Indian village) as in its depiction of the epic journey to get there and to get back. And its mostly about the journey, where Rogers pushes his men on a grueling trip through the wilderness, on boats and on foot, through sheer grit and strength of character.
Some reviewers have complained of "too much walking in the woods", but that's the point of the movie, showing how these men pushed themselves through such a harsh journey.
It's filmed in technicolor, and that's a good thing, because this movie needs a good cinematography. The cinematography we get is not perhaps breathtaking, but it's good enough to do the trick and get us into the story.
One complaint I have is that the actors, while dirty and disheveled through all the hardships, never really look like they are starving. Also, the actual battle, while not the climax of the movie, was not done that well, at least if we judge it by modern standards. But it doesn't really matter, because as I said what matters here is the journey and the determination to survive, and that is well depicted.
An intense, harsh, war movie made in 1940 for a nation that was about to get into the biggest war.
Curiously, despite the title, it has nothing to do with searching for the Northern Passage. That was supposed to come in the second part that was never filmed. In fact, in the credits it's called chapter I.
The movie is harsh in its military objective (destroying an hostile Indian village) as in its depiction of the epic journey to get there and to get back. And its mostly about the journey, where Rogers pushes his men on a grueling trip through the wilderness, on boats and on foot, through sheer grit and strength of character.
Some reviewers have complained of "too much walking in the woods", but that's the point of the movie, showing how these men pushed themselves through such a harsh journey.
It's filmed in technicolor, and that's a good thing, because this movie needs a good cinematography. The cinematography we get is not perhaps breathtaking, but it's good enough to do the trick and get us into the story.
One complaint I have is that the actors, while dirty and disheveled through all the hardships, never really look like they are starving. Also, the actual battle, while not the climax of the movie, was not done that well, at least if we judge it by modern standards. But it doesn't really matter, because as I said what matters here is the journey and the determination to survive, and that is well depicted.
An intense, harsh, war movie made in 1940 for a nation that was about to get into the biggest war.
Curiously, despite the title, it has nothing to do with searching for the Northern Passage. That was supposed to come in the second part that was never filmed. In fact, in the credits it's called chapter I.
Northwest Passage was produced in one of the golden years of the golden era of Hollywood....1939-1940., and contains all of the best of what MGM had to offer. Based on the Kenneth Roberts novel of the same name, Northwest Passage covers "Part I - Roger's Rangers" of that epic work. Set in Colonial American during the French and Indian Wars, it recalls the true exploits of a group of Rangers sent up into the French-Canadian woods to wipe-out a village of enemy-aiding warriors..... and especially the agonizing hardships on the trip home as they are pursued by the French. The scope of this movie has always impressed me, from the coziness of the firelight of a Studley's Tavern, the richness of The Reverend Brown's palor, the solid construction of Crown Point, and the beauty of the forest.
The Cast is top-notch headed by Spencer Tracy as Major Rogers. Robert Young, Walter Brennen, Ruth Hussey, and others help to make this a real treat to watch. The technicolor is of the fine old process, and we see hues and tones that are not visible in today's movies. Also, the musical score is compelling. This movie is absorbing, and when watched without interruption, the viewer gets swept along as though part of the story.
The Cast is top-notch headed by Spencer Tracy as Major Rogers. Robert Young, Walter Brennen, Ruth Hussey, and others help to make this a real treat to watch. The technicolor is of the fine old process, and we see hues and tones that are not visible in today's movies. Also, the musical score is compelling. This movie is absorbing, and when watched without interruption, the viewer gets swept along as though part of the story.
Kenneth Roberts was a distinguished novelist who wrote many fine fictional works about colonial and revolutionary America. Probably his biggest seller was Northwest Passage a fictionalization of the exploits of Roger's Rangers during the French and Indian War.
His books sold well at the time and we have to remember that in viewing Northwest Passage we are seeing a fictional story rather than the real story of Roger's Rangers. At that we are only seeing part of that book, nothing at all about a search for a land route across North America.
The historical significance of the Rangers is that Robert Rogers had an idea that one should be living and thinking like the American Indian in order to fight him. His ideas about specialized units who could meet the enemy on his own terms in colonial America have been followed right down to the Green Berets in Vietnam. His is a distinguished contribution in military history.
To do that and lead such a group you have to be one charismatic leader. And in Spencer Tracy, Rogers has the best kind of interpreter.
This was Tracy's first color feature for MGM and Louis B. Mayer spared no expense for this film. No back lot backwoods here, the company went on location to the Payette River in Idaho for the outdoor scenes depicting colonial era New York State. No stunt doubles here either, that's Tracy, Walter Brennan, Robert Young and the rest of the company waist deep in those rapids forming that human chain. Some of the stars nearly drowned making this film.
One aspect of this film is rarely discussed and that was the politics surrounding the Indians. Please note that while Tracy is burning the Abinagi village, he has some friendly Mohawks with him. When the British and French went to war in this theater of the Seven Years War, the various Indian tribes chose up sides, trying to figure which group of whites would give them the better deal. The Mohawks are part of the Iroquois Confederation and they aligned themselves with Great Britain. Various other tribes allied with with French. Both were supplied with the white man's weapons of war and both fought on each side. And neither got a really great deal in the end.
Northwest Passage is definitely not for the politically correct of the day. Tracy is leading a savage reprisal against the Abinagi, he burns the town, kills all the males of fighting age, steals their meager food supplies to feed his men who are hungry themselves. Tracy makes it clear this is reprisal for raids against the British colonists. Prominently displayed for the camera just before the shooting start is that large exhibit of settler's scalps in the village.
Of course the real story is the retreat back, fleeing a much larger force of French in the area. The men are starving as they reach the rendezvous point which is an abandoned fort. Tracy races ahead of the men who've been promised a feast when they get there and as he makes it there he realizes the supplies haven't come. He starts to break down, but as he hears his men behind him, he regains control of himself and starts issuing the orders necessary for their survival. It's all done in a few minutes without dialog and its own of Spencer Tracy's greatest film moments.
Northwest Passage will not find too much favor with a lot of today's audience. But taken for what it is worth, it is a story about brave men and their struggle for survival in the colonial wilderness.
His books sold well at the time and we have to remember that in viewing Northwest Passage we are seeing a fictional story rather than the real story of Roger's Rangers. At that we are only seeing part of that book, nothing at all about a search for a land route across North America.
The historical significance of the Rangers is that Robert Rogers had an idea that one should be living and thinking like the American Indian in order to fight him. His ideas about specialized units who could meet the enemy on his own terms in colonial America have been followed right down to the Green Berets in Vietnam. His is a distinguished contribution in military history.
To do that and lead such a group you have to be one charismatic leader. And in Spencer Tracy, Rogers has the best kind of interpreter.
This was Tracy's first color feature for MGM and Louis B. Mayer spared no expense for this film. No back lot backwoods here, the company went on location to the Payette River in Idaho for the outdoor scenes depicting colonial era New York State. No stunt doubles here either, that's Tracy, Walter Brennan, Robert Young and the rest of the company waist deep in those rapids forming that human chain. Some of the stars nearly drowned making this film.
One aspect of this film is rarely discussed and that was the politics surrounding the Indians. Please note that while Tracy is burning the Abinagi village, he has some friendly Mohawks with him. When the British and French went to war in this theater of the Seven Years War, the various Indian tribes chose up sides, trying to figure which group of whites would give them the better deal. The Mohawks are part of the Iroquois Confederation and they aligned themselves with Great Britain. Various other tribes allied with with French. Both were supplied with the white man's weapons of war and both fought on each side. And neither got a really great deal in the end.
Northwest Passage is definitely not for the politically correct of the day. Tracy is leading a savage reprisal against the Abinagi, he burns the town, kills all the males of fighting age, steals their meager food supplies to feed his men who are hungry themselves. Tracy makes it clear this is reprisal for raids against the British colonists. Prominently displayed for the camera just before the shooting start is that large exhibit of settler's scalps in the village.
Of course the real story is the retreat back, fleeing a much larger force of French in the area. The men are starving as they reach the rendezvous point which is an abandoned fort. Tracy races ahead of the men who've been promised a feast when they get there and as he makes it there he realizes the supplies haven't come. He starts to break down, but as he hears his men behind him, he regains control of himself and starts issuing the orders necessary for their survival. It's all done in a few minutes without dialog and its own of Spencer Tracy's greatest film moments.
Northwest Passage will not find too much favor with a lot of today's audience. But taken for what it is worth, it is a story about brave men and their struggle for survival in the colonial wilderness.
There are few films about the French and Indian War (1754 - 1763) which is surprising. Given the rising solidity of Anglo-American relations in the late 1930s into World War II more films should have been made. I can only think of this one and THE LAST OF THE MOHICANS (with Randolph Scott and Henry Wilcoxen) as the best - possibly sole - examples. But NORTHWEST PASSAGE is a marvelous example of how to make an interesting historical film. Briefly, it is 1759, and Major Robert Rogers and his famous Rangers (probably America's first example of a special forces unit) are sent into territory in the hands of an enemy Indian group. The film shows all the problems of 18th Century forest fighting, with supply problems, ambushes, and personal problems. Rogers does not have to only worry about Indian attacks (off screen we hear of the massacre of part of his men who separated for security reasons to rendezvous at a later spot), but with starvation and madness (witness Addison Richards insane ranger). But the mission is accomplished, and one step brought forward to the successful completion of the war.
But the story was not fully told, due to the expenses of filming (it was filmed mostly outside the studio). The actual title is NORTHWEST PASSAGE: PART I. Robert Young plays Langdon, a young college student (actually he looks slightly old for that role) who is skillful in drawing and drafting. So he is taken under Major Rogers' wing (Langdon and his best friend - played by Walter Brennan - were almost arrested for quasi-seditious remarks about a local British government official played by Montague Love) and go on the trek. Tracy/Rogers needs Young/Langdon as a map maker. He has plans to find the Northwest Passage with his Rangers once the war is finished. The present film ends with Langdon married and watching Rogers and his Rangers marching off on their next mission.
The sequel would have been a downer, but a brilliant one - and I suspect the subject matter of the sequel had more to do with killing the problem than the actual expense (after all, the first part was a hit film, and made back it's cost at the box office). In the sequel Rogers tries to get his exploration plans under way, only to run afoul of history: it seems the colonies and Britain are becoming less and less friendly due to the issue of taxation and British legislation like the Stamp Act and the Townshend Acts. Rogers (as he was an officer - albeit an irregular one - in the British army) is a loyalist, and Langdon and his friends are not. Gradually Rogers becomes more and more isolated due to his political stand. In the end he goes into exile, and becomes a bitter, defeated ex-hero. The Northwest Passage is not to be discovered by this remarkable man. It would be first sited by Thomas Simpson, an explorer for the Hudson Bay Company, in 1838-39.
The ill-fated Franklin Expedition (1845-49) would find the key to the passage, but perish in the course of the discovery. This would not fully become notable until Sir Robert McClure (in 1851) and Sir Leopold McClintock (in 1859) rediscovered the passage while seeking Franklin's men. Finally Roald Amundson would successfully sail through the passage on the Gjoa in 1903-1905.
The sequel, as you can see, became increasingly anti-British (the audience in America would have to be pro-American if shown in America). Therefore it would have been out of place in a period when American films were to be pro-English. That's more likely the reason that the sequel was not made with Tracy being shown going slowly to seed. An understandable reason, but it would have been Tracy's greatest part - the hero denied his just claim for glory by sheer historical chance. The completed NORTHWEST PASSAGE would have been one of the masterworks of 20th Century motion picture making.
But the story was not fully told, due to the expenses of filming (it was filmed mostly outside the studio). The actual title is NORTHWEST PASSAGE: PART I. Robert Young plays Langdon, a young college student (actually he looks slightly old for that role) who is skillful in drawing and drafting. So he is taken under Major Rogers' wing (Langdon and his best friend - played by Walter Brennan - were almost arrested for quasi-seditious remarks about a local British government official played by Montague Love) and go on the trek. Tracy/Rogers needs Young/Langdon as a map maker. He has plans to find the Northwest Passage with his Rangers once the war is finished. The present film ends with Langdon married and watching Rogers and his Rangers marching off on their next mission.
The sequel would have been a downer, but a brilliant one - and I suspect the subject matter of the sequel had more to do with killing the problem than the actual expense (after all, the first part was a hit film, and made back it's cost at the box office). In the sequel Rogers tries to get his exploration plans under way, only to run afoul of history: it seems the colonies and Britain are becoming less and less friendly due to the issue of taxation and British legislation like the Stamp Act and the Townshend Acts. Rogers (as he was an officer - albeit an irregular one - in the British army) is a loyalist, and Langdon and his friends are not. Gradually Rogers becomes more and more isolated due to his political stand. In the end he goes into exile, and becomes a bitter, defeated ex-hero. The Northwest Passage is not to be discovered by this remarkable man. It would be first sited by Thomas Simpson, an explorer for the Hudson Bay Company, in 1838-39.
The ill-fated Franklin Expedition (1845-49) would find the key to the passage, but perish in the course of the discovery. This would not fully become notable until Sir Robert McClure (in 1851) and Sir Leopold McClintock (in 1859) rediscovered the passage while seeking Franklin's men. Finally Roald Amundson would successfully sail through the passage on the Gjoa in 1903-1905.
The sequel, as you can see, became increasingly anti-British (the audience in America would have to be pro-American if shown in America). Therefore it would have been out of place in a period when American films were to be pro-English. That's more likely the reason that the sequel was not made with Tracy being shown going slowly to seed. An understandable reason, but it would have been Tracy's greatest part - the hero denied his just claim for glory by sheer historical chance. The completed NORTHWEST PASSAGE would have been one of the masterworks of 20th Century motion picture making.
Northwest Passage is based on a novel of the same name by Kenneth Roberts, in fact it is an adaptation of its first part The Roger's Rangers, the second part was also originally planned to be filmed by King Vidor, but MGM dropped the project fearing the costs involved. As a consequence only the first part of the novel was brought to the screen where passage through the northwest never actually happens but only is talked about.
The story is centred on Major Robert Rogers (Spencer Tracy) and his rangers who take a dangerous and adventurous journey through the territory controlled by the Indians and the French troops in 18th century America in order to destroy a hostile Indian village from where English settlements are constantly being attacked.
Right in the beginning the rangers are joined by right out of Harvard idealistic young cartographer Langdon Towne (Robert Young) who is dreaming of becoming a great painter `like Velasquez or Rubens' and is enthusiastic about the journey because of possibility it offers to paint portraits of Indians and landscapes in contrast with the other rangers who are mainly driven by yearning of revenge for relatives murdered during Indian raids.
Northwest Passage is possibly the best and the most visually impressive King Vidor's adventure film. Breathtakingly beautiful landscapes shown here certainly stand out as the most wonderful even among King Vidor's work who was well known for beautiful Technicolor exteriors in his movies. A beautiful film, definitely worth watching. 8/10
The story is centred on Major Robert Rogers (Spencer Tracy) and his rangers who take a dangerous and adventurous journey through the territory controlled by the Indians and the French troops in 18th century America in order to destroy a hostile Indian village from where English settlements are constantly being attacked.
Right in the beginning the rangers are joined by right out of Harvard idealistic young cartographer Langdon Towne (Robert Young) who is dreaming of becoming a great painter `like Velasquez or Rubens' and is enthusiastic about the journey because of possibility it offers to paint portraits of Indians and landscapes in contrast with the other rangers who are mainly driven by yearning of revenge for relatives murdered during Indian raids.
Northwest Passage is possibly the best and the most visually impressive King Vidor's adventure film. Breathtakingly beautiful landscapes shown here certainly stand out as the most wonderful even among King Vidor's work who was well known for beautiful Technicolor exteriors in his movies. A beautiful film, definitely worth watching. 8/10
Did you know
- TriviaThe most demanding scene for the actors involved the filming of the human chain employed by the Rangers to cross a treacherous river. The actors themselves had to do the shots without the benefit of stunt doubles. The sequence was begun at Payette Lake in Idaho but had to be completed in the studio tank because the lake was far too dangerous. For Spencer Tracy, who once complained that the physical labors required of actors "wouldn't tax an embryo," it was his most difficult shoot to that point, surpassing even the taxing ocean scenes of his Oscar-winning Captains Courageous (1937).
- GoofsRogers' Rangers did not portage their whaleboats over a ridge during the St. Francis raid. This actually happened two years prior when the Rangers portaged their boats from Lake George to Wood Creek in order to avoid French outposts around Fort Ticonderoga (Carillon).
- Quotes
[repeated line]
Maj. Robert Rogers: I'll see you at sundown, Harvard.
- ConnectionsFeatured in Land of Liberty (1939)
- SoundtracksAmerica, My Country Tis of Thee
(1832) (uncredited)
Music by Lowell Mason, based on the Music by Henry Carey from "God Save the King" (1744)
In the score during the opening credits
Reprised in the score near the end
Details
Box office
- Budget
- $2,677,762 (estimated)
- Runtime2 hours 6 minutes
- Color
- Aspect ratio
- 1.37 : 1
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